Sentences with phrase «acclaimed exhibition organized»

The artist's experimental, often humorous, sculptures were the subject of Commotion: Martin Kersels, an acclaimed exhibition organized by the museum in 1998.

Elmhurst Art Museum presents Lessons from Modernism: Environmental Design Strategies in Architecture, 1925 - 1970, a highly - acclaimed exhibition organized by The Cooper Union in New York that examines twenty - five modern building projects through the lens of sustainability.

Not exact matches

There she organized numerous exhibitions including the acclaimed SOUTINE BACON, curated by Maurice Tuchman and Esti Dunow (2011).

The bi-coastal gallery provided comprehensive client services and organized acclaimed exhibitions of modern and postwar art, such as Tanguy Calder: Between Surrealism and Abstraction (2010), John Chamberlain: Early Years (2009), and Tom Wesselmann: The Sixties (2006).

Since she joined the MCA in 2011, she has organized numerous highly acclaimed exhibitions including the group show The Freedom Principle: Experiments in Art and Music, 1965 to Now in 2015; Homebodies in 2013, and Color Bind: The MCA Collection in Black and White in 2012.

Respini previously served as Curator at The Museum of Modern Art, where she organized the critically acclaimed retrospectives Cindy Sherman, Robert Heinecken: Object Matter, and Walid Raad, as well as exhibitions with artists Klara Liden, Anne Collier, Leslie Hewitt, and Akram Zaatari.

While there she organized several exhibitions, including the critically acclaimed Global Feminisms, co-curated with Linda Nochlin, the permanent reinstallation of The Dinner Party by Judy Chicago, Ghada Amer: Love Has No End, and Burning Down the House, among many others.

The critically acclaimed, indispensible illustrated monograph on Agnes Martin, published to accompany the major retrospective exhibition organized by the Tate and on view in 2016 at the Los Angeles County Museum of Art and the Guggenheim

Lives and works in New York City) has been the subject of numerous major solo exhibitions including his critically - acclaimed 2007 mid-career retrospective organized by JoAnne Northrup at the San Jose Museum of Art.

Mr. Bessa, who goes by Sergio, is the director of curatorial and education programs at the Bronx Museum of the Arts (he organized, with Yasmín Ramírez, the acclaimed Martin Wong exhibition in 2015), but he came to art via the written word.

She also acted as founding Curator for the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, where she organized the acclaimed Global Feminisms exhibition in 2007.

There she organized the first comprehensive solo museum exhibitions of Cory Arcangel (2010) and Claire Fontaine (2010), and several acclaimed group exhibitions including The Possibility of an Island (2008), Convention (2009), The Reach of Realism (2009), Modify, as needed (2011).

They also organized and curated the highly acclaimed international biennial Bishkek Contemporary Art Exhibition.

Arning was formerly the curator at MIT's List Center for eight years where he organized such critically acclaimed exhibitions as America Starts Here — Ericson and Ziegler (2006).

Coe was the curator of the critically acclaimed exhibition «Modern Nature: Georgia O'Keeffe and Lake George,» organized by The Hyde Collection in association with the Georgia O'Keeffe Museum in 2013.

She served as curator at MOCA from 1996 — 2006 where she organized the internationally acclaimed exhibition WACK!

During her tenure at the High Museum of Art, Schleuning organized and curated numerous dynamic and acclaimed exhibitions, including serving as co-organizing curator for the nationally touring Iris van Herpen: Transforming Fashion, which broke attendance records at the High Museum of Art, making it the eighth most - attended show; the exhibition was on view this past summer at the DMA.

She served as curator at MOCA from 1996 — 2006 where she organized the internationally acclaimed exhibition

During his time at the Palmer, he organized a number of critically acclaimed traveling exhibitions, all of which were accompanied by scholarly publications, including Picturing the Banjo (2005 - 6); Taxing Visions: Financial Episodes in Late Nineteenth - Century American Art (2010 - 11); and Shallow Creek: Thomas Hart Benton and American Waterways (2007 - 8).

Over the next two decades the Pasadena Art Museum earned an international reputation for organizing and presenting critically acclaimed exhibitions of 20th century art.

Philip - Lorca diCorcia, known for creating images poised between documentary and theatrically staged photography, has had a dynamic career with acclaimed international exhibitions, including a major survey of» his work organized by the Schirn Kunsthalle Frankfurt in 2013 that traveled to the De Pont Museum in Tilburg, Netherlands, and The Hepworth Wakefield in England.

This follows the gallery's critically acclaimed 2013 exhibition, «Painted on 21st Street: Helen Frankenthaler from 1950 to 1959,» which was organized with the artist's estate.

Get more out of Blaffer's acclaimed exhibition Hilary Lloyd with a free gallery talk by Blaffer curatorial fellow Javier Sánchez Martínez, who organized the exhibition.

A native of Dallas, David Bates is recognized as one of Texas» most acclaimed artists, and his artwork is currently featured in a joint retrospective exhibition organized by the Nasher Sculpture Center and the Modern Art Museum of Fort Worth, on view through May 11, 2014.

During this time, he conceived and organized the major exhibitions Tapestry in the Renaissance: Art and Magnificence (2002), and Tapestry in the Baroque: Threads of Splendor (New York, 2007; Palacio Real, Madrid, spring 2008), both of which incorporated drawings, paintings, and prints, as well as tapestries, and received widespread acclaim.

She previously worked as founding curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum where she organized, among other exhibitions, the critically acclaimed Global Feminisms: New Directions in Contemporary Art (2007), co-curated with Linda Nochlin.

Wilson's work has been the subject of numerous solo and group exhibitions worldwide, including the critically acclaimed Mining the Museum: An Installation by Fred Wilson, sponsored by the Contemporary Museum at The Maryland Historical Society, Baltimore (1992 - 93) and Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 4, including Andover, Berkeley, Chicago, Houston, Los Angeles, Saratoga Springs, and ending its run at the Studio Museum in Harlem.

Co-published by the Dallas Museum of Art and the Walker Art Center, this volume accompanies the first comprehensive, scholarly exhibition to be organized in the United States of this critically acclaimed American artist.

With more than three decades of organizing acclaimed exhibitions of contemporary art throughout the US and abroad, Cameron's experience and perspective will strengthen the museum's curatorial program.

From 1996 — 2006 she served as curator at MOCA where she organized the internationally acclaimed exhibition WACK!

She has organized numerous exhibitions that have earned national and international acclaim.

His installation «Elemental» travelled in the acclaimed exhibition «One Way or Another: Asian American Art Now» organized by the Asia Society.

First American retrospective of influential German artist Blinky Palermo was organized by Dia Art Foundation and Bard Center for Curatorial Studies June 25 — October 31, 2011 ANNANDALE - ON - HUDSON, NY — The acclaimed exhibition Blinky Palermo: Retrospective 1964 — 1977 concludes its year - long tour at Dia: Beacon and... read more →

Il Lee has been the subject of numerous major solo exhibitions including his critically - acclaimed 2007 mid-career retrospective organized by JoAnne Northrup at the San Jose Museum of Art.

This exhibition is the brainchild of acclaimed photographer and Exhibition Committee Chair Dawoud Bey, who together with Huey Copeland, Sze Lin Pang, Jason Salavon, and other members of the Art Center's Exhibitions Committee assisted the Art Center in organizing the eexhibition is the brainchild of acclaimed photographer and Exhibition Committee Chair Dawoud Bey, who together with Huey Copeland, Sze Lin Pang, Jason Salavon, and other members of the Art Center's Exhibitions Committee assisted the Art Center in organizing the eExhibition Committee Chair Dawoud Bey, who together with Huey Copeland, Sze Lin Pang, Jason Salavon, and other members of the Art Center's Exhibitions Committee assisted the Art Center in organizing the exhibitionexhibition.

From 2011 - 2016, Keith was an Associate Curator at The Studio Museum in Harlem, where she organized several critically acclaimed exhibitions including Everything, Everyday: Artists in Residence 2014 — 15 (2015), Samuel Levi Jones: Unbound (2015), Kianja Strobert (2014), Titus Kaphar (2014), Charles Gaines: Gridwork 1974 - 1989 (2014), The Shadows Took Shape (co-curated with Zoe Whitley, 2013), Fore (co-curated with Lauren Haynes and Thomas J. Lax, 2012), Caribbean: Crossroads of the World (Institutional Curator, 2012) and John Outterbridge: The Rag Factory II (2011).

In 1968, the museum published a critically acclaimed guidebook, «Architecture in Virginia» by William B. O'Neal (now out of print), and organized and circulated the exhibition «Architectural Drawing in Virginia 1819 - 1969,» also assembled by O'Neal.

In 2002 she initiated the acclaimed At the Edge: Innovative Art in Chicago series, a commissioning program that encouraged Chicago area artists» experimental practices, and organized Stephen Lapthisophon's solo exhibition With Reasonable Accommodation in the first year of that series.

He organized such exhibitions as Harry Callahan: Eleanor (2007), Road to Freedom: Photographs of the Civil Rights Movement, 1956 — 1968 (2008), The Portrait Unbound: Photographs by Robert Weingarten (2010) and Signs of Life: Photographs by Peter Sekaer (2010), accompanied by critically acclaimed scholarly publications.

He has organized exhibitions and programs at commercial and nonprofit spaces around the globe featuring a roster of critically acclaimed artists including Firelei Baez, ruby amanze, Hugo McCloud, Brendan Fernandes, and Derek Fordjour to name a few.

In 2015 his mentor, Koen Van den Broeck, organized a critically acclaimed group exhibition titled Trash.

He has organized exhibitions at commercial and nonprofit galleries throughout New York City featuring a roster of critically acclaimed emerging and mid-career artists including Firelei Baez, ruby amanze, Hugo McCloud, Brendan Fernandes, and Derek Fordjour to name a few.

VOLTA NY has announced the participating artists in The Aesthetics of Matter, the third iteration of the critically acclaimed Curated Section — a thematic exhibition within the fair, organized by an independent curator — occurring at the fair's eleventh edition in the city and fourth year at PIER 90

The critically acclaimed work, a portrait of the Golden Gate Bridge over the course of the day, was made for the exhibition International Orange at Fort Point, San Francisco (organized by FOR - SITE Foundation in honor of the bridge's 75th anniversary).

He has organized exhibitions and programs at commercial and nonprofit spaces around the globe featuring a roster of critically acclaimed artists including Firelei Báez, ruby onyinyechi amanze, Hugo McCloud, Brendan Fernandes, and Allison Janae Hamilton to name a few.

VOLTA NY has announced the participating artists in The Aesthetics of Matter, the third iteration of the critically acclaimed Curated Section — a thematic exhibition within the fair, organized by an independent curator — occurring at the fair's eleventh edition in the city and fourth year at PIER 90, from March 7 - 11, 2018.

A leading figure in the museum field, he has organized dozens of acclaimed exhibitions around the world and authored significant companion publications, primarily in the areas of contemporary art and 19th - century European painting.

There, she was a primary contributor to the institution's innovative exhibition program and organized (and co-organized) multi-disciplinary, community - focused exhibitions that featured an international array of artists, such as Bike Rides, Pretty Tough: Contemporary Storytelling, Kathryn Spence: Dirty and Clean, Fritz Haeg: Something for Everyone, the popular and critically acclaimed 2010 exhibition, KAWS, and 2011's KAWS: Companion (Passing Through), now on view at the High Museum of Art, Atlanta.

For this special online exhibition organized by Saatchi Art's Hayley Miner, acclaimed actress and author Jamie Lee Curtis has curated a selection of 16 photographs by emerging artists from around the world.

Munroe has organized the critically acclaimed Guggenheim exhibitions Gutai: Splendid Playground (2013, cocurated with Ming Tiampo); Lee Ufan: Marking Infinity (2011), The Third Mind: American Artists Contemplate Asia, 1860 — 1989 (2009), and Cai Guo - Qiang: I Want to Believe (2008).