Kennedy Cutler's recursive physical production, a mise en
abyme practice that borrows from, but stands formally in opposition to, digital space, poses some germane questions for twenty - first century artists.
Not exact matches
From this point on, space and its pictorial representation were steadily investigated in Hockney's artistic
practice, his canvas Looking at Pictures on a Screen (1977) is a brilliant mise en
abyme were the spectator observes an inner spectator observing paintings from diverse artists like Vermeer, Van Gogh and Piero della Francesca.
That is, a curatorial
practice mise en
abyme: curating curating (curating and it goes on).
Replete with ideas about memory, iconography, representations of race, and models of display, her formally relaxed
practice stands as a thought - provoking engagement with pictures en
abyme.