Sentences with phrase «across paintings like»

Sometimes it stretches across paintings like rays of light.

I know, that is quite a strong statement, but I'll stand by it until I come across a painting I like better.

Not exact matches

Now filming its third season, the show pits Leroy against three fellow antique dealers, who jet off to locales like Normandy, Glasgow and cities across the United States, bidding for everything from Chinese space helmets to 18th century paintings found at airport lost - luggage auctions.

We would like them to understand that superst.ition that has been painted across their minds.

This approach works across the board with just about any protein, from chicken wings to pork ribs to salmon, but we like it best on the grill, where painting, flipping, and painting again is second nature.

Viewers can see the microwave residue from the big bang «painted» across the sphere of the sky, and — after the data are translated for human ears — hear a version of what the early universe may have sounded like.

What looks like a paint roller with small needles pointing out is rolled across your face vertically, horizontally, and diagonally.

For a foiled finish, sweep a metallic eyeshadow, like the L'Oréal Paris Infallible Paints Metallics Eye Shadow in Rose Chrome or Brass Knuckles, across your lids.

And that's not all, there are lots of ways you could vary this project to make scarves with a completely different look using the same paint — for example, you could try dragging the brush strokes all the way across the width of the scarf to create uneven stripes (like this beauty by Kate Spade) or you could wet your scarf first to make the paint bleed for more of a watercolour look.

When it seems like there's nothing left, gently brush it across your furniture and it will leave a subtle trail of paint that highlights the texture and details.

It is easy to find (check HD, Lowes or Amazon), fairly inexpensive, I can easily get into corners, and I like a flat surface for pulling my paint across a piece.

Images via TFS Forums It looks like Marc Jacobs still hasn't gotten over that time earlier this year when graffiti artist Kidult spray - painted «ART» in giant hot pink letters across the designer's Soho boutique.

It will feel like unwaxed chalk paint when you rub your hand across it and it will also appear lighter in color than the areas around it.

We can help with that, too: We host Stir events across the country to bring together singles for fun activities, like a painting class or dance lesson.

CHICAGO — Tom Hooper's «Les Misérables,» the best movie musical in over a decade, is what a musical like this should be — unabashed, unashamed emotion painted in vibrant, broad colors across a massive screen.

A swipe of the finger across the touchscreen will «paint» brushstroke - like platforms into the game world that Agura can then use to avoid enemy attacks or traverse obstacles.

Rather, they put serious time in, stretching out, like Obama - iconographer Shepard Fairey, across the floor of a Kinko's with elaborate cutouts, or painting, square by square, pixilated space invaders to be glued onto innocent facades.

That year, my students, like those in nearly every kindergarten across the country, presented their families with a treasured gift — painted, pudgy handprints smeared next to the poem below.

Reading To celebrate Read Across America Day on March 2, get a large empty box, paint and cut it to look like a tree house.

Just about every surface viewable to the naked eye was touched: the front of the car has a beautifully fabricated cockpit made to look like the Falcon's, while custom body work and a detailed paint job mimic the wear and tear the ship has taken across its time in the Star Wars universe.

When dusk falls on the beaches of Sayulita, you will see, like floating spirits, silhouettes skim across the water, bodies dive and emerge awaiting the next wave, facing the sunset, painted in the dazzling tones of the sun's descent into the sea.

The glow of the city's lights, the subtlety of the shadows melding across the asphalt streets and bricks of the building's walls, it was like stepping inside an oil painting.

He might not look exactly like his 8 - bit incarnation, but this pixelated paint job just screams game sprite; seriously, it might come across as a little goofy in pictures, but looks absolutely awesome in person.

It looks remarkably similar to actual paintings from old Japan, and even the player's strokes across the screen look like those of a real Japanese calligraphy brush.

It looks remarkably similar to actual paintings from ancient Japan, and even the player's strokes across the screen look like they were painted with a Japanese calligraphy brush.

Pictures of the console's controls with peeling paint and buttons that looks like prunes have begun to emerge across the Internet.

I like the fact that while infiltrating various houses, you can always come across collectible paintings and the like.

I'm not talking about something like Sweatshop which appropriates an existing game structure and paints a message across it: in Cart Life, like Braid and Immortal Defense, the mechanics bulge with meaning.

Motifs glide in and out; graphite lines trace the contours of unknown plants and body parts, accented by strokes of green, yellow, orange, and red crayon drifting like blossom petals across the surface... the drawings in this show suggest that Gorky's aesthetic is invested in the cultivation of visual ideas that transcend the individual artwork, a process that is occasionally frozen in paint.»

Working across sculpture, painting, photography, drawing, artist's books, and film, Andro Wekua creates intricate environments in which the various elements form unexpected and often dream - like relationships.

Gilliam's paintings on view at David Kordansky look mostly to me like one of the more recent cover designs for JD Salinger's Catcher in the Rye, which is white with simple text and a streak of rainbow angled diagionally across the top left corner.

The result was an explosion of otherworldly biomorphic and architectural ink washes that evoke images of tree branches, piers and unfinished buildings, and more recently, their counterpoint, huge paintings with big thick tactile lines of color that sweep across the canvas like a roller coaster.

It may scatter an artist across several floors, as with tiny constellations from Bacher and hand - painted slides by Luther Price, like twin celestial maps of the Biennial.

Right across from the bed is a Kelley painting of Satanic - like graffiti with the words «Thay You Love Thatan» scrawled elegantly and scarily.

Exhibited across two floors of the gallery, the paintings here range in scale from the tablet - sized Boardwalk Barter a reminiscence from the artist's earlier years selling his work in Venice, California, to one of his signature, immersive flower - like explosions, which can be read as either the conceptual origin or the end point of all other work.

From the expressive paintings and drawings, to digital art, to painted styrofoam towers jabbed with other painted objects, to things that look like a two - year - old's bad attempt at being ironic, to some really interesting explorations across the different media.

For each painting, the color in a particular set of like - forms may remain identical; in others, a gradual change of hue, value, and intensity create visual movement across the composition.

At just under four feet across, the seventeen plush canvases in the Drawing Center's main gallery sure look like paintings.

Murakami Saburō lets a painting take shape by throwing a ball across it, much as John Baldessari photographed a line of balls in the air, and tears six holes in brown paper, much like the slashed canvases of Lucio Fontana or Alberto Burri.

The painting's icy blues, shifting like lace curtains across the light bulb and soda bottle pictures hovering beneath its limpid surface, are reminders of the artist's «hoarfrost» (his term) effect in the Dante drawings.

The problem persists in a lower key in other works of the period, including pictures made in 1953, while Diebenkorn was teaching in Illinois: the Urbana series, like the Albuquerque paintings, often gives the viewer the illusion of looking down at a distant landscape, as though from the harness of a parachute, rather than across at the matter on the canvas.

So I can imagine people saying of First Creatures, for example, which comes across as a very aggressive work, «This isn't what a Helen Frankenthaler painting should look like.»

The tiny kiln - like structure on top of the painting might be about change, and the bond between craft and art, but the statement does not comes across as heavy - handed.

The editorial staff at New American Paintings has put together a list of more than 50 of the top painting exhibitions on view at private galleries across the country in December — from New York to L.A. to Miami, Houston, Chicago, and more — including 20 shows from artists previously included in New American Paintings and featuring more than 30 notable and not - to - be-missed shows from emerging artists to major players like Andy Warhol, Anselm Kiefer, and Brice Marden.

Unexpected Portrait (2016) is a large - scale acrylic - on - canvas painting where a long tube - shaped orange line with dark edges glides across the work defining a cartoon - like head...

The trajectory of a Kline painting often feels like those split - second reversals when a pedestrian emerges from an underground subway station, guided forward by a mental compass that comes from looking upward at a building, across the street at a parked truck, around at a sudden street sign, and behind at a storefront's signage.

An unframed, multi-paneled frieze hangs below the ceiling line like an unspooled film revealing an inventory of circular geometries; painted in hues from pastel to vibrant, their forms chart a rhythm across planes of black squares, themselves in motion.

I'm revisiting a lot of the ways of working that I have used over my career - at the moment I'm vacillating between making small paintings and big paintings like the ones that I had in this year's Summer Exhibition [Across the Wadi, pictured below].

Kelly's affection for black and white is well known, but Mr. Shear spins it afresh across photography, drawing, sculpture and especially Kelly's relief - like paintings.

The early band paintings still do it best, like palettes or color wheels flying across the room.