Sentences with phrase «act as exhibition»

Based on the concept of «peer education» students themselves usually act as exhibition guides.

The suitcases convey Hammons's often - itinerant working practice, where the city street has acted as his exhibition space — the empty lots in Harlem where he created «bottle tree sculptures» or Lower Manhattan, where in Pissed Off (1981) he documented his arrest for urinating on a colossal Richard Serra sculpture.

In addition, we have galleries interspersed between the thematic ones, acting as the exhibition backbone, dedicated to one body of work such as the Untitled Film Stills.

She teaches part time at Savannah College of Art and Design and is one of the founders of Sulfur Studios, where she acts as the exhibition and studio director.

Richard Venlet will contribute a slowly evolving site - specific floor intervention, acting as another exhibition space within and across the Hessel Museum galleries.

In this respect then the viewers will become users rather than only spectators and Parkin will continue his exploration of care, transmittance and articulation of experience as a surface — this time the surface acting as the exhibition structure itself.

Accompanying this work is a survey, which acts as an exhibition statement and a means of researching the conceptual nature of the work.

The concept was co-founded by artists Eric Gottesman and Hank Willis Thomas, and the Shainman gallery acts as both an exhibition space and campaign headquarters for the project.

Not exact matches

She has been acting as the scientific coordinator of the first NanoBioTec — Congress and Exhibition, held last year in Münster, and she is also advising the coordination of this year's follow - up NanoBioTec II.

Additionally, hockey fans can play a quick game in either Quick Start or Exhibition Mode, act as owners in Season Mode, or compete locally against friends or other hockey fans in head - to - head play via wireless multiplayer connectivity.

Terry Notary, in that exhibition launch sequence delivers the piece of acting that sticks in your mind and, disturbing as it is, it's powerfully excellent.

In addition to the annual Academy Awards — in which the members vote to select the nominees and winners — the Academy presents a diverse year - round slate of public programs, exhibitions and events; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history.

The Animal Welfare Act ensures that animals are provided with humane care and treatment during transportation, purchase, sale, housing, care, and handling by persons or organizations using them for research or exhibition purposes or as pets.

Responding to the potent history of Alcatraz, the exhibition will examine incarceration as a tool of repressive governments, and creative expression as an act of defiance and individual freedom.

They had all earlier acted as guides for the travelling Anne Frank exhibition, or led other educational activities of the Anne Frank House.

Exhibition matches act as your quick match, allowing you to jump into a fight as one of your favorite fighters or one you have created yourself.

The exhibition is focused on the act of bringing something into being; here «realization» is taken as equal parts practical (doing, constructing) and alchemical (magical, transformative).

For many recent exhibitions, including Portrait of a Young Man at the Bass Museum of Art, Miami Beach, URANIBORG at the Galerie nationale du Jeu de Paume, Paris, France and the Montreal Museum of Contemporary Art, Canada and, most recently, Disasters and Miracles at the Kunsthaus Baselland, Switzerland, Grasso has acted as a co-curator in conjunction with the museums, altering the architecture of the exhibition spaces and merging his works with pieces in the permanent collections of the institutions in order to create a unique and dynamic viewing experience.

Fishman is currently the subject of two large exhibitions: «Louise Fishman: A Retrospective» at the Neuberger Museum of Art acts as the 77 - year - old's first comprehensive show, while «Paper Louise Tiny Fishman Rock» at the Institute of Contemporary Art, Philadelphia displays an entirely different body of work, focusing on sketchbooks, smaller paintings and sculptures, and other rarely - seen items.

She is the co-founder of microWave project, a curatorial partnership that acts as a conduit between artists and businesses, exploring alternative exhibition venues with an emphasis on site - specific installation art.

Highlighting the notion of technology as an extension of the hand, the timeline acts to join the two worlds built within the exhibition.

Seven key photographs are displayed within a system of eleven freestanding wall works that intervene in the architecture of the exhibition space, underscoring Williams's self - described interest in establishing a more «mobile» position as an artist, alternately acting as «camera operator, picture editor, exhibition designer, graphic designer.»

The featured works in the exhibition — ranging from painting and sculpture to photography, film and installation — examine the passage of time by alluding to nostalgia or sentiments about aging, often depicting specific places in states of decay; these works can act as documentation, memorial or symbol.

Blagovesta Momchedjikova, Ph.D., acts as a consultant for the exhibition and editor for the accompanying publication, An Incomplete Visitor's Guide to Panoramas, a mini-encyclopedia of ideas, artists and their work, and historical facts that are relevant to visual representation today.

Fatos Ustek recently curated fig - 2, a ground - breaking project initiated by OUTSET which presented 50 exhibitions in 50 consecutive weeks throughout 2015 at the Institute of Contemporary Arts (ICA), London, and acted as associate curator for the 10th Gwangju Biennale, South Korea.

This green membrane that one must pass through to enter the room bisects the exhibition; it acts as a threshold.

She started out at the William Benton Museum of Art at the University of Connecticut where she acted as registrar for collections and exhibitions.

«It's about how changing images of the Queen act as a kind of lens through which to see changes in our society and changes in artistic values,» says exhibition curator Paul Moorhouse.

The exhibition and its related public programs act as an alternative syllabus for art - life learning.

Positioned in the gallery's atrium is the dominant feature of the exhibition: Act Three: Silent Siege, a single channel movie that evolves and changes as live video feeds embedded around the viewing area allow Hartung to observe and adjust the picture remotely by capturing the viewer's image and manipulating it on screen.

The concept of a point of view, a perspective, an act of framing on account of the viewer is as evident in Camera as it is in the Window sculptures presented in the solo show at Frankfurt's Portikus in 1992 — a traveling exhibition with other stations in various places, among them the Renaissance Society in Chicago — with the evocatively shimmering and metaphorical title «Everyone needs at least one window.»

The exhibition is presented in two spaces, with a white wall acting as a divider.

-- Alighiero Boetti: Minimum / Maximum Fondazione Giorgio Cini, Isola di San Giorgio Maggiore, 30100 Venice an exhibition focusing on his photocopies — British Diaspora Pavilion Palazzo Pisani a Santa Marina, Cannaregio 6103 - 6104, 30100 Venice The Diaspora Pavilion showcasing the work of 11 emerging UK - based artists, all from culturally diverse backgrounds, with ten leading artists from similar backgrounds acting as their mentors, another must see.

In 2007 - 08, he acted as the curator and organiser of an exhibition celebrating painting at Chelsea, called `... Same As It Ever Was» which contained the work of some fifty artists, occupied three galleries and was accompanied by a catalogue with texts by Matthew Collings, David Ryan and Clyde Hopkinas the curator and organiser of an exhibition celebrating painting at Chelsea, called `... Same As It Ever Was» which contained the work of some fifty artists, occupied three galleries and was accompanied by a catalogue with texts by Matthew Collings, David Ryan and Clyde HopkinAs It Ever Was» which contained the work of some fifty artists, occupied three galleries and was accompanied by a catalogue with texts by Matthew Collings, David Ryan and Clyde Hopkins.

The exhibition demonstrates how the act of drawing took on a central role in his practice at this stage, both as a favored medium in its own right and as a powerful means of translating and transforming his sources of pop iconography.

As Hoyland stated in a 2009 interview with Hirst, reproduced in the catalogue to the exhibition: «I mean painting is — you know — acting purely.

With Robin van den Akker he is co-founding editor of Notes on Metamodernism and also acts as curatorial advisor, most recently for the Notes on Metamodernism shows at the Moscow Biennial and the MAD Museum New York, and the Discussing Metamodernism exhibition at Galerie Tanja Wagner, Berlin.

The exhibition is the third in the Jerwood Visual Arts Encounters series, which act as conversations about and between the disciplinary fields of the Jerwood Visual Arts programme.

Whitman's stature as a channeller poet who aims to express, but not contain his contemporaries in «Song of Myself», for instance, is also similar to the way in which the figures in this exhibition act as vessels.

Acting as the historical anchor to this exhibition is David Smith's «Untitled» 1963 drawing.

She also acted as founding Curator for the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, where she organized the acclaimed Global Feminisms exhibition in 2007.

Alexandra N. Sherman's exhibition, Map for the Eyes, features watercolors that act as a visual record of her experience living in Buenos Aires.

Studio International spoke to him at the opening of his solo exhibition, Manolo Valdés: Recent Work — Paintings and Sculptures, at Marlborough Fine Art, where his daughter, Regina Valdés Montalvo, kindly acted as interpreter.

My move to NY, and going to the Studio School, including a student exchange I did at the Slade in London, was the first step in combining the two very different art educations I had and in this combination finding my own voice, and it is a continuation of exactly this combination which acts as the basis for my new exhibition.

At the centre of the exhibition, Support Structure, Red (2012 - 2014) acts as a form of support for these two works and houses the artist's research into cotton and rubber, in this way acting as an index, or atlas, structuring the exhibition as a whole.

Noah Taylor has worked in that garish world known as showbiz most of his adult life, best known for his acting roles he has also been making music and painting since his teens but has only been exhibiting his work in the last five years with his first solo exhibition being held in his native Australia last year.

Acting as the finale to the exhibition is Stephen Prina's elegiac installation The Second Sentence of Everything I Read Is You: Mourning Sex, 2005 — 2007, a singing memorial to Felix Gonzalez - Torres.

Ayas has worked on a number of biennial projects such as: curator of the Pavilion of Turkey in the 56th International Art Exhibition, Venice Biennale; co-curator the 6th Moscow Biennale ACTING IN A CENTER IN A CITY IN THE HEART OF THE ISLAND OF EURASIA; co-curator of the 11th Baltic Triennale; co-curator of the Istanbul and Bandung city pavilions as part of the Intercity Project of the 9th Shanghai Biennale.

Nicole Cherubini presentation on contemporary ceramics where paint acts as the union between disparate mediums presents painting as a verb, creating some of the most successful pieces in the exhibition, Cherubini follows suit with Apfelbaum, merging the disciplines of sculpture and painting.

The audio will be played throughout the exhibition space, creating an architecture of sound whose ambience acts as a transition between the depicted scene and the exhibition at large, and complements the physicality of the adjoining installations.