This exhibition extends her exploration of the brutalising histories of colonialism and slavery, and the political and psychological consequences that
accompany identity formation in contexts of oppression and violence.
The exhibition «Go to Hell or Atlanta, Whichever Comes First» extends her exploration of the brutalising histories of colonialism and slavery, and the political and psychological consequences that
accompanies identity formation in contexts of oppression and violence.
Not exact matches
As a performer and photographer, Wilson is best known for her role - playing self - portraits — as Jayne Wark explains in the Martha Wilson Sourcebook
accompanying the exhibition, «Wilson's inquiry into
identity formations aligns her early work with the broad impetus of 1970s feminist art to shake loose what were perceived as the imposed roles and restrictions upon women in patriarchy.»