Sentences with phrase «accompanying photographic series»
Intersections, Claudia Joskowicz's two - channel video installation and accompanying photographic series at LMAKprojects, is a straightforward display of her newest video piece, Every Building on Avenida Alfonso Ugarte — After Ruscha.
http://www.dailyserving.com/ Not exact matches
The accompanying series reflect / project (ion) is a group of collaborative photographic portraits printed on stretched canvas.
Accompanying the video installation There's something I must tell you is a new series of more than twenty photographic portraits of women taken over a thirty year period.
In Hiroshi Sugimoto's first solo presentation since joining The Gallery Pace, the revered photographer and architect exhibits two new 50 - foot photographic diptychs from his «Lightning Field» series (2009 - 10), accompanied by nine single «Lightning Field» photographs.
Accompanying the video installation is a new series of more than twenty photographic portraits of women taken over a thirty year period.
The exhibition and this accompanying catalogue are divided into three parts: seven large paintings from the Wall of Light series; a set of 40 watercolors; and three photographic series, which intriguingly illuminate Scully's image - making process — Aran, Santo Domingo for Nene and Alhambra, the latter of which is published here for the first time.
Accompanying the film are two large - scale photographic series, the first of which depicts bullets that have collided head - on and fused in mid-air.
Published to accompany a career - spanning survey at the Cincinnati Museum of Art (February — May 2013), James Welling: Monograph synthesizes Welling's various photographic series, which range from abstract photograms to documentary - style portrayals of the New England landscape.
Accompanying Dollhouse Reliquary will be a series of photographic prints of found dead birds surrounded by vibrant flowers.
To accompany the group exhibition Double Agent in 2008, Phil Collins has made the photographic print You'll Never Work In This Town Again (2009) for the ICA, featuring two of the images from his series you'll never work in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the face.
The exhibition features a large - scale video installation, accompanying performances, and a new series of photographic works, this exhibition marks the North American debut of Siegel's 33 - minute film, «Winter» (2013).
Esopus 21 includes artists» projects by Stephen Eichhorn, Penny McCarthy, Thomas Nozkowski and Leslie Wayne; an essay on the design of the 9/11 Memorial by architect Michael Arad; poems by Chantal Bizzini; a new installment of the «Modern Artifacts» series, copresented with the Museum of Modern Art Archives, and featuring documents related to the never - published second issue of Possibilities (edited by Robert Motherwell and Harold Rosenberg); photographer Dennis Stock's images of the 1954 world premiere of Judy Garland's A Star Is Born; an interview with playwright / filmmaker Kenneth Lonergan relating to his childhood fascination with science fiction; pages from the late Austrian artist Otto Meuhl's sketchbook featuring drawings based on Cézanne paintings; and several perspectives on the African art collective Invisible Borders: an essay by Emmanuel Iduma accompanied by a photographic portfolio; and a downloadable audio compilation of music and sounds curated by Emeka Okereke that relates to the collective's 2012 road trip.
This fully illustrated catalogue accompanying Charlesworth's first major survey in New York features series such as Stills (1980), a group of 14 large - scale works rephotographed from press images that depict people falling or jumping off buildings; Modern History (1977 - 79), which pioneered photographic appropriation; the alluring Objects of Desire (1983 - 88) and Renaissance Paintings (1991), which continued Charlesworth's trenchant approach to mining the language of photography; Doubleworld (1995), which probes the fetishism of vision in pre-modernist art and marks Charlesworth's transition to a more active role behind the camera; and her final series, Available Light (2012).