Sentences with phrase «accompany these exhibitions not»

The educational programs that accompany these exhibitions not only present fresh perspectives about African American culture, but also encourage visitors to reflect upon their own perceptions.

Not exact matches

While the idea of creating art to represent How We Express Ourselves is not a new one, especially to those who teach in PYP schools, what is interesting about this exhibition of work is the personal narrative that accompanies each mask.

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

A lecture programme accompanies each exhibition - it is an opportunity not only to find out about the artist, but also about the particular vision underlying the Gallery itself.

The beginning of March sees New York erupt in an art world flurry with the 75th Whitney Biennial igniting the itinerary for the next couple months of art fairs, large - scale exhibitions, auctions, and not least of all, the parties that accompany such events.

«Redstone's practice,» explains Professor Jenni Sorkin in a text that accompanies the exhibition, «has developed largely abroad, and in semi-isolation, not unlike Maria Nordman (b. 1943), who is the same generation, and Jo Baer (b. 1929), the minimalist painter - turned - public artist.

Banff: The Banff Centre and Vancouver: Setup, Issue 3.5, Summer 2013 D'Agostino, Paul, «The New Brutalists: Not So Brutal,» The L Magazine, Nov 7, 2012 Kress, Melanie and Natalie Bell, «Everything Is Index, Nothing Is History,» Exhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pExhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pexhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp. 92 - 94

As Minturn explains in his essay accompanying the exhibition catalogue, «When composing the book [on Ossorio], Dubuffet had many of the works he was writing about right in front of him, some of which had been executed just hours before... Dubuffet makes it clear that his study is not art history written from afar (in time or space), rather, it is art writing «on the spot,» and as such, much closer to journalistic reportage.

In the text accompanying Catharine Czudej's exhibition «Not books», we meet John Barioni.

Painting is Not Doomed to Repeat Itself is accompanied by a fully illustrated catalogue with an essay by the internationally acclaimed poet and critic John Yau, curator of the exhibition.

The gallery organizes extensive solo and group exhibitions, often accompanied by comprehensive publications, not only in its own premises, but also in collaboration with major international museums and other non-commercial art institutions.

This exhibition and the accompanying catalogue would not be possible without numerous generous funders to whom we express our deep appreciation.

In 2007, he was invited to accompany French president Sarkozy for his trip to China, and although he did not spent much time with him, as he says, he got a chance to meet the head of the Louvre Museum, which eventually lead to his 2009 exhibition in Louvre, The Funeral of Mona Lisa.

«It's not a key,» Enrique Martínez Celaya warns of the text Empires: The Writing, which accompanies his first solo exhibition at Jack Shainman, now on view at the gallery's two venues in Chelsea under the titles Empires: Land and Empires: Sea.

In a recent exhibition here, I was taken by the small and delicate way that Shersty puts the work into the world — not unlike, it might seem, the fragility that can accompany personal histories.

The four artists didn't just contribute individual works — one to three per artist — they chose their co-exhibitors, the venue, and the style of installation, even who would write accompanying materials for the exhibition.

An 152 - page catalogue in full - colour accompanying the exhibition «Not All that Falls Has Wings» at ARTER, Istanbul with artworks by Phyllida Barlow, Bas Jan Ader, Ryan Gander, Mikhail Karikis, Uriel Orlow, Cyprien Gaillard, Anne Wenzel and VOID.

Published to accompany the Hammer Museum's Summer 2007 exhibition, Eden's Edge, this exploration of art made in Los Angeles during the past decade crosses generations, mediums, and materials to link 15 artists of singular personal vision, whether internationally established or not - yet - discovered.

«The exhibition, along with its accompanying catalogue and public programs, brings to light a crucial aspect of the postwar period that will strengthen not only our knowledge of these works of art but also our understanding of this complex period of inter-American relations amid the Cold War,» continued Frank Goodyear, Co-Director of the Bowdoin College Museum of Art.

The celebration is not only happening in book form, as there is also the accompanying exhibition Everything at Once, co-organised with The Vinyl Factory, taking place at the Store Studios in London (5 October — 10 December).

The modular paintings have often been described as send - ups of Minimalism, or as references to video - game icons, but these connections were not intended.4 Kim Conaty, curator at the Rose Art Museum and a contributing author to the substantial catalogue that will accompany Bradley's museum exhibition, found the artist's reading of these works entirely unexpected and it informed her writing on the paintings as a whole.

Discussing her work in the accompanying exhibition catalogue, writer Neal Brown concludes: Joffe has a «disorder» in the sense that, working within the often anti-intuitive context of contemporary art, she not only seeks the truth of human emotions, but does so with unfashionable compassion and humanity.

I was there and wrote about it before, but words didn't capture the awe I felt, just as Humeau's words in her lengthy and extensively researched accompanying story didn't capture the sophistication of the design, the sonic and visual architecture of the resulting exhibition.

The Cynthia Corbett Gallery is popping up in New York at Site / 109, 109 Norfolk Street (4 - 22 / Nov) with two exhibitions, a solo presentation of works by renowned Catalan artist Lluis Barba (whose work is shown here, courtesy of Cynthia Corbett) accompanied by a group exhibition of the gallery's not for profit initiative, Young Masters Art Prize.

The museum's executive director, Elizabeth Armstrong, said that until the «Women of Abstract Expressionism» exhibition and its accompanying publication, «much of these women's outstanding paintings were not well known to the general public and, in many cases, to art historians and museum curators.»

Many if not most of the exhibitions are accompanied by scholarly publications.

This accompanying publication is not an exhibition catalog but rather a selected anthology of essays taken from La Mamelle and ART COM magazines.

Aperture, a not - for - profit organization devoted to photography and the visual arts, has organized this traveling exhibition and produced the accompanying publications.

What accompanied them are photographs done in larger scale in order to relate but not directly connect with the exhibition.

Not your typical exhibition catalogue, the accompanying publication, Astro Noise: A Survival Guide to Living Under Total Surveillance, will be a collection of original works from contributors including Hito Steyerl, Trevor Paglen, Ai Weiwei, Jill Magid, and Snowden himself, with a free version to be distributed at events internationally.

Published to accompany a major exhibition at Tate Britain in London, All Too Human not only demonstrates how this spirit was passed down by artists of the previous generation, such as Walter Sickert and David Bomberg, but also explores how contemporary artists continue to express the complex intangible realities of life in paint today.

A limited - edition set of 12 books containing facsimiles of the entire «This Disposable Day Desk Calendar» series, including paintings not featured in the exhibition, accompanies the works on display.

The exhibition will be accompanied by a catalogue with a keynote essay of the exhibition curator Petr Nedoma and an interview of Otto M. Urban, curator at the National Gallery, with the artist, reproductions of all exhibited works and documentary images from the installation, which is the reason why the catalogue will not be out before the beginning of May.

The exhibition features «Couldn't Capture Death», the artist's film of her mother's dying, which premiered at the 2007 Venice Biennale, and accompanying the works on view is a soundtrack composed of selected excerpts from Monique's diaries, which she kept from the early 1980s through 2000.

A long wall of small, close up self - portraits shows Ms. Semmel not as an idealized figure — as she stresses in the video interview that accompanies the exhibition — or a generic model of femininity, but as a «specific person» captured at different moments.

To be certain, Hauser & Wirth isn't the only gallery to do curated museum - grade exhibitions with accompanying publications or create public programming.

e are told by Jennifer R. Gross, in the catalogue accompanying this focused exhibition of Jim Nutt's work (even with 70 paintings and drawings it is not a retrospective or a survey), that the artist «has expressed surprise that his unidentified women have been seen as male rather than as the clearly female subjects he intended.

In his diary — which will partly be published in the catalogue accompanying the exhibition and gives prime access to the artist's creative process — Kiefer notes: «This heavy lead bandage that can no longer be detached from the paint skin, these festering sores welling out from the still boiling lead when the pigment beneath it is not bone dry, the little straws on a field that I painted years ago and that appear as charred leavings on the solidified lead — all this reminds me of the Baudelaire poems I reread last year in Portugal.»

This catalogue accompanies the Dan Flavin exhibition It is what it is and ain't nothing else.

This volume, published to accompany the first exhibition of Grotjahn's butterfly paintings at Blum & Poe in New York, not only collects these arresting compositions, but also delves into the artistic contexts involved, in an essay by Douglas Fogle that discusses the history of the Butterfly works since their conception in the early 2000s.

Following German artist Andreas Gursky's survey exhibition «nicht abstract» at Kunstsammlung Nordrhein - Westfalen in Germany, Gagosian Gallery presents «Not Abstract II,» an exhibition of recent photographs accompanied by an electronic sound installation by Canadian DJ and producer Richie Hawtin.

In this conversation, artist Robert Gober and chief curator Ann Temkin discuss the exhibition Robert Gober: The Heart Is Not a Metaphor and the accompanying publication.

The exhibitions will focus primarily on international artists that have not previously exhibited in Austria, and will be accompanied by fully illustrated scholarly publications and educational programmes.

Karen Lang states in her essay for the accompanying exhibition catalogue «Calame's secular responses do not provide an answer.

In the catalogue accompanying the exhibition Richard Prince: Spiritual America at the Solomon R. Guggenheim Museum (September 28, 2007 — January 9, 2008), the show's curator, Nancy Spector, brings up a group of Richard Prince's paintings that were not initially popular: «The irony, of course, is that Prince's antimasterpieces have all sold, and, in recent years, sold well.»

The accompanying text stated that the exhibition «posits abstract painting today as a means, not an end.»

The exhilarating exhibition it accompanies suggests that this is not an either / or option and that Lanyon should be afforded a much more central place within the development of modern painting.