Sentences with phrase «acrylic paint skin»

«Livingston doesn't make paintings; she makes «paint objects» — canvases wrapped in acrylic paint skin that she straps to her body, then drags through the city's streets.

From those microcosms, which originated in her studio space, themes of breakdown, contamination and corruption emerge as well, resulting in a range of abstract and minimalist compositions across plywood and acrylic paint skins.

Not exact matches

Often integrating mixed media materials into her large - scale acrylic - on - canvas paintings, Parsons pushes the formal aspects of her practice just enough to let the luxuriant palette and seemingly, but not simply, whimsical content hold center stage, while proving that she has true skin in the game.

LEFT: Rhonda Wheatley, «Empath Protector,» 2016, Vintage mannequin hand, wooden beads, natural fluorite crystal tetrahedrons, and acrylic paint / / RIGHT: Rhonda Wheatley, «Subconscious Translator,» 2016, Vintage headphones, beads, quartz crystals, plant roots, fossilized shark teeth, snake skin sheddings, collage, and acrylic paint

Rita Ackermann AFRICAN NURSE 2005 - 2008 Acrylic and oil paint, gel medium, oil stick, spray paint, leather, rabbit skin glue on canvas 67 x 49 x 1 3/4 inches (170.2 x 124.5 x 4.4 cm) ARG # AR2008 - 016 © Rita Ackermann Photo by Christopher Burke

County Floaters 2015 red «Uline» barrel, trash can dolly, screws, «Ohio Bobcats» rain poncho, fake banana tree, fake foliage, leggings, rope, bungee, plastic, foam, epoxy, synthetic hair, baseball cap, birdseed cone in plastic netting, cigarette butt, wood, screws, spray paint, «Dragon Skin» platinum silicone, nuts, bolts, washers, casters, tin pig, burl section, towel, acrylic paint, dog toy, safety glasses case, panty hose, press - on nails, safety cone, saw dust, rope, clamps, hats, t - shirt, run - off barrier, ceramic potter, beaded stickers, ceramic cat, glow in the dark pigment, pigments, decorative paper flowers, decorative fishing net, earrings, wire, blue tape, key chains, key rings, wood chips, needles, scrunchie, fabric measuring tape, star fish, toddler shoes, children's skirt, children's jacket, sock, bandana, decorative balls, wicker lantern, over-the-door hooks, gaff tape, eyelashes Overall dimensions: H 81» x W 39» x D 95» (206 cm x 99 cm x 241 cm) ARG # FLTR2015 - 002

On a formal level, McClelland utilizes charcoal, acrylic, gels, clay, and rabbit - skin glue to investigate the conditional relationship between drawing and words, between painting and writing.

The 1980s saw further experimentation with paint as a metaphor for skin, with Whitten «casting» surfaces and textures with acrylic paints and compounds.

Skin Set Painting: The Commons Divides Moses and Moses Divides S... 2011 - 2013 Water - based oil, acrylic on paper Diptych, overall: 60 3/4 by 117 1/2 in.

Skin Set Painting: Blue People Are My New God Replacing Chartreuse People My Old God 2012 - 2013 Water - based oil, acrylic, metal clips on paper 84 by 60 in.

A monumental piece formed by thousands of tiny tiles sliced from a thick skin of acrylic paint, the work's surface involved more building than painting.

NANCY GRAVES Inside - Outside 1970 Steel, wax, marble dust, acrylic, fiberglass, animal skin and oil paint 48 by 120 by 120 in.

To produce the stratified surface of these paintings, Johnson drips layers of acrylic paint onto freezer paper and allows them to dry and form a skin — a flexible, plastic - like puck of pigments that she attaches to the paintings with glazing medium for added texture and embellishment.

Sculptures such as Inside - Outside (1970) appear to be a camel skeleton, but closer examination reveals a formidable construction of steel, wax, marble dust, acrylic, fiberglass, animal skin, and oil paint.

He used acrylic paint, followed by oil paint to get the correct skin tone.

Against backgrounds painted in broad swaths of acrylic interspersed with highly - ornamented elements and outlined in charcoal, the detailed worlds of these smaller, printed panes create a heavily - designed pattern on the skin and floor of the central scene depicted.

POPE.L Skin Set Painting: The Commons Divides Moses and Moses Divides S... 2011 - 2013 Water - based oil, acrylic on paper Diptych, overall: 60 3/4 by 117 1/2 in.

Whitten's poetic and physically compelling compositions reinvent the medium of painting time and again — from his series of small «ghost» paintings of the 1960s, his smeared test slabs and dragged canvases of the 1970s, and his collaged acrylic «skins» of the 1980s to his more recent tessellated constructions of paint tiles.

Whatever it is, if drawing presents a certain window into the artist's brain, then the exhibition «Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing,» which opens at the Studio Museum in Harlem on Thursday, will serve as a trip inside the mind's eye of an artist whose practice has included everything from multimedia paintings comprised of acrylic and collaged felt to site - specific installations and even a ballet — one that explodes off the page and directly onto the gallery walls.

Paint became a metaphor for skin during the 1980s when Whitten experimented with «casting» acrylic paints and compounds to create new surfaces and textures.

Andrew Sutherland composes his acrylic paintings within a large folded trash bag; Angel Otero bunches up paint - soaked «oil skins» around an armature to resemble a ruched and rumbled sack of a painting.