Sentences with phrase «acrylic paintings and drawings»

His work consists of primarily acrylic paintings and drawings.

Arthur Levine presents an exquisite collection of acrylic paintings and drawings for his Landscapes and Drawings show.

I make linoleum block prints and acrylic painting and drawings on paper.

By then, Whitten had arrived at a signature method of building up layers of acrylic paint and drawing a tool across the surface — an afro pick, blade or rubber squeegee purchased on nearby Canal Street.

Not exact matches

For jewellery, there's Kirstin Stride (hand - drawn and - painted birds turned into earrings and brooches), Frilly Industries (laser - cut wooden brooches from Birmingham - based duo Kirsty Hillyer and Adrienne Frances, who will be bringing «a Bust - inspired range of feminist STUFF» to our summer do) and Kayleigh O'Mara (acrylic laser - cut jewellery — plus a complementary range of cards and paper goods — currently riffing on a sea theme).

Having formed an attachment to animals at an early age, and working primarily in acrylics and ink, Mucci creates drawings and paintings that center on graphic expressions of the animal as spirita entity.

Lisa draws inspiration from the scenic northwest, travel adventures and reading novels to create watercolor, acrylic, and mixed media paintings.

She draws inspiration from the scenic northwest, travel adventures and reading novels to create watercolor, acrylic, and mixed media paintings.

I have used a mixture of oil paintbrushes, acrylic brushes and watercolour brushes for the different consistencies of paint, but the most important is a trusty round brush that you feel confident drawing with.

Perfecting his computer - based technique into what he calls «frictionless drawing», blue monochromatic works on display demonstrate how these abstract and vector - like gestures are meticulously transposed onto canvas using acrylic, tape, UV ink and spray paint.

The surfaces of these wooden works are variously inscribed with watercolor, enamel, and acrylic paint, lacquer, oil, colored pencil, and graphite — materials that they share with the drawings that trace the evolution of individual pieces.

Still Life with BB Holes, Painted Pear and Learn to Draw Rodent / 2015 / oil, acrylic, enamel, spray paint, ink, gesso, and mud with polymer medium and smoke stain on canvas / 48» x 36» / PLS INQ

Transparent squares, rectangles and narrow lines of acrylic paint draw the viewer into the pulsating depths of his fresh artworks.

Spanning acrylic and oil paintings, gouache and paper collages, patchworks made from fabrics and paint, silkscreens, and colored pencil drawings, this show brings together an expansive group of two - dimensional works to explore the relationship between painting and drawing.

Also on view are several early non-ballpoint works; an early lithograph Untitled (1979); a drypoint etching Untitled (1980); two small crayon and oil on paper works Untitled B (1980) and Untitled R (1980); an acrylic and oil on board Untitled 84 - 6 (1984); and Untitled 82 - A (1982), a stunning example of an early painting drawn with a sharp nail and a precursor to his recent acrylic and oil paintings.

She expresses her compassion in playful compositions of acrylic paint, mixed media and resin on canvas, balancing organic shapes, while often masterfully incorporating delicate ink drawings.

This selection of paintings from the 1970s shows a range of Minimalist - inspired experimentations with abstraction: hazy, striped plexiglas paintings by Thomas Chimes (1921 - 2009), a Day - Glo round - edged canvas by Ralph Humphrey (1932 - 1990), atmospheric grid - based oil paintings by Warren Rohrer (1927 - 1995), subtly - lined acrylic monochromes by Sean Scully (b. 1945), and a pencil drawing by Sol LeWitt (1928 - 2007), are seen in relation to more recent paintings by Lee Ufan (b. 1936) and Pat Steir (b. 1940), who continue to explore the legacies of line and gesture in abstract painting today.

Fourteen accomplished female artists will exhibit over 40 works ranging from oil and acrylic paintings, drawings, collage, watercolor, ceramic sculpture and photography.

Some inspiring acrylic paintings and ink drawings by Alex Gardner, a visual artist based in Los Angeles.

Acrylic on plywood and graphite, pastel, and paint on paper, six parts: five boards, 96 × 48 (243.8 × 121.9) each; framed drawing, 15 1/2 × 12 3/4 (39.4 × 32.4).

[10] He mostly creates painting, sculpture and wall paintings using media such as acrylic, collage, fresco, ink drawing (Pen and Ink), mixed media / multimedia, and oil.

The scope of Michael Meads» work is large, and wandering from room to room in «Bent Not Broken» at the Ogden Museum of Southern Art, his range of mediums and forms is awe - inspiring: acrylic paintings, charcoal drawings, papier - mâché masks, screen - printed images overlaid on gessoed wood panels, vivid sculptural triptychs, a small bound book of collages.

It includes the following: a series of five etchings realised with master printer Gregory Burnet in New York (Untitled, 2013), an ensemble of 16 works on paper (Mind Breath Drawings, graphite, 2012) and finally a mixed group of 11 drawings and paintings on canvases (all untitled, in graphite, acrylic and, except for three, inkDrawings, graphite, 2012) and finally a mixed group of 11 drawings and paintings on canvases (all untitled, in graphite, acrylic and, except for three, inkdrawings and paintings on canvases (all untitled, in graphite, acrylic and, except for three, ink, 2012).

Participating artists show work in many media and formats: original paintings in oil, acrylic, watercolors, drawings, mixed media works, and pottery, all priced at $ 95 or less.

Facing the main gallery and east gallery from entry: Jackie Battenfield Frail Strings, acrylic on canvas, foreground; Nancy Manter and David Headly paintings in foreshortened view; Mary Judge drawings; Louise P. Sloane painting

JENNIFER DALTON (detail) Marfa Info Station, 2012 Kiosk: painted wood, stell and rubber mechanical components, 78 x 84 x 30 inches Drawings: acrylic paint and pencil on Masa paper, looped into a circle (2), 80 x 24 inches each Commissioned by Ballroom Marfa Courtesy of the artist and Winkelman Gallery, New York, NY Photography © Fredrik Nilsen

JENNIFER DALTON Marfa Info Station, 2012 Kiosk: painted wood, stell and rubber mechanical components, 78 x 84 x 30 inches Drawings: acrylic paint and pencil on Masa paper, looped into a circle (2), 80 x 24 inches each Commissioned by Ballroom Marfa Courtesy of the artist and Winkelman Gallery, New York, NY Photography © Fredrik Nilsen

The exhibition also includes the paintings Sand Morning (1973) and Arundel XI (1974), as well as a series of black and violet acrylic works on paper, two of which Truitt made in a rented room in Georgetown in 1962; an acrylic on paper made in her studio in Tokyo in 1966; two acrylics on paper completed on Tilden Street in 1968; several early drawings of streetscapes and buildings recalled from childhood; and a rare working drawing for the Gallery's sculpture Knight's Heritage.

The artwork of Edgar Heap of Birds includes multidisciplinary forms of public art messages, large - scale drawings, Neuf Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor sculpture.

Left: Andrew Bick, Mirror Variant Drawing # 1, 2011 -12, acrylic charcoal, digital print, spray paint and watercolour on cut paper, 135 x 135 cm.

Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.

Quint Contemporary Art (QCA) is pleased to present ROY MCMAKIN: Some Drawings and a Table, a solo exhibition by Roy McMakin and WORKS ON PAPER II: Work by Peter Alexander, Mel Bochner, Kelsey Brookes, Manny Farber, Thomas Glassford, Frederick Hammersley, Joseph Huppert and Ryan McGinness, a group exhibition of artist studies, acrylic painting, zippers, cuts, collage and prints.

Featured are 50 pieces which make up two complementary bodies of work: recent paintings (most from 2008 to 2009) and drawings (created from 1979 to 1982 made on different types of paper and diverse media, including pencil, ink, watercolor, acrylic and oil chalk).

The acrylic paint is often thin and applied in one go, so most of the drawing beneath is still visible.

Basquiat considered drawing a key means of expression in its own right and no less significant an art form than painting; his works on paper are notable for their remarkable range, incorporating oilstick, crayon, acrylic, pen, pencil and watercolour.

Our Visual Arts courses range from Drawing for Absolute Beginners, Basic Collage, Introduction to Watercolors, Acrylic Painting, Portrait Drawing and Drawing the Figure with Charcoal to How to Make a Graphic Novel and Color Theory.

Wittenberg's practice commences, in this instance, with a loose watercolor painting on paper, then oil and acrylic, collapsing into a line drawing, and then, finally, monotype printing.

Frankenthaler, who began her career as a second - generation Abstract Expressionist, consistently pushed the boundaries of what painting could be by embracing new materials and techniques, abandoning the gestural drawing of earlier work as she transitioned from oil to acrylic paint.

Jason Middlebrook I've Been Drawing Cliffs My Whole Life, 2013 Acrylic and spray paint on maple 93.625 x 41 x 1.375 Courtesy the artist and DODGEgallery, New York

For years Matt Ritchie (who also uses the monicker Matt136) has created art in every creative form ranging from ball point pen drawings and acrylic paintings all the way to multi-layered functional, layered wood clocks, weapons and «storytelling» furniture.

Kinder's drawings / paintings - there are elements of both mediums in each work - employ raw pigment, acrylic, pencil and crayon to express the radiant vitality of the natural forces that inspire him.

Many have additions made by hand: unusual ink applications on the plate after wiping but before printing; acrylic paint or printing ink applied to the printed impression directly by brush; and / or graphite gestures drawn on top.

Drawn from everyday scenes in Los Angeles, Gomez's large - scale acrylic on canvas paintings will feature uniquely recognizable Melrose Avenue locations and their inhabitants.

This exhibition also draws attention to works in the Museum's collection such as Frank Stella's (b. 1936) Moby Dick prints, currently on view in the adjacent Connecting Chaos exhibition, in which he layers cut paper onto multiple print processes, and Keltie Ferris's (b. 1977) The Wrestler (2009) in the Museum's atrium, which incorporates oil, acrylic, and spray paint into an abstract layering of color and shapes.

The works, reproduced as full - color plates, are comprised of acrylic, ink, graphite and masking - tape drawings from 1974 — 75, as well as two large - scale paintings from the same period and the artist's notebooks.

These renderings are then executed in acrylic paint and overlaid with enlarged drawings painted with a vinyl paint that alternately reinforces the illusionistic space of the painting and calls to attention the physical reality of the paintings» two - dimensional linen support.

Drawn in Indian ink and painted with acrylic on panel, these two portraits, appropriated from images by Giovanni Domenico Tiepolo and Andrea del Sarto, merge into one in a writhing swirl of fast lines and swiftly marked gesture.

Trained in Figurative Drawing and Fibers, Heather began to experiment with varied materials including resin, acrylics, cattle markers, and recycled house paints.

Collage coexisted with painting - either oils or acrylics — and with enamels and drawings, as works began to approach a giant scale he approached advertisers directly to acquire billboards.

Using techniques and materials ranging from pop colored inks, gradient monoprinting, loose watercolors, acrylic paint, crayon, and sharpie crosshatching, Lederer creates images that walk the line between wry playfulness, and deep - seated fears, all the while deconstructing the picture plane and drawing parallels between the digital and the analog.