Sentences with phrase «acrylic black surface»

In addition to the touchscreen, the driver can use capacitive switches embedded within an acrylic black surface near the shifter to control climate, seat heating and suspension settings.

Not exact matches

First, I gave the entire surface of the pumpkins two coats of acrylic orange paint, and gave the base of the piece two coats of black paint and let it dry.
His technique involves a unique marriage of silkscreen and flocking, resulting in a rich, black and velvety surface texture to contrast with pure white acrylic support panels - lending a dense and blurred quality to her outline.
In Saint Cloud (1970), a long, rectangular black acrylic painting, rows of dashed horizontal bands cut from the surface reveal the depth of the painting's wooden framework.
Blunk used black and white acrylic paint to emphasize the chainsaw - textured surfaces of his scrap wood panels.
A paintbrush attached to the playing arm lightly touches the black surface, dragging through the drips and narrow pools of liquid acrylic that the artist then squeezes onto the moving record, in various vivid hues.
Unlike the surfaces of earlier paintings, in which thin layers of rolled acrylic paint constituted the backgrounds onto which black pixelated images were silkscreened, the backgrounds of the Shadows canvases were painted with a sponge mop, whose streaks and trails add «gesture» to the picture plane.
Central to the exhibition is a group of gradient paintings made exclusively with black and white acrylic exterior house paint that has been blended and forced through sheets of burlap laid face - down on a variety of objects and surfaces (from plastic tiles and garbage bags to silkscreened enlargements of Hagen's own high school drawings) that act as molds, effectively casting the paint, or becoming embedded elements in the surface of the works themselves.
[14] The painting Vanescere (2007), a black - and - white composition that depicts what appears to be a maelstrom of ink and acrylic marks, some of which are sanded away on the surface of the linen support, was a catalyst picture for this series.
Even when he titles one of these acrylic on canvas works Serious and Judicious, the dazzling whites, slate greys and varied blacks (from matte to inky pools) skate lightly across the surface of sensation, leaving the dismal depths of the sublime to those doom - and - gloom purveyors, his lifelong friends Franz Kline (who wrote incisively about Hendler's work) or the glum Philip Guston.
«Max Cole is a nonobjective painter; her work is determined by the components of its making: the linen surface, the acrylic medium, the pigment restricted to tones of black and white.
First, I gave the entire surface of the pumpkins two coats of acrylic orange paint, and gave the base of the piece two coats of black paint and let it dry.
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