Sentences with phrase «acted scenes of the movie»

As disappointing as it may be to know that one of the most well - acted scenes of the movie was axed, Moore also added that it will be a part of Black Panther's extras when the movie's released on DVD at some point in the future.

Not exact matches

«All in a bid to make my acting more convincing, I was supposed to drop into a faint in the very first scene of the movie «PEPPER SOUP».
The cab window acted like a movie screen, and as the movie played, one of the frames stood still... it froze on a scene with people smiling and admiring the holiday lights and decorations.
One moment will have smart phone animations barraging the screen, the next scene will have some random act of bullying, and then the movie remembers it's supposed to be a horror film and for two seconds, you see the girls being filmed by someone.
Maximus» incognito return to Rome to fight in the Colosseum (in front of the new emperor, Commodus), his quick rise to fame as the town's winningest warrior, and his big showdown with his old adversary fill the last act of Gladiator — as do a dazzling display of old - time Roman crowd scenes and stadium acts conjured with computerized magic that would have slayed old sandal - movie showmen like William Wyler and Cecil B. DeMille.
If the guard is not precisely self - aware, he does make the act of torture (and murder, which becomes a natural extension) into a scene you might recognize, not only from other movies or stories about torturers, damaged souls in need of punishing or saving.
Some of the acting is pretty bad, mainly with the brother / preacher and the first wife (but her problem is the corny «gangster» dialogue she spouts off), but Paul Muni is quite good, especially in the scene that closes the movie.
The script is not perfect, and there were a few minor scenes that did not ring true - but the overall package is amazing - the perfect cast from top to bottom, most of the script, the acting, cinematography, directing, score, everything about this movies pays homage to a by - gone era of American Films and does it with taste and class.
Messy, soulless, overlong and incomprehensible CG action scenes are order of the day, and they totally murder the movie's final act.
Criminal acts and scenes of brutal violence spoil the effect of «Barnyard» as an animated movie for tots.
With the exception of one heartbreaking and well - acted scene towards the end of the movie, the atmosphere is oppressive and the characters act as if their personalities have been shot with novocaine.
If I had any pull in Hollywood, Goldblum would be given a dump truck full of Oscars for his work in this movie, acting so self - consciously odd and undeniably hilarious that any scene he's not in is irritating to watch.
A laugh - out - loud - bad stinker of a movie in which * you * know what Eastwood's next «discovery» will be in the murder case a long time before does, and every potentially powerful scene is undermined by coarse acting, bad script and cheesy music.
Overall Movie: 2 Acting: 5 Storyline: 0 Based on countless sex scenes and a bunch of fake drama, the Twilight series has officially collapsed.
The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.
Perhaps to make up for a perceived dearth of strip - club scenes in the original among audiences who came to see a celebrity Chippendales act but got a character - driven dramedy instead, this installment promises a raucous road - trip movie as Mike and his pectorally blessed friends travel to Myrtle Beach to perform in an all - male revue.
The movie's tonal gear - shifts from docudrama to comic drama and back again are elegant, but it's a bit of a cold shower to go from the effervescence of Goodman and Arkin's Mutt and Jeff act to scenes dominated by the Embassy Six, who are by historical definition pretty drippy company.
Though the movie has more than its share of memorable scenes (from the brainwashing flashbacks, to Frank Sinatra doing karate, to Angela Lansbury's third - act soliloquy), there's too much dead space in between, including a superfluous subplot with Janet Leigh (who curiously gets third billing) that could have been cut entirely.
Director Jodie Foster also reveals some behind - the - scenes action, including how Julia Roberts had to act for most of the movie opposite no one.
While the subject matter is the stuff that good films are made of, and the quality of the direction and acting are worthy of admiration, where The East fails is in the contrivances involved in the farfetched plotline and the unevenness in the thriller elements (such as a scene in which the cell dresses up to the nines to infiltrate a party for pharmaceutical bigwigs that would feel more at home in a Mission Impossible movie) that undermine what could have been a chilling and realistic story of corporations run amok.
With its visuals influenced by Wes Anderson, the fabulous acting of Craig Roberts as this lost and slightly depressed teenage boy and the funny, reliable scenes of adolescent moments, it's a charming movie that will easily stay with you for a little while.
Given real struggles to convey, Quaid delivers some of his finest acting in the movie's closing scenes, his furrowed brow pointing to a pair of focused eyes that say a lot more than the script's rampant issue - based dialogue.
There are a few cool action beats, and one particularly amazing death scene, but at times, it doesn't even feel like a Riddick movie, with the title character gone missing for most of the second act.
The mother and the 7 homeschooled children, 6 boys and 1 girl, are essential prisoners in their own home, where the boys» only relief and only window to an outside world lies in the access they are granted to recorded movies, which they constantly watch and then elaborately reconstruct, acting out scenes from the likes of Reservoir Dogs, Pulp Fiction, and Goodfellas.
The cast members are all exceptional; while the movie's incredible roster of acting talent suggests an ensemble piece, the structure of the movie patiently presents a series of scenes between two or three characters (Adam Driver also has a role as a co-worker of Maria's, and acquits himself stolidly).
The lovers are dull, and whatever the movie wants to say about the culture and society of the time is crammed into a few scenes of the king's court acting foppish and the women of the court revealing how their experiences don't matter to the men.
His scenes with Edward Norton are some of the best in the movie and while I personally hold Norton in high regard in terms of acting, Keaton blows him out of the water.
Poor Mativo acts like bait a lot in this movie, and the scene of him in the tree led me to uncomfortably remember the guy in the tree in Django Unchained.
scene that it raises the question of whether Krasinski made this movie because he really loves Wallace's work, or because just he wanted to show Hollywood that the loveable doof from The Office can actually act.
The movie focuses on the swift official response, as an FBI special agent (Kevin Bacon) arrives on scene and hesitates to declare it an act of terrorism while setting up a large control center complete with a model of the blocks comprising the scene of the crime.
Hollywood sweetheart Mary Elizabeth Winstead once again proves that she has been outgrowing the image of teen boys» crush Gwen Grayson / Royal Pain in Disney's Sky High back then, with more matured acting range through movies like Scott Pilgrim vs The World, Smashed or recent summer newcomer TV show on the comedy scene — Braindead.
Coogan is a gifted comic performer, for sure, but oftentimes this actively acts against the movie, since it feels like there aren't individually crafted scenes, or even much in the way of forward narrative momentum.
These a scene in the movie were one of them get's shot in the leg by accident and oh my god they reaction to getting shot was freaking dreadful and such bad acting it took me out of the movie a little bit, but luckily Maika Monroe was on screen most of the time in that scene so she pretty much saved it.
Now this isn't a spoiler to the movie but the scene I'm about to talk about involves Maika Monroe acting and why she was brilliant in this movie and that's when she first encounters the first follower and it's a old creepy looking women that start's walking towards her and the scene itself is very terrifying, Maika Monroe looked like she was scared and confused of what's going on and to be honest that's the face I will pull if so one started following me with that creepy look on their faces.
One of the best action - hero movies of all time is made with amazing action scenes, but is ultimately driven by the acting of Heath Ledger as The Joker.
Wiseau said he would only allow his story to be told if he got to act in a scene with Franco, but since it was deemed impossible to work Wiseau into the actual plot of the movie, the only solution was to film a standalone scene and tack it on to the end.
Deadpool 2 is the sort of movie where the heroes kill a guy — after spending the last act of the film saving that guy so one of the characters will learn a moral lesson — all in the hopes of scoring a quick laugh derived from the joys of knocking off religious zealots, while also using time travel during the mid-credits scene to erase a death that took place earlier in the film so as to avoid outraged howls from Internet folks about the wickedness of «fridging» tertiary female characters.
Again, Craig's Bond might've set the standard here in Casino Royale — the parkour scene in the first act of the movie is breathtaking stuff on the second, third, fourth, fifth, and 20th viewing.
An amazing film, from the battle scenes ripped off by Spielberg in Saving Private Ryan, to the Noh influences in make - up, costume and acting, the brilliant use of color, and the terrific, non-method acting, especially by Nakadai and Mieko Harada, who as a combination Lady MacBeth, Edmund character is one of the great movie villains of the 80s.
She and Dornan still display little in the way of chemistry, and considering this is a movie filled with scene after scene of the twosome snuggling up to one another, acting naughty in elevators or boldly pronouncing loud exclamations of undying love this is a major problem.
The movie performs its act of documentation almost frighteningly well, to the point where the scenes occurring before the viewer bear a stronger resemblance to a drama than the conventional ideal of documentary.
The aforementioned church scene is an example of where this native silence works quite well, racking focus clearly on the sweet, heart - rending vocals, but for a movie ostensibly about alienation and disconnect, there are many scenes — Johnny sitting in the kitchen when the rest of the family rushes out to meet George and Madeleine, for instance, or a late - act scene between Ashley and George at the hospital — where the audio is just flat.
The first act of the movie, these scenes crusading in Syria, were written like something from The Hurt Locker.
While the movies contains some of the best fight scenes I have ever scene, an all star cast, and a beautiful leading lady, it completely lacked in story, character development, and acting.
The period setting is sketched in broad strokes (fittingly, the only real - life filmmaker name - checked here is Norman Taurog, director of Elvis vehicles and Dean Martin and Jerry Lewis movies), giving the Coens a chance to play with dated and outmoded film techniques: wipes, bird's - eye - view matte paintings, painted backdrops, unconvincing model submarines, and, in the movie's most perverse act of homage, a very long driving scene of questionable urgency.
We'd also wager that Woody Allen would have a good shot for his rare acting appearance in John Turturro «s «Fading Gigolo «-- whatever his recent controversies, the Academy have no compunction about showing him some love (he was nominated for writing «Blue Jasmine» last year), and he steals scenes a plenty in the movie, which again was a bit of a spring surprise hit on the arthouse scene.
The only difference is that in this Bad Lieutenant: Movie Review, it shows the intensity of every scene as the actor engage in every illegal act.
They treated each line of the poem as a «scene» in a movie and illustrated it or acted it out.
Host a contest where your fans can submit a movie of them acting their favorite scene in one of your books and feature the winner on your website.
The cut scenes feature purposely terrible voice acting as the characters make terrible one - liners reminiscent of the movies they are based on.
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