Sentences with phrase «acrylic oil pigment»

Not exact matches

Michael John Kelly Take the Planet, 2014 Oil, acrylic and pigment print collage on panel with one channel video installation 80 x 60 inches 203.2 x 152.4 cm

Michael John Kelly Can't Tell Me Nothing, 2014 Oil, acrylic and pigment print collage on panel 80 x 122 inches 203.2 x 309.9 cm

As you may already know, Helen Frankenthaler was a pioneer of another technique called Color Fielding — a form of non-objective painting, that allowed for thinned - out oil or acrylic pigment to be applied, often times poured and spread, directly onto the unprimed canvas.

Gallop and Mulvey, 2013, acrylic, oil, and raw pigment on canvas; hinged to iron - on, spraypaint, and enamel on linen, 72 x 50 and 74 x 48 inches

Joseph Montgomery, Image Four Hundred Ten, 2017, acrylic, oil, pastel, felt, and pigment transfer on canvas, 61 × 46 cm

Dawn Kasper, «Silver», 2017, Oil, acrylic, watercolor, india ink, iridescent paint, and glue on pigmented ink jet print, 15 3/4 x 11 1/2 inches, 40 x 29.2 cm, DK812

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

Using a combination of raw pigment, oil, acrylic, enamel, and spray paint, Lewis makes aggressive impasto paintings on large cardboard substrates, elevating the utilitarian material through his artistic interventions.

Relying on the thinner quality of acrylic paint compared to oil, Nara creates each painting by adding and removing pigment until he reaches his desired effect: a canvas made up of suspended hues that allows the figure to emerge through layers of color, inviting the viewer to stand still and enter a moment of contemplation.

These paintings often employed the use of a silver, acrylic background with layers of dark oil pigment on top.

Terna has changed his medium from oil to acrylic over the years, mixing his pigments with polymer on a small glass palette in his studio.

Good Busy Though, 2013, Acrylic paint, colored wire, gold leaf, 24K gold pigment, indigo dye, oil paint, and plastic screen on birch panel, 60 × 48 in

Gibson's painting practice often includes sculpted pigmented silicone, in addition to the simultaneous use of oil, acrylic, and spray paint; he employs these to create layers of patterns in low relief or thick impasto.

From his earliest days as an artist he has made two - dimensional works in ink, acrylic, gouache, oil, pigment and earth on both paper and canvas.

Donna Huanca BLISS (REALITY CHECK), 2017 Mixed media installation including unique performance, sound piece, sand, plexi glass, wood, unique scent, oil, acrylic and pigment on plastic, latex, metal, horse hair, lead on a steel frame with aluminum fastenings Dimensions variable

Donna Huanca Harmala Alkaloids, 2017 Painting - Oil, acrylic and pigment on digital print on canvas 285 x 190 cm (112.2 x 74.8 in)

Donna Huanca ACID IN JOSHUA TREE, 2016 Painting - Oil, acrylic and pigment on digital print on canvas 190 x 142.5 cm (74.8 x 56.1 in)

Donna Huanca Brugmansia (Toé), 2017 Painting - Oil, acrylic and pigment on digital print on canvas 190 x 285 cm (74.8 x 112.2 in)

David Salle, Pay Only $ 39.95, 2014 — 2015, oil, acrylic, crayon archival digital print, and pigment transfer on linen, 84 × 96 inches (© David Salle, licensed by VAGA, courtesy Skarstedt)

Donna Huanca TORSADES DE POINTE, 2017 Painting - Oil, acrylic and pigment on digital print on canvas 190 x 142.5 cm

Mark Rothko - Black on Maroon, 1958, Oil paint, acrylic paint, glue tempera and pigment on canvas, © Kate Rothko Prizel and Christopher Rothko / DACS 2017

The works on panel are created with an intricate application of multiple materials including acrylic, aluminum foil, pencil, dried pigments and oil pen.

Donna Huanca ATEIDNEM SCAR, 2017 Sculpture - Oil, acrylic and pigment on unstretched plastic, leathers, latex, metal, horse hair, lead on steel frame with aluminium fastenings 170 x 75 x 25 cm (67 x 30 x 10 in)

Donna Huanca ATEIDNEM SCAR, 2017 - Detail Sculpture - Oil, acrylic and pigment on unstretched plastic, leathers, latex, metal, horse hair, lead on steel frame with aluminium fastenings 170 x 75 x 25 cm (67 x 30 x 10 in)

Acrylic, oil, resin, and pigment on canvas, 78 3/4 x 98 7/16 inches (200 x 250 cm).

Employing unorthodox technique, the artist combines graphite and metallic pigments with oil, acrylic and enamel paints to produce radiant monochromatic compositions.

For this project the artist has dyed canvases of linen and cotton with natural pigments, layering acrylics and oil paints over the top.

Donna Huanca PRIESTESS BOW, 2017 — Detail Sculpture — Oil, acrylic and pigment on plastic, latex, metal, horse hair, lead on a steel frame with aluminum fastenings 168 x 73 x 45 cm (66.14 x 28.74 x 17.72 in)

Rock, ceramics, steel, cement, oil, acrylic, varnish, pigments, shellac, spray paint, chalk powder, epoxy, cigarette, steel

Employing oil, acrylic gouache and ink on canvas or linen, the artist builds coats of intensely hued pigments and then deconstructs the surface; creating translucent layers which evoke space and dimension.

Donna Huanca ASPHYXIATING (DEEP), 2017 Painting - Oil, acrylic and pigment on digital print on canvas 285 x 190 cm (112 x 75 in)

Donna Huanca GAO - GUENIE, 2016 - Detail Painting - Oil, acrylic and pigment on digital print on canvas 285 x 190 cm (112.2 x 74.8 in)

Donna Huanca LUMAHAI BEACH, 2016 - Detail Painting - Oil, acrylic and pigment on digital print on canvas 190 x 142.5 cm (74.8 x 56.1 in)

Rob Douglas's «Ab into II» is a brown, red, and grey contemporary abstract oil acrylic pigment on panel painting that measures 38 x 60 and is priced at $ 7,500.

Monica Cook, Phosphene, 2014, aqua resin, urethane resin, plaster, steel, acrylic paint, urethane, urine, salt, barnacles, sea grass, copper, silicone, train modelturf, powder pigment, blood, bleach, magic sculpt, wax, plastic skeleton, ceramic teeth, silver tooth cap, wire, oil paint, soot, buoy, 56 x 84 x 45 inches.

It was during this period that Dugmore began heavily experimenting with the ways in which texture could be given to flat surfaces using readily - available pigments, including watercolor, ink, acrylic, and oil paint.

Donna Huanca AZURITE DULCE Oil, acrylic and pigment on digital print on canvas 300 × 760 cm 2017 Courtesy of the artist and Peres Projects, Berlin.

The paintings, many of modest size, vary in medium from traditional oil and acrylic to gold leaf and other non-traditional materials; the drawings include graphite, ink and natural pigment drawings and range from post-it note size to much larger scale drawings.

The work in the exhibition varies in medium from traditional oil and acrylic paintings to drawings that include graphite on paper, and ink and natural pigment on felt.

She works with acrylics now, instead of oil paint, but it's still her practice to dilute her pigments and pour them directly onto unprimed canvas with the help of squeegees, sponges and mops.