Sentences with phrase «accompanying exhibition text»

In the accompanying exhibition text, Crimp recognized the influence of photo - conceptualists such as John Baldessari, suggesting that the younger artists were taking peripheral aspects of that practice — the underplayed beauty and desire, the latent anxiety, fetishism and romanticism — and bringing these traits to the fore to create a new kind of representation that resonated with the media - obsessed, post-Vietnam age that privileged the processes of quotation, excerption, framing and staging.

The few lines of accompanying exhibition text talk of «personal management technologies» and our eager but often flawed embracing of tech solutions as we try to exert some kind of influence over our time - poor lives.

In the accompanying exhibition text, Crimp recognized the influence of photo - conceptualists such as John Baldessari, suggesting that these younger artists were taking peripheral aspects of that practice and bringing them to the fore to create a new kind of representation that resonated with the media - obsessed age that privileged the processes of quotation, excerption, framing and staging.

Not exact matches

To accompany the exhibition, a fully illustrated catalogue was published, including texts by writers John Banville and Richard Bradford, as well as Larkin poetry (Other Criteria / Gagosian Gallery, 2007).

The artist's thirty - fifth exhibition with Pace, New York City, No - Name, Re-do, Seductions will be on view from September 15 to October 21, 2017, at 510 West 25th Street, and an opening reception will be held on Thursday, September 14 from 6 to 8 p.m. Pace will publish a catalogue that includes a new text by Samaras to accompany the exhibition.

Teju Cole delivers a powerful immersive experience within a continuously evolving exhibition of his own photographs and videos, accompanied by a score of field recordings and incisive texts, all presented harmoniously as one artwork.

A catalogue will be published to accompany the exhibition with a cover designed by artist Adam Pendleton and text written by Edwards.

The joint exhibitions will be accompanied by a significant three - volume catalogue with texts by Margit Rowell, a former curator at The Museum of Modern Art, Centre Georges Pompidou, Centro de arte Reina Sofia and the Solomon R. Guggenheim Museum, on Miró's Constellations, and art historian and author Mildred Glimcher on Calder's Constellations.

Tillmans also designed the accompanying exhibition catalogue, which included a text by Yuka Uematsu.

nine seventeen is accompanied by a catalogue which features texts by Dr. Peter Miller, whose shared enthusiasm for Meppayil's work brought the exhibition to the American Academy in Rome; historian and critic, Deepak Ananth, a specialist on Meppayil's work and its relationship to Indian art history; and Harvard professor and Art Historian Dr. Benjamin H.D. Buchloh, whose original essay stations Prabhavathi's work amongst the greats.

Accompanying the exhibition is a fully illustrated publication with texts highlighting specific paintings.

«Redstone's practice,» explains Professor Jenni Sorkin in a text that accompanies the exhibition, «has developed largely abroad, and in semi-isolation, not unlike Maria Nordman (b. 1943), who is the same generation, and Jo Baer (b. 1929), the minimalist painter - turned - public artist.

To accompany the exhibition, a comprehensive catalogue with texts by Sabine Breitwieser, Shannon Jackson, Sven Lütticken, and Andrea Fraser will be published by Hatje Cantz.

In 2007 - 08, he acted as the curator and organiser of an exhibition celebrating painting at Chelsea, called `... Same As It Ever Was» which contained the work of some fifty artists, occupied three galleries and was accompanied by a catalogue with texts by Matthew Collings, David Ryan and Clyde Hopkins.

The exhibition is accompanied by a fully illustrated catalogue with text by Lorena Muñoz - Alonso.

The exhibition will be accompanied by a fully illustrated publication with a scholarly essay by the curator, commissioned texts, and a biography of the artist, marking the first comprehensive catalogue on Ree Morton produced by a U.S. institution since her show at the New Museum in 1980.

The exhibition was accompanied by a publication featuring texts by Helmut Friedel and Barbara Vinken and an interview with the artist by Bice Curiger.

The exhibition is accompanied by a fully illustrated catalogue with commissioned texts by Philip Brophy, Bridget Crone and Sean Dockray.

Accompanying the exhibition, is a new publication, a supplemental book that presents scholarly texts by curator and art historian, Iris Müller - Westermann, Senior Curator of International Art at Moderna Museet, Stockholm and by New York based scholar, critic and curator, Alex Bacon; in addition it includes a visual essay that traces the specific historical inspirations and touchstones for this group of works, in hopes to speak to both the past and future.

Willem de Kooning Lucio Fontana Eva Hesse October 25 - December 6, 2008 This exhibition is accompanied by three commissioned texts: Suzanne Hudson: «Style is a fraud»: de Kooning after de Kooning Raffaele Bedarida: «Bourgeois?

The Insolent Eye: Jarry in Art, 2011 Text by Marie - Claire Groeninck 72 pages, Softcover, English and French Published by Locks Art Publications ISBN: 978 -1-879173-74-3 The accompanying fully - illustrated publication to an immersive exhibition at Locks Gallery in homage to French author Alfred Jarry (1873 - 1907).

The exhibition is accompanied by a fully illustrated catalogue featuring texts by the artist and by Hilton Als.

An illustrated artist's book with a text by rare - book expert John McWhinnie has been published in a limited number of copies to accompany the exhibition.

An illustrated catalogue published by Bildmuseet with texts by Cecilia Andersson, Claire Brandon and John Zarobell accompanies the exhibition.

Each image included in the exhibition will be accompanied by a text that explains why the participant who selected it found it to be meaningful.

Accompanying a major exhibition at The Metropolitan Museum of Art in New York and Rijksmuseum, Amsterdam, this revelatory two - volume catalogue raisonné (one volume comprised of plates and the other of critical texts) is the most substantial work on the artist ever published, and the first in English since 1978.

Each exhibition at the Fondation is accompanied by its own illustrated catalogue, in which the themes of the exhibition are explored in scholarly texts.

A video about the exhibition and the artist's studio practice accompanies the text.

The exhibition is accompanied by a full - color catalogue with a text by Richard D. Marshall.

will be accompanied by a fully - illustrated catalogue that features original texts from renowned scholars and contemporary artists, all considering what compels artists to draw through close study of specific works in the exhibition.

-- You support works in this exhibition with accompanying text in the catalog, while you add depth and context in Neel's subjects.

In the text accompanying Catharine Czudej's exhibition «Not books», we meet John Barioni.

This text accompanies a new solo exhibition of his work, which at the time of writing, has no title.

Accompanied by an illustrious publication featuring texts by Als and Jeremy Lewison, the exhibition chronicles an artist's personal and creative journey over the decades, while chronicling complex social and political narratives embedded in American history.

In a text accompanying the show, Linn tells of visiting exhibitions at the Morgan Library, the Met, and the Louvre.

The exhibition will be accompanied by a publication that will set Torop's images to Meriwether Lewis's 2600 - word text, and will include an essay by Nicholas Frank that continues the dialogue with Lynden's landscape and history.

Centered around Sarah Meyohas» film Cloud of Petals (2016), which shares its name with the title of the artist's culminating exhibition at Red Bull Arts New York (2017), the accompanying catalog features two commissioned texts, photographs and stills.

The exhibition will be organised thematically and will be accompanied by a catalogue with texts by Lewison, Walker and Professor Tamar Garb of University College, London, a renowned expert on portraiture, and Professor Robert Storr, Dean of the Yale School of Fine Art.

Accompanying the exhibition is a launch of a book which reproduces the drawings and includes a text by Rosalind Morris, Professor of Anthropology at Columbia University.

The presentation will be accompanied by a digitized version of the original Robert Irwin catalogue, published by the Whitney at the time of his 1977 exhibition, which includes an ambitious combination of images, project plans, and theoretical texts written by Irwin himself as well as biographical and exhibition information compiled by the exhibition's curator, Richard Marshall.

In this exhibition and the accompanying catalogue, the British Museum shows itself at its best; the clear presentation of the prints, the precision of scholarship, the insightful text by Coppell, but also in the deft addition of specific works from the museum's collection to further animate readings of the prints.

Published to accompany his exhibition at Tate Liverpool, «Glenn Ligon: Encounters and Collisions» assembles artworks and texts by Ligon and other artists with whom «he shares certain affinities.»

A substantial publication accompanies the exhibition with texts by Michael Bracewell and Dr Brian Dillon as well as colour reproductions of all works exhibited.

This exhibition is accompanied by a catalogue with texts by Jessica Beck, James Boaden, Douglas Crimp, and John Giorno.

The exhibition is accompanied by a fully illustrated catalogue with text by Gilda Williams.

Timothy Morton's accompanying text to the exhibition... [read on]

A fully illustrated catalogue will accompany the exhibition, with essays by Albright - Knox Chief Curator Douglas Dreishpoon and Head of Research Resources Susana Tejada, texts on each of the works by Curator of Education Mariann W. Smith, and a timeline of the Gallery's 150 - year history by Curator for the Collection Holly E. Hughes.

To accompany the exhibition, Pace will publish a catalogue featuring a new text by the artist in addition to an app, available on iOS, with all of the images in the exhibition.

The exhibition is accompanied by a book from Hauser & Wirth Publishers that expands on the 2001 publication from The University of Chicago Press, and features new texts from Musa Mayer and Debra Bricker Balken.

The exhibition Farfromwords was accompanied by a publication featuring texts by Afterall editor Melissa Gronlund, Whitechapel Gallery Eisler Curator Daniel F Herrmann and guest curator Bina von Stauffenberg.