As disappointing as it may be to know that one of the most well -
acted scenes of the movie was axed, Moore also added that it will be a part of Black Panther's extras when the movie's released on DVD at some point in the future.
Not exact matches
«All in a bid to make my
acting more convincing, I was supposed to drop into a faint in the very first
scene of the
movie «PEPPER SOUP».
The cab window
acted like a
movie screen, and as the
movie played, one
of the frames stood still... it froze on a
scene with people smiling and admiring the holiday lights and decorations.
One moment will have smart phone animations barraging the screen, the next
scene will have some random
act of bullying, and then the
movie remembers it's supposed to be a horror film and for two seconds, you see the girls being filmed by someone.
Maximus» incognito return to Rome to fight in the Colosseum (in front
of the new emperor, Commodus), his quick rise to fame as the town's winningest warrior, and his big showdown with his old adversary fill the last
act of Gladiator — as do a dazzling display
of old - time Roman crowd
scenes and stadium
acts conjured with computerized magic that would have slayed old sandal -
movie showmen like William Wyler and Cecil B. DeMille.
If the guard is not precisely self - aware, he does make the
act of torture (and murder, which becomes a natural extension) into a
scene you might recognize, not only from other
movies or stories about torturers, damaged souls in need
of punishing or saving.
Some
of the
acting is pretty bad, mainly with the brother / preacher and the first wife (but her problem is the corny «gangster» dialogue she spouts off), but Paul Muni is quite good, especially in the
scene that closes the
movie.
The script is not perfect, and there were a few minor
scenes that did not ring true - but the overall package is amazing - the perfect cast from top to bottom, most
of the script, the
acting, cinematography, directing, score, everything about this
movies pays homage to a by - gone era
of American Films and does it with taste and class.
Messy, soulless, overlong and incomprehensible CG action
scenes are order
of the day, and they totally murder the
movie's final
act.
Criminal
acts and
scenes of brutal violence spoil the effect
of «Barnyard» as an animated
movie for tots.
With the exception
of one heartbreaking and well -
acted scene towards the end
of the
movie, the atmosphere is oppressive and the characters
act as if their personalities have been shot with novocaine.
If I had any pull in Hollywood, Goldblum would be given a dump truck full
of Oscars for his work in this
movie,
acting so self - consciously odd and undeniably hilarious that any
scene he's not in is irritating to watch.
A laugh - out - loud - bad stinker
of a
movie in which * you * know what Eastwood's next «discovery» will be in the murder case a long time before does, and every potentially powerful
scene is undermined by coarse
acting, bad script and cheesy music.
Overall
Movie: 2
Acting: 5 Storyline: 0 Based on countless sex
scenes and a bunch
of fake drama, the Twilight series has officially collapsed.
The action sequences and fight
scenes in the first two
acts of the
movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing
scenes in Creed, as well as many a James Bond film during a nightclub sequence right out
of something like Skyfall.
Perhaps to make up for a perceived dearth
of strip - club
scenes in the original among audiences who came to see a celebrity Chippendales
act but got a character - driven dramedy instead, this installment promises a raucous road - trip
movie as Mike and his pectorally blessed friends travel to Myrtle Beach to perform in an all - male revue.
The
movie's tonal gear - shifts from docudrama to comic drama and back again are elegant, but it's a bit
of a cold shower to go from the effervescence
of Goodman and Arkin's Mutt and Jeff
act to
scenes dominated by the Embassy Six, who are by historical definition pretty drippy company.
Though the
movie has more than its share
of memorable
scenes (from the brainwashing flashbacks, to Frank Sinatra doing karate, to Angela Lansbury's third -
act soliloquy), there's too much dead space in between, including a superfluous subplot with Janet Leigh (who curiously gets third billing) that could have been cut entirely.
Director Jodie Foster also reveals some behind - the -
scenes action, including how Julia Roberts had to
act for most
of the
movie opposite no one.
While the subject matter is the stuff that good films are made
of, and the quality
of the direction and
acting are worthy
of admiration, where The East fails is in the contrivances involved in the farfetched plotline and the unevenness in the thriller elements (such as a
scene in which the cell dresses up to the nines to infiltrate a party for pharmaceutical bigwigs that would feel more at home in a Mission Impossible
movie) that undermine what could have been a chilling and realistic story
of corporations run amok.
With its visuals influenced by Wes Anderson, the fabulous
acting of Craig Roberts as this lost and slightly depressed teenage boy and the funny, reliable
scenes of adolescent moments, it's a charming
movie that will easily stay with you for a little while.
Given real struggles to convey, Quaid delivers some
of his finest
acting in the
movie's closing
scenes, his furrowed brow pointing to a pair
of focused eyes that say a lot more than the script's rampant issue - based dialogue.
There are a few cool action beats, and one particularly amazing death
scene, but at times, it doesn't even feel like a Riddick
movie, with the title character gone missing for most
of the second
act.
The mother and the 7 homeschooled children, 6 boys and 1 girl, are essential prisoners in their own home, where the boys» only relief and only window to an outside world lies in the access they are granted to recorded
movies, which they constantly watch and then elaborately reconstruct,
acting out
scenes from the likes
of Reservoir Dogs, Pulp Fiction, and Goodfellas.
The cast members are all exceptional; while the
movie's incredible roster
of acting talent suggests an ensemble piece, the structure
of the
movie patiently presents a series
of scenes between two or three characters (Adam Driver also has a role as a co-worker
of Maria's, and acquits himself stolidly).
The lovers are dull, and whatever the
movie wants to say about the culture and society
of the time is crammed into a few
scenes of the king's court
acting foppish and the women
of the court revealing how their experiences don't matter to the men.
His
scenes with Edward Norton are some
of the best in the
movie and while I personally hold Norton in high regard in terms
of acting, Keaton blows him out
of the water.
Poor Mativo
acts like bait a lot in this
movie, and the
scene of him in the tree led me to uncomfortably remember the guy in the tree in Django Unchained.
scene that it raises the question
of whether Krasinski made this
movie because he really loves Wallace's work, or because just he wanted to show Hollywood that the loveable doof from The Office can actually
act.
The
movie focuses on the swift official response, as an FBI special agent (Kevin Bacon) arrives on
scene and hesitates to declare it an
act of terrorism while setting up a large control center complete with a model
of the blocks comprising the
scene of the crime.
Hollywood sweetheart Mary Elizabeth Winstead once again proves that she has been outgrowing the image
of teen boys» crush Gwen Grayson / Royal Pain in Disney's Sky High back then, with more matured
acting range through
movies like Scott Pilgrim vs The World, Smashed or recent summer newcomer TV show on the comedy
scene — Braindead.
Coogan is a gifted comic performer, for sure, but oftentimes this actively
acts against the
movie, since it feels like there aren't individually crafted
scenes, or even much in the way
of forward narrative momentum.
These a
scene in the
movie were one
of them get's shot in the leg by accident and oh my god they reaction to getting shot was freaking dreadful and such bad
acting it took me out
of the
movie a little bit, but luckily Maika Monroe was on screen most
of the time in that
scene so she pretty much saved it.
Now this isn't a spoiler to the
movie but the
scene I'm about to talk about involves Maika Monroe
acting and why she was brilliant in this
movie and that's when she first encounters the first follower and it's a old creepy looking women that start's walking towards her and the
scene itself is very terrifying, Maika Monroe looked like she was scared and confused
of what's going on and to be honest that's the face I will pull if so one started following me with that creepy look on their faces.
One
of the best action - hero
movies of all time is made with amazing action
scenes, but is ultimately driven by the
acting of Heath Ledger as The Joker.
Wiseau said he would only allow his story to be told if he got to
act in a
scene with Franco, but since it was deemed impossible to work Wiseau into the actual plot
of the
movie, the only solution was to film a standalone
scene and tack it on to the end.
Deadpool 2 is the sort
of movie where the heroes kill a guy — after spending the last
act of the film saving that guy so one
of the characters will learn a moral lesson — all in the hopes
of scoring a quick laugh derived from the joys
of knocking off religious zealots, while also using time travel during the mid-credits
scene to erase a death that took place earlier in the film so as to avoid outraged howls from Internet folks about the wickedness
of «fridging» tertiary female characters.
Again, Craig's Bond might've set the standard here in Casino Royale — the parkour
scene in the first
act of the
movie is breathtaking stuff on the second, third, fourth, fifth, and 20th viewing.
An amazing film, from the battle
scenes ripped off by Spielberg in Saving Private Ryan, to the Noh influences in make - up, costume and
acting, the brilliant use
of color, and the terrific, non-method
acting, especially by Nakadai and Mieko Harada, who as a combination Lady MacBeth, Edmund character is one
of the great
movie villains
of the 80s.
She and Dornan still display little in the way
of chemistry, and considering this is a
movie filled with
scene after
scene of the twosome snuggling up to one another,
acting naughty in elevators or boldly pronouncing loud exclamations
of undying love this is a major problem.
The
movie performs its
act of documentation almost frighteningly well, to the point where the
scenes occurring before the viewer bear a stronger resemblance to a drama than the conventional ideal
of documentary.
The aforementioned church
scene is an example
of where this native silence works quite well, racking focus clearly on the sweet, heart - rending vocals, but for a
movie ostensibly about alienation and disconnect, there are many
scenes — Johnny sitting in the kitchen when the rest
of the family rushes out to meet George and Madeleine, for instance, or a late -
act scene between Ashley and George at the hospital — where the audio is just flat.
The first
act of the
movie, these
scenes crusading in Syria, were written like something from The Hurt Locker.
While the
movies contains some
of the best fight
scenes I have ever
scene, an all star cast, and a beautiful leading lady, it completely lacked in story, character development, and
acting.
The period setting is sketched in broad strokes (fittingly, the only real - life filmmaker name - checked here is Norman Taurog, director
of Elvis vehicles and Dean Martin and Jerry Lewis
movies), giving the Coens a chance to play with dated and outmoded film techniques: wipes, bird's - eye - view matte paintings, painted backdrops, unconvincing model submarines, and, in the
movie's most perverse
act of homage, a very long driving
scene of questionable urgency.
We'd also wager that Woody Allen would have a good shot for his rare
acting appearance in John Turturro «s «Fading Gigolo «-- whatever his recent controversies, the Academy have no compunction about showing him some love (he was nominated for writing «Blue Jasmine» last year), and he steals
scenes a plenty in the
movie, which again was a bit
of a spring surprise hit on the arthouse
scene.
The only difference is that in this Bad Lieutenant:
Movie Review, it shows the intensity
of every
scene as the actor engage in every illegal
act.
They treated each line
of the poem as a «
scene» in a
movie and illustrated it or
acted it out.
Host a contest where your fans can submit a
movie of them
acting their favorite
scene in one
of your books and feature the winner on your website.
The cut
scenes feature purposely terrible voice
acting as the characters make terrible one - liners reminiscent
of the
movies they are based on.