Not exact matches
Those who do not believe in any absolute can not believe in this sense in the self, but the absence of restraint is
accompanied by the natural ability and perfected readiness to avoid that
reflection on oneself that would make one's own emptiness apparent.
In India, also, it is true, the holy power was finally conceived as transcending all sensory forms, but there it was recognized that the contemplation of Brahman in this ultimate way could only be the fruit of intense psychic discipline
accompanied by highly abstruse metaphysical
reflection.
The mistaken belief that we can have access to divinely guaranteed revelation, communicated to us
by some infallible authority, is the root cause of another major error which
accompanied the process of Christian theological
reflection.
The students also participate in a two - week palliative care elective that is
accompanied by pre-reading and daily
reflection and journaling.
, and two screens bringing us action from hidden depths of the cuboid (WeiWei being
accompanied to the toilet
by two uniformed guards is both amusing and sickeningly intrusive) and from multiple angles — constant police state surveillance being the rather clunking symbol, but it works niftily as a
reflection of installation art.
Though physical isolation can be a good idea for self -
reflection and other introspective activities, it's not always
accompanied by the empty feelings of loneliness.
So, work samples and grades listed above had to be
accompanied by in - depth
reflections.
Designed to use as part of a Community Cohesion programme to stimulate
reflection and discussion - this should ideally be
accompanied by music.
Many of the battlefield sites we visit are
accompanied by a fantastic local guide, who will not only bring the detail and the history to life, but also will allow you time for quiet personal
reflection if you wish.
This catalog
accompanying her New Museum exhibition features an interview with the artist
by Natalie Bell and Massimiliano Gioni, new
reflections on Yiadom - Boakye's work
by artist Chris Ofili, and art historians Elena Fillipovic and Robert Storr.
For his conceptual photography series «Unbranded:
Reflections in Black
by Corporate America 1968 - 2008,» the American artist Hank Willis Thomas took advertisements featuring or directed at African - Americans and simply removed all of the
accompanying text.
The exhibition is
accompanied by a catalogue, with essays on the interaction between Gutai and New York artists
by guest curator Ming Tiampo, associate professor of art history at Carleton University in Ottawa, and on Jackson Pollock's relationship to the Gutai group
by Tetsuya Oshima, curator of the Aichi Prefectural Museum of Art in Japan, as well as a new translation of the Gutai Manifesto
by independent scholar Reiko Tomii and a
reflection by David Kaplan, a director and Tennessee Williams scholar, on Gutai's influence on Williams» one - act play, The Day on Which a Man Dies.
It is
accompanied by a fully illustrated publication featuring an interview with the artist
by Norton and new
reflections on Macuga's practice
by artists Ilya and Emilia Kabakov and curator and writer Grant Watson.
Commentary
by scholars and friends
accompanies Dumas's own
reflections and poems, and a detailed time line runs through the margins.
Each exhibition is
accompanied by an extensive public programme of tours, talks and workshops that foster
reflections on the exhibition from various perspectives and disciplines.
The book that
accompanies the show, edited
by curator Lizzie Carey - Thomas, is full of
reflections on what migration and art mean today in Britain.
These works were
accompanied by «story» panels that gave voice to the
reflections of young people in detention.
The exhibition is
accompanied by a fully illustrated catalogue featuring an interview with the artist and new
reflections on Kjartansson's practice
by Francesco Bonami and Roni Horn.
Reflections by more than twenty of Owens's fellow artists, collaborators, assistants, dealers, family members, and friends are
accompanied by a rich trove of more than a thousand images drawn from the artist's personal archive.
Lois Dodd: Windows and
Reflections will be
accompanied by a color catalog with an essay
by Barry Schwabsky.
The exhibition is
accompanied by a fully illustrated catalogue with key historical texts and
reflections by younger curators and writers on the impact of this pivotal moment in American culture.