Sentences with phrase «act out a story about»

Not exact matches

Much of the movie plays out like a thrilling — and tragic — underdog sports story, but its surprise third act shows that the real story of Bill McCartney isn't just about faith and success: It's about personal redemption.
But, in my experience, sometimes the best way to keep communication healthy and open is to go to bed angry and then talk about it the next morning when you've had enough sleep to know that leaving the milk out in the car probably wasn't a veiled act of aggression meant to symbolize every problem in the relationship, but rather just the sort of mistake anyone would make while distracted by a fascinating story on NPR.
When she isn't working or reading about going organic, she acts out stories to her children instead of reading them.
I am a huge fan of the original Prince of Persia trilogy, and when I heard about this game I was a little worried that they would change to much of what made the original games great, and I was right, the gameplay has been completely destroyed, platforming is awkward do to too may actions being mapped to the same buttons, combat is tedious and unenjoyable, it's EXTREMELY repetitive, having to search around for light seeds just to advance the plot is stupid, and do to the fact that you can't really die the whole game just feels like trial and error, and the new Prince character is completely unlikeable, while they messed up most of the game it's got some good things going for it, the voice acting is solid, the graphics are beautiful, and the ending does have interested in seeing where the story goes from here, but I'm not sure if I want to pick up the next game they come out with, this was a huge disappointment and isn't worthy to bear the Prince of Persia name.
Like its a good movie if you base it on Spaceys an Devitos acting and the fact it is wel written in the comedy part wth a few really good laugh out loud moments and the story is ok i understand there after a big sale but i do nt understand why a guy whose really religious would ignore his job and talk about religion?
Here the acting is wooden (puppet wooden), lines spoken too fast (as if to emphasize their meaninglessness), the child characters generally acting like adults, adults acting like children, all running around in a simple story, but even more, after awhile, you realize it is about a bunch sets and objects that look like a kid's dreams of military heroism and futile activities carried out in an oddly precise manner.
mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction
«Lady Bird,» written and directed by Gerwig, and starring Saoirse Ronan, is a coming - of - age story about a high school senior in Sacramento, California in 2002/03, who acts out and searches for her place even as she prepares to take wing.
Film Editors Niels Pagh Andersen — «The Look of Silence,» «The Act of Killing» Joe Bini * — «We Need to Talk about Kevin,» «Cave of Forgotten Dreams» Bettina Böhler — «Phoenix,» «Barbara» Pernille Bech Christensen — «The Salvation,» «In a Better World» Raúl Antonio Dávalos — «The Amateurs,» «Meet Wally Sparks» Marie - Hélène Dozo — «Two Days, One Night,» «L'Enfant» Amy E. Duddleston — «Elegy,» «Laurel Canyon» Suzy Elmiger — «Lola Versus,» «Mighty Fine» Sim Evan - Jones — «Shaun the Sheep Movie,» «Shrek» Sarah Flack — «Away We Go,» «Lost in Translation» Affonso Gonçalves — «Carol,» «Winter's Bone» Matthew Hamachek — «Cartel Land,» «If a Tree Falls: A Story of the Earth Liberation Front» Chris King — «Amy,» «Exit through the Gift Shop» Pedro Kos * — «The Square,» «Waste Land» Sylvie Landra — «Catwoman,» «The Fifth Element» Tom McArdle — «Spotlight,» «The Station Agent» Adam Nielsen — «A War,» «A Hijacking» Kevin Nolting — «Inside Out,» «Up» Nathan Nugent — «Room,» «Frank» Stan Salfas — «Morning,» «Let Me In» Azin Samari * — «Ethel,» «The September Issue» Margaret Sixel — «Mad Max: Fury Road,» «Happy Feet» Mary Stephen — «Blind Mountain,» «A Tale of Winter» Troy Takaki — «Baggage Claim,» «The Bounty Hunter» Camilla Toniolo — «His Way,» «Company Man» Bernat Vilaplana — «Crimson Peak,» «Pan's Labyrinth» Pax Wassermann — «Elaine Stritch: Shoot Me,» «Pussy Riot: A Punk Prayer» Julia Wong — «Hercules,» «Extract» Mark Yoshikawa — «The Hunger Games: Mockingjay (Parts 1 and 2),» «The Tree of Life»
As promised, part two of our final Emmy predictions find their way into Emmy Podcast # 15 (check out Emmy Podcast # 14 here) where we talk exclusively about the incredibly competitive Limited Series acting categories, most especially just how many acting nominations can The People v. O.J. Simpson: American Crime Story get and will Fargo and / or American Crime be left in its...
Let me get at that by telling you an old, old story about filmmaker Peter Hedges that is sort of current again because he's acting in a good film out this year called Little Sister.
During this press tour, she's talked about taking a break from acting, dropping out of high school, her crush on Timothee Chalamet Full Story
Related Reviews: Kevin Hart: Think Like a Man • About Last Night • Ride Along • Grudge Match • Death at a Funeral (2010) Romany Malco: Last Vegas • Blades of Glory Meagan Good: Jumping the Broom • The Love Guru Taraji P. Henson: The Curious Case of Benjamin Button • The Karate Kid (2010) Michael Ealy: For Colored Girls • Margaret Gabrielle Union: FlashForward: The Complete Series • 10 Things I Hate About You Jerry Ferrara: Lone Survivor • Battleship Terrence Jenkins: Sparkle • Burlesque Directed by Tim Story: Fantastic Four • Fantastic Four: Rise of the Silver Surfer The Hangover • The Hangover Part III • Ocean's Thirteen • He's Just Not That Into You • Why Did I Get Married Too • Sister Act New: Blended • Moms» Night Out • Draft Day • Captain America: The Winter Soldier
So this assembly involves some volunteers acting out the story and a discussion about how refugees make similar journeys to Mary and Joseph.
We made our own finger puppets after learning about the story and then acted them out!
Featuring whimsical artwork and an ensemble cast, HONEY SO SWEET offers a heartwarming story about love that begins out of an act of kindness.
So in one day you can spend an hour on a beachfront massage table to the sound of waves rolling in, then head off to watch ancient religious / folk stories about playful gods acted out in a nearby temple (there are no fewer than 20,000 temples on the island).
If the nostalgic blast of color, story and voice acting is the cake then the combat is the lovely filling, a truly terrible anology considering we are chatting about robots punching each other in the metal face, but just roll out with it.
Through the spinning of metonymical visual narratives, Bourgeois» work forms a web of stories about her life that are simultaneously stories about the paradoxes of the human condition and served as a crucible in which a Self - straining towards the nearly impossible yet existentially necessary act of connecting with Others - could be forged out of alienation and personal trauma.
, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,
I was interviewed last week by Out-Law.com, a service of UK firm Pinsent Masons, for an article on the recent stories out of Canadian universities about hesitation to use Google's services due to USA Patriot Act concerns.
Adult support could be talking or drawing about what the child is scared of or worried about, helping him or her know what to expect (for example, at a Halloween party), or using puppets to act out a story in which a child is a little bit scared of something and then figures out how to deal with it.
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