Night Court is the latest in a series of pop - up Absolut bars designed by leading contemporary artists following critically
acclaimed recent installations by Mickalene Thomas, Adrian Wong and Los Carpinteros.
Not exact matches
Monster Hunter Generations, the most
recent installation in Capcom's
acclaimed Monster Hunter series, launches in just three days and fans are no doubt excited about it.
Recent projects encompass commissions, artist residencies, and educational programs, and include the
acclaimed exhibition @Large: Ai Weiwei on Alcatraz; International Orange, a group show honoring the 75th anniversary of the Golden Gate Bridge; Presidio Habitats; and a series of land - art
installations by Andy Goldsworthy currently on view in the Presidio.
PLAYTIME thus follows on from Julien's
acclaimed nine screen
installation Ten Thousand Waves (2010)- currently on show at MoMA, New York - which offers a response to the Morecambe Bay tragedy of 2004, where twenty - three Chinese cockle pickers were lost at sea, and Western Union: small boats (2007), which explores the perilous voyages of those attempting to cross the Mediterranean from Africa to gain entry into «fortress Europe» a story that has tragically dominated the news headlines once again in
recent months.
Charlie Clarke, Ron Mueck's long - time exhibition manager, is in conversation with the Modern's Senior Curator, Andrea Karnes as they discuss the work and career of Ron Mueck, from his first
acclaimed sculpture, Dead Dad, to his most
recent installation of 100 giant skulls, Mass, with a particular focus on the works in the Modern's exhibition Ron Mueck.
But in more
recent years, light
installations have increasingly become the focus, with a wealth of site - specific works attributing to a widespread sense of
acclaim and popularity.
This
acclaimed solo show, organized by the Whitney Museum of American Art and now on view at the Dallas Museum of Art, looks back on her 20 - year career through more than 60 works and objects, from early pieces made in the mid-1990s to more
recent installations and paintings.
Thousands Are Sailing resonates with a host of
recent international works on this topical theme outside of EVA — as in John Akomfrah's recently
acclaimed threechannel, video
installation Vertigo Sea (2015) that debuted at the 56th Venice Biennale, or Ai Weiwei's controversial re-staging of a now - iconic photograph of the drowned infant Aylan Kurdi.
His
recent installation in the exhibition «Helter Skelter» at the Los Angeles MOCA as well as his contributions to this years «Aperto» in Venice and to the critically
acclaimed show «Post Human» in Lausanne have established Paul McCarthy as an important force in contemporary sculpture.
The most
acclaimed work of video -
installation art in
recent memory, Christian Marclay's The Clock has drawn an extensive amount of commentary since its release in 2010.
Mel Chin, the internationally
acclaimed conceptual artist kicked off ReVIEWING with a keynote address where he spoke about
recent projects in Philadelphia and New Orleans and gave us a preview of his upcoming
installation in Manhattan's Times Square.
He has been commissioned to make solo
installations and performances in many countries including; Spain, Japan, Iceland, Israel, Holland, Norway, Germany, Greenland and Australia His
recent solo show Antix at Matt's Gallery drew much critical
acclaim.
Since his debut film, Intervista (Finding the Words)(1998), to his
recent installations that explore spatial and temporal manipulations of music, Anri Sala has developed a widely
acclaimed multimedia practice founded in the interplay of images, sound and architectural space.
Farmer's
recent tour de force Leaves of Grass (2012), a major
installation which assembled a monumental (124 - foot - long) historical menagerie of clippings from vintage Life magazines, earned significant
acclaim at dOCUMENTA (13).
Featured in his
recent internationally
acclaimed retrospective, The Victorian Philanthropist's Parlour is one of the artist's large - scale
installations in which he peels away layers of our understanding of history to pose questions about the nature of wealth, race and colonialism.
A
recent (2012)
installation of a twelve - metre cast of a tree at the Whitechapel Gallery, London, and solo exhibitions at The Drawing Centre, NY, 2004 and Ikon Gallery, Birmingham, 2009, have brought his work to worldwide
acclaim.