Not exact matches
The point is that
in the realm of informational
abstractness products can escape the limitations of their (invariably relativized) productive origins.
So we sometimes have recourse,
in Christian circles, to the «living Jesus»
in order to overcome our sense of the
abstractness, the remoteness, and the emptiness of what
in truth is a living, concrete presence.
But the sense
in which «relative» applies to an event, say, is systematically different from the sense
in which it applies to an ordinary quality at some lower level of
abstractness, whether genus or species.
Thus, just as
in Whitehead's categoreal system the two first - mentioned elements, absolute concreteness and unique occurrence, are united
in the concept of a determinate, fundamental, categoreal existence (the concept of an occasion or actual entity), so the corresponding counter-elements, absolute
abstractness and the character of abiding existence [lmmer - Gewesen - Sein], are joined together
in another concept of an opposite categoreal type, that of an utterly abstract entity, which always was and always is, which Whitehead calls an eternal object.
We can go back as far as Kierkegaard to find these roots, but our focus is more well placed
in Jean Baudrillard's theories that argue for a heightened
abstractness within culture pointing us to the negative side of an intertextual world view where meaning is paradoxically contained
in and unbound by deferánce.
Despite their supreme
abstractness, the categories have their place
in the causal order
in the several respects affirmed by conclusions two through four.
Love the
abstractness and color combo
in it!
The level of
abstractness Garland injects into «Annihilation» won't satisfy those seeking meaning
in their extraterrestrial confrontations, but obscurity often leads to energizing intrigue and welcome speculation.
In the end he found what he was looking for, which was not so much a new principle as a more comprehensive one: and it lay not in Nature, but in the essence of art itself, its «abstractness» — the qualities of the medium alone — as a principle of consistency makes no difference: it is there, plain to see in the paintings of his old ag
In the end he found what he was looking for, which was not so much a new principle as a more comprehensive one: and it lay not
in Nature, but in the essence of art itself, its «abstractness» — the qualities of the medium alone — as a principle of consistency makes no difference: it is there, plain to see in the paintings of his old ag
in Nature, but
in the essence of art itself, its «abstractness» — the qualities of the medium alone — as a principle of consistency makes no difference: it is there, plain to see in the paintings of his old ag
in the essence of art itself, its «
abstractness» — the qualities of the medium alone — as a principle of consistency makes no difference: it is there, plain to see
in the paintings of his old ag
in the paintings of his old age.
Any newcomers to Merce Cunningham who visit the last performances ever
in Britain of his modern dance company - renowned, even notorious, for its abstruse
abstractness - will surely go away with an impression of laughter, playfulness, the lightness...
You have this experience solely of The Big Lady, not of the
abstractness of the thing moving, shifting
in space.
«Literary expression, the letter's materiality, the word's
abstractness — these themes have been important
in Toronto's art community for generations,» said Onsite curator Charles Reeve.
Even
in its
abstractness, it has a touch of chutzpah, a quality that subsequent generations of artists adopted and evolved into irreverence, self - awareness and topical meta - commentary on art and contemporary life.
Because of the
abstractness of the looking that is involved, color spot painting allows you to discover the unexpected, rather than the expected,
in nature.
If I try to get rid of that boaty bit, then to a certain extent I have already been hijacked by figurative thinking (
in particular, my concept of what an abstract painting should look like) and the
abstractness of my work has already been compromised.
The reasons for that are many: the timid language of scientific probabilities, which the climatologist James Hansen once called «scientific reticence»
in a paper chastising scientists for editing their own observations so conscientiously that they failed to communicate how dire the threat really was; the fact that the country is dominated by a group of technocrats who believe any problem can be solved and an opposing culture that doesn't even see warming as a problem worth addressing; the way that climate denialism has made scientists even more cautious
in offering speculative warnings; the simple speed of change and, also, its slowness, such that we are only seeing effects now of warming from decades past; our uncertainty about uncertainty, which the climate writer Naomi Oreskes
in particular has suggested stops us from preparing as though anything worse than a median outcome were even possible; the way we assume climate change will hit hardest elsewhere, not everywhere; the smallness (two degrees) and largeness (1.8 trillion tons) and
abstractness (400 parts per million) of the numbers; the discomfort of considering a problem that is very difficult, if not impossible, to solve; the altogether incomprehensible scale of that problem, which amounts to the prospect of our own annihilation; simple fear.