Critics Consensus: Simultaneously funny, heartbreaking, and peppered with action, Ridley Scott's Thelma & Louise is a potent, well -
acted road movie that transcends the feminist message at its core.
Not exact matches
That kid was put in a buddy
road trip
movie with Hugh Jackman and Patrick Stewart,
acted her ass off and totally made the
movie.
The reckonings and realizations fly once Seeking a Friend hits the
road, and for all the absurdity of its characters achieving clear - eyed, perfectly articulated peace with their past demons in this stretch of the
movie (I'm guessing pants - shitting panic would be more the norm), it's a relief after the excruciatingly unfunny first
act.
Wonderfully well
acted and with a stunning cinematography, this delicious
road movie finds an awful snowball of trouble for two unfortunate women in this sexist society - and the setting of such story in the south of the U.S. makes its feminist statement even more significant.
Perhaps to make up for a perceived dearth of strip - club scenes in the original among audiences who came to see a celebrity Chippendales
act but got a character - driven dramedy instead, this installment promises a raucous
road - trip
movie as Mike and his pectorally blessed friends travel to Myrtle Beach to perform in an all - male revue.
Seemingly spliced together from a fuzzy home
movies, Fraud tracks a carefree family as they commit a destructive
act of insurance fraud and head on the lam like a summer
road trip.
In Monte Hellman's hypnotic
road movie Two - Lane Blacktop, folk singer James Taylor gives a lead performance that is both unassuming and arresting, the kind of askew, unshowy, vanity - free
acting that perhaps only a nonprofessional actor is capable o...
Film Editors Niels Pagh Andersen — «The Look of Silence,» «The
Act of Killing» Joe Bini * — «We Need to Talk about Kevin,» «Cave of Forgotten Dreams» Bettina Böhler — «Phoenix,» «Barbara» Pernille Bech Christensen — «The Salvation,» «In a Better World» Raúl Antonio Dávalos — «The Amateurs,» «Meet Wally Sparks» Marie - Hélène Dozo — «Two Days, One Night,» «L'Enfant» Amy E. Duddleston — «Elegy,» «Laurel Canyon» Suzy Elmiger — «Lola Versus,» «Mighty Fine» Sim Evan - Jones — «Shaun the Sheep
Movie,» «Shrek» Sarah Flack — «Away We Go,» «Lost in Translation» Affonso Gonçalves — «Carol,» «Winter's Bone» Matthew Hamachek — «Cartel Land,» «If a Tree Falls: A Story of the Earth Liberation Front» Chris King — «Amy,» «Exit through the Gift Shop» Pedro Kos * — «The Square,» «Waste Land» Sylvie Landra — «Catwoman,» «The Fifth Element» Tom McArdle — «Spotlight,» «The Station Agent» Adam Nielsen — «A War,» «A Hijacking» Kevin Nolting — «Inside Out,» «Up» Nathan Nugent — «Room,» «Frank» Stan Salfas — «Morning,» «Let Me In» Azin Samari * — «Ethel,» «The September Issue» Margaret Sixel — «Mad Max: Fury
Road,» «Happy Feet» Mary Stephen — «Blind Mountain,» «A Tale of Winter» Troy Takaki — «Baggage Claim,» «The Bounty Hunter» Camilla Toniolo — «His Way,» «Company Man» Bernat Vilaplana — «Crimson Peak,» «Pan's Labyrinth» Pax Wassermann — «Elaine Stritch: Shoot Me,» «Pussy Riot: A Punk Prayer» Julia Wong — «Hercules,» «Extract» Mark Yoshikawa — «The Hunger Games: Mockingjay (Parts 1 and 2),» «The Tree of Life»
Lacklustre
acting, a plodding
road movie narrative and a final, woeful pay - off compound the sense of disappointment.
The Mirando Corporation, run by the eccentric CEO Lucy Mirando (Swinton), reclaims Okja, who they view as their property, and this brings the film into a second
act that shifts gears again, now into
road movie / adventure mode ---- with coming - of - age fundamentals ---- as Mija, now in cahoots with members of the Animal Liberation Front (ALF), heads from Korea to New York.
If you are looking for a well -
acted and directed rebellious
road movie then you should dig «On the Road» quite a
road movie then you should dig «On the
Road» quite a
Road» quite a bit.