The abstracted human shape of Flat man / J» en ai assez je dis oui (2015), is formed by the outline of a photographic emulsion of three men posed as one.
Not exact matches
Their works show that the Moon can be seen from a scientific, literal, or poetic point of view, and also that the ways in which it affects
humans can be demonstrated through various interpretations and phenomena, figuratively or through
abstract landscapes and
shapes.
Shapiro is mostly known for his works in bronze of linked cuboidal
shapes, which read as
abstract forms that play off of a likeness to the
human figure.
Some sketches feature figurative motifs,
human forms and faces, while others appear as purely
abstract shapes, configurations and patterns.
As with some of the earlier
abstract sculptures downstairs, there's even something vaguely
human about the
shape when viewed vertically.
Though he never signed or dated any of his works, the exceptionally bright and contrasting colours and the vibrancy of his forms — vaguely evoking flowers, birds, objects and
human beings, but more often dissolving into
abstract shapes — unquestionably became a signature of sorts.
Her signature
abstract shapes refer to things in the real world — vessels, bowls, tools, and other objects — each revealing the mark of the
human hand while also summoning natural forms and forces.
«A specially designed LED light suit
abstracts the
human form to
shapes of light,» explains Belfast photographer Michael Taylor, on his new series LightPath.
We also assume that
abstract art is restricted to the formal issues of colors and
shapes that have little or nothing to do with other aspects of nature and
human life.
The burning Silueta
shape in this film exists as a fully
abstracted idea that is part
human, part earth, and part tree.
With writing at the heart of his work, he
abstracts and distorts his words into an alphabet of
human - scale
shapes, using mundane industrial materials such as concrete, steel, soil, sand and corrugated sheet metal.
Employing the technique used by artists such as Salvador Dalí and Max Ernst to create a surrealist
human form, a family will come up with an
abstract shape together.
Xie Qi is a Chinese painter and sculptor, whose works lie somewhere between the concrete and the
abstract —
humans and objects are prolonged, drawn out, magnified and change
shape, lending a sense of mannerism.
Gorelick switches styles, as any artist might, to question the formal success of certain techniques: Is the effect of an
abstract form in color and
shape more genuine to the
human?
Distinct lines of continuity link this painting to the more
abstract works of the late»30s, in which
human forms give way to massive, bonelike
shapes in dramatically contrasting colors.