I think that for the generation of artists in Mexico which I'm part of, it was very important to reject
the academic idea of the artist.
Not exact matches
Then it drew in all the
artists orbiting the Sperone gallery, united by no precise
idea if not that
of creating a new, less
academic art.
Instead
of slavishly following the Hierarchy
of the Genres and being content with
academic subjects involving religion and Greek mythology, interspersed with portraits and «meaningful» landscapes - all subjects that were designed to elevate and instruct the spectator -
artists began to make art about people, places, or
ideas that interested them.
«Each
artist has been given freedom to present their
ideas and advice in their own style, which leads to an enjoyably rich collection
of voices, some personal and chatty, others serious and
academic,» says the art review outlet Creative Review.
Perhaps there are less traditional influences here given how young Miami is compared to NYC where much
of the
academic structure and shared
ideas have come out
of established New York schools greatly influenced by post war
artists coming from Europe.