Sentences with phrase «accompanying photographic works»

In addition, a suite of accompanying photographic works will be presented.

Not exact matches

The opening credits sequence, accompanied by a rendering of Camille Saint - Saens «Carnival of the Animals,» provides sepia - toned historical period photographs (from the Library of Congress, various museums and photographic archives, and the NY Public Library) of turn - of - the - century city and tenement life (portraits, closeups, slices of life including play, marriage, work, politics, friendships, transportation, domesticity, and leisure time).

Formalism is an interdisciplinary exhibition and accompanying printed publication that gathers photographic works together with written contributions around the notion of formalism.

I was working from photographic reproductions from auction house catalogues — Sotheby's, Christie's and Phillips — along with their accompanying texts.

These photographic works are accompanied by a neon installation, in a complementary exploration of the notion of female hysteria.

The generous and vividly reproduced illustrations are accompanied by an extensive interview with the artist and critical essays that discuss Welling's work in connection with American painting, post-modernism, and authorship, and the artist's eloquently emotional photographic language.

This catalogue accompanied the exhibition, Exotic Excursions, in which five artists explore the experience of travel through video, installation and photographic works.

These works will be accompanied by selections from Ruff's extensive personal collection of photographic materials, including an 1885 study of a spark by Trouvelot; electrocardiograms from 1909; nude studies from 1923, and two majestic photograms by Arthur Siegel from the 1940s.

To accompany the group exhibition Double Agent in 2008, Phil Collins has made the photographic print You'll Never Work In This Town Again (2009) for the ICA, featuring two of the images from his series you'll never work in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the fWork In This Town Again (2009) for the ICA, featuring two of the images from his series you'll never work in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the fwork in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the face.

The exhibition features a large - scale video installation, accompanying performances, and a new series of photographic works, this exhibition marks the North American debut of Siegel's 33 - minute film, «Winter» (2013).

«I dream a world» Looking for Langston, an exhibition of newly - conceived, large - scale and silver gelatin photographic works and archival material, at Victoria Miro, Wharf Road and a special presentation at Somerset House for Photo London (18 — 21 May) features photographs presented as both large - scale works and silver gelatin prints, accompanied by an installation of the award - winning film.

Photographic works, artist's books in vitrines, a screening room for short films and an installation complete the exhibition, which is accompanied by an essay, Points of Departure, by Dominic Paterson, curator of contemporary art at the Hunterian.

The film is accompanied by 18 photographic portraits of poets, rappers, thinkers, and artists whose work contributed materially to the artist's concept of a «Dionysian» writing, manifesting in the film as a dark, shape - shifting wordplay that collages the tragic and ludic.

The second book offers a photographic interpretation of the multiple ways of experiencing Höller's immersive work, accompanied by an extensive interview with the artist, led by Ralph Rugoff, Hayward Gallery Director and curator of the show.

This fully illustrated catalogue accompanying Charlesworth's first major survey in New York features series such as Stills (1980), a group of 14 large - scale works rephotographed from press images that depict people falling or jumping off buildings; Modern History (1977 - 79), which pioneered photographic appropriation; the alluring Objects of Desire (1983 - 88) and Renaissance Paintings (1991), which continued Charlesworth's trenchant approach to mining the language of photography; Doubleworld (1995), which probes the fetishism of vision in pre-modernist art and marks Charlesworth's transition to a more active role behind the camera; and her final series, Available Light (2012).