Sentences with phrase «accompanied by an abstraction»

Fifth, the abstraction from the concreteness of culture and tradition has been accompanied by an abstraction from the concreteness of social structures and classes and their effects in shaping human life.

Not exact matches

«It as been our passion and profession, my wife and I, to create an exhibition of American Abstraction in Europe since 1986,» Otto Hübner writes in the foreword for the catalogue accompanying the exhibition, «For years I have wanted to crate a museum exhibition with the works by Sam Francis, Adolph Gottlieb, Hans Hofmann, Charles Pollock, Richard Pousette - Dart, David Smith and Jack Tworkov.

This transition from figuration to abstraction was accompanied by new working methods: his paintings became larger and he abandoned the easel, often pinning his canvases to his studio walls or floor.

This richly illustrated catalog, published to accompany Bradley's midcareer survey organized by the Albright - Knox Art Gallery in Buffalo, presents the full range of Bradley's unique approach to language, abstraction and the evolutions of style.

A fully illustrated catalogue featuring an essay by Kirstin Hübner titled Paths of American Abstraction: The Pioneer Spirit of the Twentieth - Century American Avant - Garde, accompanies the exhibition.

Abstraction Over Time: The Paintings of Michael Goldberg, curated by Marcelle Polednik, was accompanied by a fully - illustrated catalogue with essays by Marcelle Polednik, Jeremy Gilbert - Rolfe, Karen Wilkin and a statement by Irving Sandler.

This richly illustrated catalog, published to accompany Bradley's mid-career survey organized by the Albright - Knox Art Gallery in Buffalo, presents the full range of Bradley's unique approach to language, abstraction and the evolutions of style.

Gerhard Richter: Colour Charts is accompanied by a comprehensive book featuring newly commissioned essays by Dietmar Elger, Head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, Professor at the University of British Columbia, whose research concentrates on modern abstraction and its economic implications.

Gerhard Richter: Colour Charts is accompanied by a comprehensive book featuring newly commissioned essays by Dietmar Elger, Head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, Professor at the University of British Columbia, whose research concentrates on modern abstraction and its socio - economic implications.

Therefore, it is fitting that her work be accompanied by the exhibition American Abstraction, 1930 - 1945, featuring members of the Transcendental Painting Group (TPG) and the American Abstract Artists (AAA), an organization von Wiegand joined in the 1940s and served as president of from 1951 to 1953.

The new series is a vivid collection of drawings accompanied by sculptures that powerfully shift between abstraction, collage and ghostlike figuration.

The exhibition is accompanied by a small publication that features a timeline of Tang Chang's life and Thai history and an original essay by Orianna Cacchione that traces Chang's relationship with the Thai art scene and examines affinities and divergences between his work and international forms of gestural abstraction and concrete poetry.

Line is obfuscated by repetitive mark - making and then clarified in a series of accompanying drawings, figures are deformed then ultimately reconstituted, and overarching all this is a constant pull between representation and abstraction.

Cartoonish drawings, symbols from pop culture, and figures that morph into abstraction appear in bright, sunny colors often times accompanied by text.

Focusing on Storrs's elegant abstractions of skyscrapers, Machine - Age Modernist remains on view at the Grey Art Gallery through July 9, and is accompanied by a fully illustrated catalogue that situates the artist within an international avant - garde milieu.

Guest curated by Debra Bricker Balken, the exhibition and accompanying catalogue present both a celebration and assessment of the work, revealing how Takenaga has enriched the languages of abstraction during the past two decades.

In Europe, he mastered a type of watercolor where he achieved an abstract ambience, almost a pure abstraction with color that ranges from transparency to translucency, accompanied by strong opacities, and linear elements, always with a sense of freedom, which became one of his trademarks.

Wagner's abstractions on canvas are currently on view uptown at the Leslie Heller Gallery accompanied by work by Mary Hambleton and Cordy Ryman.

In their accompanying essays, Cesar Paternosto focuses on the emergence of an abstraction rooted on the indigenous arts of the Americas; Lucy R. Lippard writes on her experiences while researching the rock art of New Mexico; Mary Frame discusses the cultural resonance of textile structural forms in the ancient Andes; Cecilia de Torres narrates the story of the pioneering trecks to pre-Columbian sites by Torres - Garcia's disciples; and Valentin Ferdinan discusses the formative aspects of modern culture in Latin America.

Future pairings include a Rachel Whiteread sculpture plus a Robert Burns» breakfast table and the resonant abstractions of Ian Davenport accompanied by the genius cartoonery of the Simpsons.

[9] The gallery has mounted two solo exhibitions: Beauford Delaney: Paris Abstractions from the 1960s in 1995 and Beauford Delaney: Liquid Light — Paris Abstractions, 1954 - 1970 in 1999, which was accompanied by a catalogue featuring an essay by Delaney biographer David Leeming.

Richard Diebenkorn: Early Color Abstractions 1949 - 1955 is accompanied by a fully illustrated exhibition catalog, with an introductory essay by Mark Lavatelli, an artist, published writer and Professor of Humanities at Medaille College in Buffalo, NY.