This is Bowling's first exhibition at the gallery and follows on from his critically
acclaimed institutional exhibition Frank Bowling: Mappa Mundi at the Haus der Kunst, Munich, Germany (2017).
Not exact matches
An
acclaimed conceptual artist, Wilson is known for his «
institutional interventions,» specifically the ways in which he creates new
exhibition contexts for the display of art and artifacts found in museum collections through his re-adaptation of wall labels, sound and lighting, as well as his non-traditional pairings of objects.
In order to better understand the importance of this
exhibition and the expression of
institutional acclaim is the fact that due to certain procedures, Piper was described as a Suspicious Traveler by US Transportation Security Administration in 2008, while on unpaid stay in Berlin.
From 2011 - 2016, Keith was an Associate Curator at The Studio Museum in Harlem, where she organized several critically
acclaimed exhibitions including Everything, Everyday: Artists in Residence 2014 — 15 (2015), Samuel Levi Jones: Unbound (2015), Kianja Strobert (2014), Titus Kaphar (2014), Charles Gaines: Gridwork 1974 - 1989 (2014), The Shadows Took Shape (co-curated with Zoe Whitley, 2013), Fore (co-curated with Lauren Haynes and Thomas J. Lax, 2012), Caribbean: Crossroads of the World (
Institutional Curator, 2012) and John Outterbridge: The Rag Factory II (2011).