Sentences with phrase «abstraction as a collage»

Not exact matches

When dealing with an artist as subtle as Arturo Herrera, the manner of interpretation is by nature complex, further complicated by what at first seems like wildly varied and distinct bodies of work, each adopting the formal affectations of the medium at hand: architectural interventions, collage, abstract paintings, biomorphic abstractions, hybrid paintings, photography, sculpture, mail art.

Paintings, reliefs and collages such as the cubist - influenced Beach with Starfish (1993 - 34) chart his stylistic development from representational art through abstraction, while a display of selected works by contemporaries including Alexander Calder and Jean Hélion helps illuminate Piper's role as a champion of international abstract art in Britain.

And the conflict in Europe hung over a generation now associated with abstraction, as in collage for Motherwell or childhood memories for Gorky.

Schapiro's hard - edge abstractions from this period are mature, confident works with great graphic impact, and it must be emphasized that the later works for which she's best known, where paint is replaced by or interacts with collaged textiles, are still highly geometric in their underlying structure; it is the inclusion of textile, with its gendered connotations, that marks them as a break from her formalist past.

As Michael Wilson perspicaciously noted in an Artforum review of Mark Bradford's 2008 gallery solo show Nobody Jones: «Featured works such as the collage painting Ghost Money... hint that the show's abstraction of urban topography might find an echo in the notion of hauntology» (M. Wilson, «Mark Bradford,» Artforum, April 2008, n.p.As Michael Wilson perspicaciously noted in an Artforum review of Mark Bradford's 2008 gallery solo show Nobody Jones: «Featured works such as the collage painting Ghost Money... hint that the show's abstraction of urban topography might find an echo in the notion of hauntology» (M. Wilson, «Mark Bradford,» Artforum, April 2008, n.p.as the collage painting Ghost Money... hint that the show's abstraction of urban topography might find an echo in the notion of hauntology» (M. Wilson, «Mark Bradford,» Artforum, April 2008, n.p.).

Harkening back to his early days as a multi-purpose experimenter, Schneider presents several large - scale prints on canvas, collages, and an enormous multi-panel abstraction printed on self - adhesive fabric.

Using a selection of collaged Timorous Beasties wallpapers as his canvas, McCree will exhibit works of varying scales that wildly interweave between abstraction and expressionism.

In Slightly Ajar, her second exhibition with the gallery, Sharon Lawless continues to use found materials — discarded packaging, paint samples, wrapping paper and altered pages from auction catalogs — in her manipulation of two modern traditions, collage and geometric abstraction as she explores the tension between accident and control and how this tension effects perception.

2001 Air Conditioned Abstraction, Volume Two, Manny Silverman Gallery, Los Angeles, CA Los Angeles County Museum of Art, Los Angeles, CA A Private Reading, The Book as Image and Object, Senior & Shopmaker Gallery, New York, NY Rupture & Revision: Collage in America, Pavel Zoubok Gallery, New York, NY

Selections from Albers's own writings, including classic texts such as «On My Painting,» «Color» and «On My Homage to the Square,» mingle with essays by well - known Albers scholars Nicholas Fox Weber («Minimal Means, Maximum Effect») and Jeannette Redensek («On Josef Albers» Painting Materials and Techniques»); meditations by Norwegian artist Dag Erik Elgin («Preparing for Painting to Happen»), Eva Diaz («Jailbreaking Geometric Abstraction,») and Doug Ashford («Dear Josef»); and a collage sequence by Andrea Geyer that pays homage to Albers's prints.

Though he produced colorful paintings, drawings, collages, and sculptures based on the Ancient Greek myth of Cronus, Hare is most remembered for his welded - steel sculptural abstractions of the 1950s in which abstracted biomorphic forms are suspended or interwoven in complex symbolic arrangements, as in The Dinner Table (1950) and Windows of Moons (1951).

These artworks range from realism to abstraction and include media such as photographs, collages, fiber, ceramics, and prints.

Gilliam's red, blue, and green watercolor, Parade VII, employs color through staining; Thompson's humorous oil painting, The Golden Ass, features a more traditional application; McArthur Binion uses crayon and collage elements in his 2016 brown abstraction, DNA: Sepia II; Nathaniel Mary Quinn's Mean Ol' Teacher uses color as a way to bridge abstraction and figuration in a collaged face made up of many different harlequin features.

With material as departure point, Lang's recent works explore the tensions between abstraction and figuration, and investigate space beyond the limitations of the human body through sculpture, reliefs, assemblage, paintings and collages.

Decadent, rhythmically complex and personal, the works engage with art historical references such as color field painting, gestural abstraction and constructivist collage.

She also worked as a mural painter for the Works Progress Administration, and spent years experimenting variously with collage, biomorphic abstraction, hard edge abstraction, small - scale works inspired by her Jewish heritage and large - scale works informed by her personal life.

Selections from Albers» own writings, including classic texts such as «On My Painting,» «Color» and «On My Homage to the Square,» mingle with essays by well - known Albers scholars Nicholas Fox Weber («Minimal Means, Maximum Effect») and Jeannette Redensek («On Josef Albers» Painting Materials and Techniques»); meditations by Norwegian artist Dag Erik Elgin («Preparing for Painting to Happen»), Eva Diaz («Jailbreaking Geometric Abstraction») and Doug Ashford («Dear Josef»); and a collage sequence by Andrea Geyer that pays homage to Albers» prints.

Through layers of paint, plaster, chalk, and addition of gravel and collage, these heavily textured abstractions serve as urban artifacts preserving the elements of artist's life.

The exhibition, with artists chosen by director Elizabeth K. Garvey, features work that shows the diverse possibilities of work on paper, including multi-layered abstractions, silverpoint drawings, collages, and transparent graphite and colored pencil drawings, as well as photographs.

Some are expected: such as Futurist Abstraction, and others less expected, such as collage art of the»60s and»70s.

Sass chose abstraction as the theme of the exhibition because it runs throughout her entire artistic practice, which includes paintings, collages, graphics, textiles, books and texts.

With collage — the juxtaposition of heterogeneous elements — and abstraction — the elimination of figurative imagery — as guiding principles, Chamberlain articulated the maxim that permeates his entire oeuvre: «it's all in the fit.»

His early work — forceful abstractions, ranging from large canvases to small collages — soon made his name as a second - generation Abstract Expressionist (1), part of a group of young New York School artists that included Grace Hartigan, Norman Bluhm, Michael Goldberg, Al Held, and Joan Mitchell.

Formed by Harvey S. Shipley Miller and donated to The Museum of Modern Art, New York, in 2005, The Judith Rothschild Foundation Contemporary Drawings Collection was conceived to be the widest possible cross-section of contemporary drawing made primarily within the past 20 years, surveying gestural and geometric abstraction, representation and figuration, systems - based and Conceptual work, as well as appropriation and collage.

This book includes works from the artist's 2012 exhibition at Gladstone Gallery — large colorful abstractions — as well as Wekua's signature collages and portraits.

Phillis Ideal: Recent Paintings 2008 - 2012 Phillis Ideal's work is about the materiality of paint which represents a wide range of abstraction: layers of transparent and thick, brushed and sprayed paint; collaged fragments imbedded in medium; zeroxed rasta dots, computer graphics, shards of other drawings; as well as, large gestural brush strokes.

The abstract collages, paintings, and sculptures on view, made of neutral - colored, plain materials (brown and blue carpets painted in white, beige scraps of paper, clear tape and light brown masking tape, white foam core, discarded aluminum, plywood) echoed long - established tendencies in abstraction, such as Robert Rauschenberg's experiments with nontraditional materials and Richard Tuttle's casual approach to art making.

The elegant abstractions of Sedje Hémon (1923 — 2011) come across as sympathetic, although faintly dated, and small collages by Elisabeth Wild appear as average, if not mediocre, formal experiments.

STATEMENT My practice for the past 15 years has been concerned with aspects of intuitive abstraction which incorporates hard edge and organic abstraction as well shifting methodologies of mark making and spatial narratives that are situated within paintings, collages, photographs, objects, Marquette's, books, films, wall paintings and works on paper.

Her subject matter ranges from still life to personified abstraction, where shapes take on a personality as they move on the surface and interact with other collage elements.