But out of this «wobble» — if I can be permitted this perhaps overly reductive word — came what is for me the high point of his career, those richly painted still - lives or abstracts of the late 1950s in which vessel - like shapes, as yet unformulaic, jostle and crowd together, sometimes like a mosaic,
across a flat ground.
In his abstract paintings from the 1960s, single - colored geometric shapes pulse rhythmically
across their flat ground planes, or torque the surface of the canvas.
Not exact matches
Just some few days ago, the management of Empress Gifty Osei came
across a video making rounds on some main stream online news portals and on social media claiming the said video which had an innocent woman fell
flat on the
ground as a result of using a red carpet at a particular wedding reception was Gifty Osei.
bear crawls - get down on hands and feet and crawl forward on hands and feet (not knees)
across room or field and back crab walks - sit down on the
ground with your hands behind your back and feet on the
ground in front of you; then elevate your waist off the
ground so that your weight is on your feet and the palms of your hands and your torso is nearly parallel to the
ground; then walk forward using your hands and feet reverse crunches - lie on your back with your feet
flat on the floor, your knees at a 90ï «° angle, your palms on the floor by your hips, and your head and shoulders slightly lifted off the
ground.
GM says it knows HD pickups are often used for towing in adverse conditions so they are testing the bejeesus out of the trucks: Before they're released to dealers, the trucks will undergo more than 6 million miles (240 trips around the earth) of durability testing in the torture chambers at GM's Milford Proving
Ground, over deserts and mountains of Nevada and
across the frozen
flats of Kapuskasing, Ontario.
One technique that helps is to hold the handle of the nail trimmers
flat against the toe pad and cut straight
across the nail, so that the nail will sit just above the
ground.
A bright and beautifully presented
ground floor corner
flat which enjoys a superb outlook over the Water of Leith
across to St Marks Park, located close to excellent local amenities and within easy reach of the City Centre.
This combination and juxtaposition of materials blurs the usual distinctions between figure and
ground, creating a tension between the mass - produced and handcrafted elements that is further heightened by the contrast of the cold,
flat stripe of faded metallic paint
across the painting's lower edge and the fleshy white of the oil paint.
Wood re-created the handful of shapes strewn
across the
flat ocher
ground of Alexis's drawing at an enlarged scale for Untitled (Background Drawing)(2009).