As one of the essayists astutely points out, he even smuggles in reference to Dutch geometric
abstraction in the primary colors of the workstation.4 That one prominent art critic's review frames Marshall's retrospective as «not an appeal for progress in race relations but a ratification of advances already made» is somewhat bewildering in the face of this opening gambit.5 After all, both of these paintings date from the year after the 1992 acquittal of Los Angeles police officers in the beating of Rodney King and the ensuing waves of unrest.
Not exact matches
Delineated
in high - key
primary and secondary
colors and sequenced horizontally across nine panels, they embodied the unifying thread here:
abstraction as coded communication
in pictographic form.
Yet, non-Western influences are cited only
in discussions of the works by artists of
color, while the overarching themes of industrialization and geometric
abstraction as American art's
primary interests
in that period are preserved from earlier presentations of the collection.
Already
in its first, small room —
in the opposite direction from the office — one has the black paintings, the
abstractions largely
in primary colors, and the women.
A tall
abstraction looks conventional enough,
in three irregular fields of bright
primary colors.
He comes closest to Sigmar Polke, his teacher, with
primary colors, broader and lighter brushwork, breaks
in the composition, and allusions all but buried
in layer upon layer of
abstraction.
Following the certain degree of the
abstraction within the post-impressionist artworks, Piet Mondrian was interested
in geometrical
abstraction and the use of
primary colors — red, yellow and blue and its complex relations to geometric shapes and lines.
«Benjamin was one of four artists
in the landmark 1959 exhibition at the Los Angeles County Museum of Art that coined the term «hard - edge painting,» now
in common usage for geometric
abstraction that relies on
color as a
primary subject.
In the
abstractions, the names of
primary colors were also written with
colored tape, underlining Agut's affinity for the work of Piet Mondrian.
Artists representing various movements and geographical backgrounds are all there: Cubist, Dada, and Russian avant - garde artists of the 1910s and 1920s, with their images of flat, intersecting planes and floating shapes; artists associated with Minimalism, Op art, and hard - edge
abstraction in the 1960s and 1970s, whose
primary interest lay
in the investigation of reductive form and
color; and contemporary artists who continue to exploit the infinite potential of simple geometries.