Born in Los Angeles, Mark Bradford collages pieces of detritus — found billboards, logos, hairdresser's endpapers — scavenged from the streets of southern California, which together snap into
abstracted urban grid paintings and other evocative compositions.
Not exact matches
His first collaged paintings grew out of this process; these
abstract grid - like images recall a night sky or aerial view of an
urban landscape.
Sourcing from architecture, mapping, and topographic views of
urban land, Fraser found a linear,
grid - like visual vocabulary which he defines as, not
abstract, but «reductive».
Incorporating the dynamic visual vocabulary of maps,
urban planning
grids, and architectural forms, alternating between historical narratives and fictional landscapes, Julie Mehretu's beautifully layered paintings and drawings combine
abstract forms with the familiar, pairing the Roman Coliseum with floor plans from international airports, Le Corbusier's unbuilt megacity with blueprints from Zaha Hadid and Tadao Ando, and dashing it all together with a color field full of
abstract geometry.
Driss Ouadahi's
abstract compositions feature
grid patterns with a density that evokes the tightly woven networks of high - rise
urban housing projects, subways and fences.