Dickerman urges against defning abstraction in terms of forward progress... less interested in the invention of abstraction than
abstraction as invention.
Not exact matches
26 New laws and new activities result: «
Abstraction, logic, reasoned choice and
inventions, mathematics, art, calculation of space and time, anxieties and dreams of love — all these activities of inner life are nothing else than the effervescence of the newly - formed center
as it explodes onto itself.»
From the beginning of the
invention of
abstraction, Geometric Abstraction has acted as a visual and theoretical counterpoint to the gestural paintings of Abstract Exp
abstraction, Geometric
Abstraction has acted as a visual and theoretical counterpoint to the gestural paintings of Abstract Exp
Abstraction has acted
as a visual and theoretical counterpoint to the gestural paintings of Abstract Expressionism.
From the beginning of the
invention of
abstraction, Geometric Abstraction has acted as a
abstraction, Geometric
Abstraction has acted as a
Abstraction has acted
as a visual and
They are staggering because they move back the
invention of
abstraction from circa 1910, when Kandinsky was said to have set art on a new path with his first «non-representative» paintings, to 1861, when Houghton produced The Holy Trinity, a dark crisscrossing of red and blue lines up and down the paper that then go left to right, then down again in twists and spirals, and up once more in energetic slashes, a working and reworking of energy fields so layered and physical that it can accurately be described
as action painting.
The artist's recent paintings explore relationships between nature and
abstraction, returning to landscape motifs
as a source for painterly
invention.
But
as is true for all, young
as well
as old, their real concern is with the absolute immediacy of visual experience for which
abstraction has been the vessel since its
invention roughly one hundred years ago.
Possessing many technical skills, Taaffe has moved decisively between unique pictorial
inventions and appropriations,
as well
as overlaying divergent modes of representation, through cultural patterns found in ornament, and biomorphic
abstraction.
An
abstraction standing
as its own creaturely
invention, the work grounds many of her current practices.