Sentences with phrase «acting in a different film»

Not exact matches

If however you can enjoy something a bit different, there's great acting, good tension, and some shocking scenes in this film that will mean it'll have some lasting value at least.

Beginning, intriguingly, in 1949 with a young Castro (Victor Huggo Martin) as a clean - shaven lawyer incensed by certain acts of vandalism perpetrated by the American Navy in Havana, the film promises to draw an interesting connection to Gandhi's legal background and, most fascinatingly, the starkly different ways these two revolutionary leaders conduct their rebellions (and to what eventual purposes).

Allen is notorious for offering his actors little to no direction, which often produces films where every one in the cast seems to be acting in a different movie, but it could be liberating for an actor as organic and instinctual as Phoenix.

In short, the film is quite well written, well acted and offers a different experience for those who like historical films.

After running around in circles — literally — Corbucci gets Silence into the second act and the film starts to get a lot different.

Emily Blunt delivers an extraordinary performance in the lead role (rather than simply acting drunk, she plays Rachel as an alcoholic desperately trying to look sober), but it feels like she's in a different film — one that isn't marred by soapy plot turns and Taylor's messy direction.

The idea is that the Deadpool in the spin - off film could take an entirely different take on the character (i.e. a take actually based on what the character looked and acted like in the comics), but he had to first appear in the Wolverine movie.

Different type of acting — Soairse Ronan: «I was nervous about it because the style of acting that he has in his films is so dDifferent type of acting — Soairse Ronan: «I was nervous about it because the style of acting that he has in his films is so differentdifferent.

While seeing this on stage in a series of clearly defined acts likely gives the the story a different shape, presented similarly as a film, it leaves the pacing feeling particularly slack.

While it's invidious to compare a female director's work to that of her spouse, it's plausible that two filmmakers who live and have worked together (she has acted in his films) may find styles and preoccupations rubbing off on each other, or separately making films that would be a dream double - bill; this is certainly the only MHL film that feels remotely like an Assayas one, and it's certainly different from the pared - down precision of her other, more vignette - like works.

There's nothing wrong with the first act and those cute edits, except they belong in a different film.

It's not until late in the film's third act that a different feeling emerges, a looser hand that provides room for characters to be more warm and human than pieces in a constricted design.

Janusz Kaminski perfectly complimented A.I.'s three - act arc with three completely different visual looks while keeping it grounded in the futuristic world of the film.

Everyone else is literally acting in a different movie — which may be a very meta - joke as Eddie flitters from film set to film set trying to quell problems — but it's still an unsolved flaw at the heart of Hail Caesar!

DVD Review: As Pixar sets go, this is pretty bare - bones, a single - disc set with the obligatory short film opening act («One Man Band»), an unfunny longer film starring tow truck Mater («Mater and the Ghostlight»), and a smattering of «deleted scenes,» which are in fact a series of rough sketches that actually take the plot in completely different directions.

Konrad Smolenski is a multimedia artist from Poland who is able to expertly use film, music, performance acts and various objects in order to explore different topics and issues of our society.

In the film Schnabel remarks: «I started to use different kinds of materials because I was looking for some kind of new way to paint... working with things that already exist affords you associations that are beyond your invention... I see opportunities everywhere as paintings, in images that already exist, in surfaces that will repsond to paint a certain way, or it might come from an accident... I realized a picture could be the architecture of a painting... so I would select thigns that already had pictures - images of things impregnated on them - and then I could treat them as a blank canvas... let them inform what I was doing and make me react to what was there and come out with a hybrid painting... it has a much to do with reacting rather than acting.&raquIn the film Schnabel remarks: «I started to use different kinds of materials because I was looking for some kind of new way to paint... working with things that already exist affords you associations that are beyond your invention... I see opportunities everywhere as paintings, in images that already exist, in surfaces that will repsond to paint a certain way, or it might come from an accident... I realized a picture could be the architecture of a painting... so I would select thigns that already had pictures - images of things impregnated on them - and then I could treat them as a blank canvas... let them inform what I was doing and make me react to what was there and come out with a hybrid painting... it has a much to do with reacting rather than acting.&raquin images that already exist, in surfaces that will repsond to paint a certain way, or it might come from an accident... I realized a picture could be the architecture of a painting... so I would select thigns that already had pictures - images of things impregnated on them - and then I could treat them as a blank canvas... let them inform what I was doing and make me react to what was there and come out with a hybrid painting... it has a much to do with reacting rather than acting.&raquin surfaces that will repsond to paint a certain way, or it might come from an accident... I realized a picture could be the architecture of a painting... so I would select thigns that already had pictures - images of things impregnated on them - and then I could treat them as a blank canvas... let them inform what I was doing and make me react to what was there and come out with a hybrid painting... it has a much to do with reacting rather than acting.»

Career Profile Performed in over 20 Productions in the New - York area, 11 + years of various acting roles in theaters, movie films and TV shows, passionate about acting and strong drive to succeed, with inherent talent to perform different types of character roles.