Sentences with phrase «accompanies an exhibition organized»

This publication accompanies an exhibition organized by The Drawing Center.

Accompanying the exhibition organized by the Tang Teaching Museum and Studio Museum in Harlem, «Alma Thomas» features more than 125 vibrant, colorful paintings and works on paper, many published for the first time, a preface by Thelma Golden, scholarly essays, and responses to Thomas's work by four contemporary artists.

Not exact matches

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

The gallery further organized an exhibition of the artist's early work in 2004 - 2005, and, more recently, a show in 2014 that focused on work from the 1990s, which was accompanied by a catalogue published by David Zwirner Books, with essays by Eva Badura - Triska, Veit Loers, and Bernhard Riff.

BOOK April 14: Published to accompany the first - ever survey of the rarely seen notebooks of Jean - Michel Basquiat, a traveling exhibition organized by the Brooklyn Museum, «Basquiat: The Unknown Notebooks» features more than 150 notebook pages filled with handwritten notes, poetry and drawings.

The critically acclaimed, indispensible illustrated monograph on Agnes Martin, published to accompany the major retrospective exhibition organized by the Tate and on view in 2016 at the Los Angeles County Museum of Art and the Guggenheim

This exhibition is organized by Howard Singerman, Phyllis and Joseph Caroff Chair, Department of Art and Art History, Hunter College with Sarah Watson, Acting Director and Curator, Hunter College Art Galleries and Annie Wischmeyer, Assistant Curator, and will be accompanied by an illustrated catalogue featuring an essay by Howard Singerman.

Beyond Decorum (MIT Press, 2000), accompanied a traveling exhibition — organized by Mark Besire, then director of the Institute of Contemporary Art at the Maine College of Art, in Portland, Maine — was the first comprehensive publication on Udé's photography.

The exhibition and its accompanying catalogue are organized around two seminal art - historical moments: the display of Dubuffet's collection at the home of artist and collector Alfonso Ossorio in the 1950s, and Dubuffet's provocative speech «Anticultural Positions» delivered at the Arts Club of Chicago in 1951.

The exhibition accompanies Citizen Culture: Artists and Architects Shape Policy, organized by independent curator Lucía Sanromán.

... [while other images] celebrate Africa as a continent in which the geopolitical boundaries imposed by European colonial authorities were completely dissolved... [giving] artists the freedom to... borrow visual icons from any part of the continent... This exhibition has been organized with Pace Primitive, New York, and is accompanied by a fully - illustrated color catalogue with an essay by Dr. Nnamdi Elleh, Assistant Professor of Architecture History and Theory at the University of Cincinnati, Ohio.

A series of events and workshop at the gallery have been organized to accompany the exhibition.

The museum has organized and circulated many major traveling exhibitions accompanied by scholarly publications either in catalogue or book form, for example The Sculpture of Nancy Graves: A Catalogue Raisonne (1987), El Dia de los Muertos: The Life of the Dead in Mexican Folk Art (1987), and Selected Works from the American Collection: 1940 to the Present (1988).

Motley died in 1981, and ten years later, his work was celebrated in the traveling exhibition The Art of Archibald J. Motley, Jr. organized by the Chicago Historical Society and accompanied by a catalogue.

Among the exhibitions and accompanying publications he organized there are Picturing the Banjo; Taxing Visions: Financial Episodes in Late Nineteenth - Century American Art; and Shallow Creek: Thomas Hart Benton and American Waterways.

In 1998, the Whitney Museum of American Art organized a major traveling retrospective exhibition, featuring over one hundred of Thompson's paintings with an accompanying catalogue by Thelma Golden.

The exhibition, which is being organized in collaboration with the Southeastern Center for Contemporary Art (SECCA) in Winston - Salem, NC, is accompanied by a gallery guide that will include essays by Frist Center Associate Curator Trinita Kennedy and SECCA Curator Steven Matijcio.

The organizers of the four highest - ranked proposals receive an exhibition budget of up to $ 6,000, a location rental budget of up to $ 2,000, an honorarium of $ 2,000 for organizing the exhibition and writing an accompanying essay, and administrative support and involvement necessary to present their proposals as apexart Franchise Exhibitions.

During his time at the Palmer, he organized a number of critically acclaimed traveling exhibitions, all of which were accompanied by scholarly publications, including Picturing the Banjo (2005 - 6); Taxing Visions: Financial Episodes in Late Nineteenth - Century American Art (2010 - 11); and Shallow Creek: Thomas Hart Benton and American Waterways (2007 - 8).

Since arriving in Denver in 2010, she has organized over 30 exhibitions and authored or contributed to nearly a dozen accompanying publications.

Frances Richard's book of poems, See Through, was published by Four Way Books in 2003; in 2005, with Jeffrey Kastner and Sina Najafi, she organized an exhibition and accompanying monograph titled Odd Lots: Revisiting Gordon Matta - Clark's «Fake Estates.»

The gallery organizes extensive solo and group exhibitions, often accompanied by comprehensive publications, not only in its own premises, but also in collaboration with major international museums and other non-commercial art institutions.

A fully illustrated catalogue will accompany the exhibition, organized by the Kemper Museum of Contemporary Art and curated by E.A. Carmean Jr., Alison de Lima Greene, and Karen Wilkin.

A special presentation organized by Electronic Arts Intermix, a New York - based nonprofit that is a leading resource for video art, will accompany the exhibition.

Among the exhibitions and accompanying publications he organized there are

The Vancouver Art Gallery organizes Vancouver: Art and Artists, 1931 - 1983, a comprehensive survey exhibition and accompanying catalogue documenting almost 50 years of art production in Vancouver.

She has also organized exhibitions of Eva Hesse's studiowork as well as, most recently, an exhibition of the work of Gabriel Orozco, accompanied by the monograph Gabriel Orozco: thinking in circles (2013).

1 «Louise Lawler and Others» (Museum für Gegenwartskunst, Basel) Says Lawler in the catalogue accompanying this splendid exhibition organized by Philipp Kaiser, «Art is always a collaboration with what came before you and what comes after you.»

He has organized numerous exhibitions on architecture and design for the Walker Art Center and has authored essays and served as editor for several accompanying publications, including: Strangely Familiar: Design and Everyday Life (2003); Worlds Away: New Suburban Landscapes (2008), and Graphic Design: Now in Production (2011).

Moffett is the author of several books, including; volumes on Jules Olitski, [5] Fairfield Porter «A Realist Painter in the Age of Abstraction» (co-authored John Ashberryamong others to accompany the 1983 retrospective exhibition of Porter's work Moffett organized at the Boston Museum of Fine Arts of the American realist's work)[6][7] and Morris Louis.

Key volumes include «Wangechi Mutu: a Fantastic Journey,» which illustrates a comprehensive survey of her work presented at the Nasher Museum of Art at Duke University and the Brooklyn Museum; «Glenn Ligon: America,» a documentation of the artist's 25 - year survey organized by the Whitney Museum of American Art; «Frank Bowling» the first comprehensive monograph of the artist by Mel Gooding and «Mappa Mundi,» which accompanied a major 2017 exhibition featuring works spanning Bowling's 60 - year career; «Jack Whitten: Five Decades of Painting,» which coincided with the artist's recent career - spanning exhibition; and «Alma Thomas,» published on the occasion of her recent survey at the Tang Teaching Museum and Studio Museum in Harlem.

This catalogue accompanies a comprehensive exhibition of the same title organized by curators in New York, Chicago, and Dallas.

The exhibition, organized by Russell Lord, is accompanied by a catalogue published by Steidl with over 100 color plates from Burtynsky's water series.

Dziedzic organized exhibitions of contemporary art and accompanying programs at the Savannah College of Art and Design (SCAD) at SCAD Museum of Art and numerous galleries at the college's four locations in Savannah, Atlanta, Hong Kong, and Lacoste, France.

His work was most recently in a solo exhibition organized by La Maison Rouge and the Fondation Antoine de Galbert in Paris, accompanied by a catalogue written by Anne Tronche.

Co-published by the Dallas Museum of Art and the Walker Art Center, this volume accompanies the first comprehensive, scholarly exhibition to be organized in the United States of this critically acclaimed American artist.

Formerly curator at the Swiss Institute / Contemporary Art New York, she organized the group exhibition Descartes» Daughter, and edited the accompanying exhibition reader.

The Ulrich organized this exhibition, and Curator of Modern and Contemporary Art Emily Stamey wrote the accompanying 56 - page catalogue.

A unique blend of illustration, essays, interviews, and artist's pages, it accompanies a major retrospective organized by The Baltimore Museum of Art, and includes a new piece created specifically for the exhibition.

The exhibitions, organized by a parade of well - regarded outside curators, kicked off with a three - year, three - part series on African photography accompanied by a trilogy of beautifully produced scholarly catalogues.

The seniors are required to create a body of work generally organized around a central idea or area of investigation and present that work in a cohesive exhibition, with accompanying mentorship and critiques by their advisors and other faculty in the program.

The exhibition is organized with the cooperation of the artist and Metro Pictures, and will be accompanied by a fully illustrated catalog featuring essays by Francesco Bonami and Betsy Berne.

She produced the catalogues accompanying the Kentridge exhibition and Topological Gardens — to which she contributed an essay — and organized the new book Bruce Nauman: Topological Gardens / Installation Views.

Working as the curator at the Chinese Arts Centre in Manchester in the UK between 2006 and 2012, Kwok was responsible for the Centre's artistic programme, organizing exhibitions accompanied by related talks and events, and also oversaw the artist residency programme.

The exhibition is organized by artists William Villalongo and Mark Thomas Gibson, and is accompanied by an illustrated catalogue, extensive didactics, and free public programming.

He organized such exhibitions as Harry Callahan: Eleanor (2007), Road to Freedom: Photographs of the Civil Rights Movement, 1956 — 1968 (2008), The Portrait Unbound: Photographs by Robert Weingarten (2010) and Signs of Life: Photographs by Peter Sekaer (2010), accompanied by critically acclaimed scholarly publications.

The Wittliff Collections at Texas State University organized this important exhibition — and the bilingual monograph that accompanies it — by drawing from our extensive and significant holdings of Rodrigo Moya's gelatin silver prints.

His credited work includes two significant publications — one with curator Jens Hoffmann for his book «Show Time» (Thames & Hudson), examining the history of contemporary art exhibitions and another with artist / composer Mark Mothersbaugh to accompany Mothersbaugh's traveling retrospective (organized by the Museum of Contemporary Art, Denver).

Aperture, a not - for - profit organization devoted to photography and the visual arts, has organized this traveling exhibition and produced the accompanying publications.

In 2006, she began work as curator and exhibition coordinator at the Fundación Juan March in Madrid, where she organized international loan exhibitions on modern and contemporary art and managed accompanying publications for the Fundación's three venues, in Madrid, Palma and Cuenca.