Formula can have its place (the three
act structure of stories has stood the test of time for a reason), but in order for it to truly work, the accoutrement that lies over the structure must engage in order to distract from the same - iness of the exercise.
Not exact matches
Eminem shows he has a natural talent for
acting, delivering a strong performance in this solid underdog
story that could have been the first
of many for him, and this is a well - written drama despite the linear
structure that doesn't really allow for many surprises.
Though it does have its own version
of a three -
act structure, this film is not a conventional narrative that will fit into a tidy box and it's not a
story so much as an experience.
Franco gives an impressive and accurate portrayal
of Wiseau, but dismissing his eccentricities as punchlines, as well as forcing the
story into a linear three -
act structure, doesn't serve such a unique man or his movie well.
About the resilience
of one man's mind, body, and spirit in the face
of unending pain and indignity, Angelina Jolie «s POW prestige piece («a true
story», according to the film's intro) is an excruciating watch, but the too neatly - packaged
structuring and presentation
act as something
of a blockade between us and Zamperini's mind.
Instead
of a traditional three
act structure, you have one
act that houses three different
stories: Zamperini as a boy, as an athlete, and as bombardier.
I'm so sick and tired
of hearing Screenwriting 101, that you have to have a three
act structure, you have to constantly be moving the
story forward.
The first two
acts follow a familiar
structure, but screenwriter Paul Haggis (working from the
stories of F.X. Toole) concentrates on the characters» personal histories, giving the material an unabashed humanity and compassion.
Three symbolised word grids to support the basic aspects
of the
stories: The Three Little Pigs The Three Billy Goats Gruff Goldilocks and the Three Bears The grids are used to support sentence
structure, recall, spelling and
act as visual aids to accompany the
stories for SEN and lower ability pupils.
Human brain is
structured in such a way that it has got the capacity to follow
stories in a direct way and to
act spontaneously in accordance with the thread
of the
story that is narrated.
Bendis's comic book «movies» on paper are,
of course, far longer than most theatrical releases, but the
structure comes from that Syd Field sense
of the three -
act story.
Successful writers I know — whether they're published commercially or self - published — need to write and rewrite their books many times, usually with the support
of a developmental editor, not someone who does spelling and punctuation but a creative partner who is able to identify and solve problems with the
story,
structure, characterization, dialogue, visual description, literary style, pacing, the narrative arc — with a first, second, and third
act that engages the reader and reaches some kind
of epiphany or denouement that entertains, illuminates and provides emotional satisfaction for the reader.
If you've read all the books on
story structure and concluded there has to be more to it than just three
acts and a couple
of plot points, then you're absolutely right!
In the next lesson, I'm going to show you how to diagram all the important turning points in your
story and
structure your idea inside the 3 -
Act Paradigm or what needs to be in the Beginning, what to do with the Middle (a lot
of writers get bogged down here and I will show you how to stay out
of the mud) and how to wrap it all up with a satisfying End.
If narrative was banished from modernism (to become the trope
of post-modernism), Bercea's paintings maintain «touches
of modernism» such as «form, function and
structure» but similarly
act like cryptic short
stories in which no plot exists, the characters appearing fluid and changeable.
I predict with grim confidence that we will learn
of many such
stories if Congress doesn't quickly
act to alter the incentive
structure.