Not exact matches
Coss, who taught drawing classes early in his
academic career and whose previous research focused on
art and human evolution, used photos and
film to study the strokes of charcoal drawings and engravings of animals made by human artists 28,000 to 32,000 years ago in the Chauvet - Pont - d'Arc Cave in southern France.
And so, in choosing it as the
film from the past ten years I would most like to discuss in the context of the future of the medium, I might be asserting, against my better judgment, the primacy of the auteur over and above national cinemas and identity
art — the ferocious and aggressively confrontational cinema of Lucrecia Martel serving as evidence that an ethos long - since debunked in serious
academic circles still has credence or at least value in the second century of the movies.
The program promotes individual achievement while supporting the
academic agenda in the Savannah - Chatham County Public Schools with 22 - week project - learning programs in four subject areas: the performing
arts,
film, music production, and information technology.
The programming includes
film screenings, lectures, performances, dialogues, and panel discussions featuring artists,
art historians, curators, and
academics that will take place at each of the institutions.
Using the medium of
film, the platform brings together acclaimed artists, historians,
academics and curator to unlock hidden stories of
art and visual culture to the broad audiences.
His research and eventual
film work will explore how the influence of these committed intellectuals reverberated widely in the post-war cultural arena, eventually giving rise to an emerging discipline of «cultural studies», that, in its focus on popular
art forms and vernacular traditions, posed considerable challenges to the established
academic elite of that time.
His main fields of
academic and curatorial research are visual
art,
film and popular culture of socialist Yugoslavia, and contemporary visual
art in the Balkans.
Graduating from New York University with an interdisciplinary Master's in
Art History and Gender / Sexuality Studies, she organized a panel discussion on the issues surrounding David Wojnarowicz's
film «A Fire In My Belly» with panelists Dr Thomas Crow, Karen Finley and Leon Hilton, as well as published an
academic article on David Wojnarowicz's representations of his mentor and lover Peter Hujar.
About Astria Suparak: Astria Suparak has curated exhibitions, screenings, live music events and performances for
art spaces,
film festivals, and
academic venues internationally, including PS1, The Kitchen, Yerba Buena Center for the
Arts, Eyebeam, Museo Rufino Tamayo, and The Liverpool Biennial, as well as for non-
art spaces such as elementary schools, sports bars, and rock clubs.
Volcano is a regular contributor to
academic publications, television programes and
films on queer visual
art and theory.