Stacked here like blocks of ice or stones, they conjure all manner of contradictory associations: walls, igloos, Donald Judd
boxes, and more unlikely, Anselm Kiefer's massive
acrylic, oil, shellac, and sand painting of a serpentine structure The Fertile Crescent (2009).
I
stacked books with black and white spines and covers, a graphic quatrefoil
acrylic box, ceramics and my silver vintage drink coasters around my large carrera marble and glass votive.