Sentences with phrase «action at the audience»

while am not expecting Tolstoy nonetheless I do think and simply throwing action at the audience for 90 minutes plus does not an action story make

Not exact matches

At the end of his speech he challenged the audience to contemplate boldness, and take bold action when they witnessed opportunity to improve the diversity and equality at their own companieAt the end of his speech he challenged the audience to contemplate boldness, and take bold action when they witnessed opportunity to improve the diversity and equality at their own companieat their own companies.

It can tell you how well your content resonates with your target audience and how capable it is at driving people to action.

When we create content at IDC to support our clients» content - based marketing efforts, we first indentify our clients» target audience (buying persona) plus buyer cycle stage (i.e., general awareness / education, preference, purchase and post-purchase; within each stage there are specific tasks or «jobs» you prospects / customers need to accomplish such as, short list creation, business case development, final recommendation and decision, etc.) We also consider our clients ideal outcome or action they want their target prospect / customer to take once they interact with the content or messaging.

It released a video this week blaming the «mainstream media» for mass shootings in America and Wayne LaPierre, head of the NRA, told an audience at the annual Conservative Political Action Conference (CPAC) on Thursday that the post-Parkland gun control push is the result of socialism.

The smart and eloquent student who framed the whole TEA PARTY phenomenon for the audience was perfectly right that these people are a largely admirable example of democracy in action, of genuine «civic engagement» at the local level.

Wrapping all four sides of the pitch your brand will be positioned at the very heart of the action with the potential to reach an audience of millions.

There are two aspects of egocentrism at this age: the imaginary audience (where your child believes that others notice and care intensely about her appearance and actions) and the personal fable (where your child believes that his experiences and emotions are unique and experienced by him alone).

NYPD Commissioner Ray Kelly talked about ending gun violence before a wary audience at the Rev. Al Sharpton's National Action Network conference.

Minutes without dialogue or action bravely drag as the audience is taken through the sheer banality of torture along with the artist, played by an at once rumbustious and reflective Benedict Wong.

In its letter titled, «Looming nationwide industrial action: Request for audience,» and signed by the JOHESU National Chairman, Joy Josiah, and the National Secretary, Ekpebor Florence, the body warned that the Senate President and the Speaker of the House of Representatives should grant it audience on September 13 and 14 respectively by 10 am or at any other date not later than a week before September 30.

The 3D conversion for DH2 is superb — even though there are few instances of stuff coming out of the screen at the audience, it adds depth and solidity to the proceedings, and puts us squarely in the middle of things during the movie's first action sequence of note, a ride through Gringotts vaults.

At only 84 minutes, it never bogs down with needless seriousness or scenes of emotional schmaltz, always seeking to keep audiences smiling with sight gags, allusions that are actually clever, and choice bits of music that accentuates the action instead of just being shoehorned in to hock soundtracks.

The problem comes when after adrenaline, action, thriller and claustrophobia, the audience makes a better resolution in its head, inevitably getting disappointed at the end.

Filled with quotable lines («They mostly come at night... mostly), and great character performances including scenes of wall to wall action galore and the ultimate showdown with the heroine and the Mother that brought audiences to there feet when «Aliens» became the runaway hit of 1986.

Lara Croft Tomb Raider: The Cradle of Life viewed at a semipublic screening with an audience of critics and ordinary moviegoers rated PG - 13 for action violence and some sensuality official site IMDB

Spy Kids 3 - D: Game Over viewed at a semipublic screening with an audience of critics and ordinary moviegoers rated PG for action sequences and peril official site IMDB

It's not as action - packed as «Predator» (it's actually more comparable to «Prometheus» and «Alien: Covenant»), nor as incomprehensible as «Under the Skin» (with which it shares a number of similarities), nor as aloof as «Arrival,» but it's one of those rare drama / horror hybrids that hopes to encourage audiences to think — at the same time that they're cowering.

And much like last year's «Wreck - It Ralph» (or the more tonally similar «Adventure Time»), «The Lego Movie» anticipates a certain attention - deficit quality in its audience, constantly plunging the action into new and different realms, while poking fun at the various characters and customs that make each sort of silly along the way.

It's almost a disappointment that an action / adventure concept with so many flying objects, including Thor's epic hammer, wouldn't have at least something appear to dash out at the audience.

Indeed, Senna is a must - see feature for consumers of cinema, lovers of action and aficionados of ambitious entertainment, with the flawless, fascinating and thrilling feature causing audiences to laugh and cry, and be moved and amazed, regardless of their prior ambivalence for or appreciation of the man at the centre or his chosen sport.

There's this bizarre concern by Hollywood that audiences will rebel if they don't fully understand what's going on at every given moment, and so characters talk to themselves, motivations are spelled out in voiceover, and everyone, especially in action movies, speaks of what they have to do and why they have to do it.

Dwayne Johnson and Kevin Hart reveal the message they hope audiences walk away with at the end of the action - comedy Central Intelligence.

The audience was laughing at all the bantering and loudly applauding the action... the AWESOME ACaction... the AWESOME ACTIONACTION!!

Live - action 3 - D has been, at least since «Avatar,» a briar patch for filmmakers and a headache for audiences.

I think the privileged teens watching this will turn off at this point, while audience members who fear their middle name is Loser, may not be convinced by Josie's actions.

It's absolutely hilarious, action - packed and even emotional at times; being the joyride that audiences have come to expect.

The origin story made us believe that strange humour combined with some sleek action makes for some great entertainment at the theatres and the audience is hoping that Deadpool 2 will be even better than the first one.

If Shyamalan is to the point where he's actively flipping the bird to audiences and expectations, eschewing his life - support systems for twists and protracted takes in favour of ugly, flat, uninspired action sequences and blighted implications, then I might actually at this point be looking forward to his next one.

Audiences shouldn't expect action and the romance is intentionally kept off screen or unspoken at times.

During a preposterous action point in the film, Lara Croft's character stops the action looks at the audience and says, «Really?»

McDonagh is a master at introducing characters and automatically telling the audience who they are, but at the same time manipulating their actions in realistic manner that subverts our expectations.

No, no just at the beginning, but the actions, consequences, and rules get discussed ad nauseam as if they don't trust the audience to keep up or they know what they have done to the series doesn't make sense.

Even those who find extended success at a certain kind of picture — say, Will Smith in heroic sci - fi action or Adam Sandler in goofy romantic comedies — eventually find audiences growing tired of their shtick and wanting them to challenge themselves.

Regardless of the reasons, I'm at a loss as to why Last Action Hero failed to find a proper audience, especially considering how well - publicized and promoted the film was at the time of its release.

Even attempts at slapstick come off subdued in a film that, without Sarandon, could have failed miserably but which appears to be holding back from more melodramatic actions as though trying too hard to cater to an arty audience.

Edgerton's script does a great job at building suspense and making the audience question these characters and their actions.

Understandably confusing to audiences (its aesthetic is weird but not explicitly futuristic) and a little too humanizing of Snake (as Russell observes), it's an opening sequence that would've at least provided an arc for Snake in the final cut (in addition to a mirror action for Barbeau's last stand) and is nice to have for posterity.

The newest game from the minds behind the successful God Eater action RPG series, Code Vein represents a chance for those creative minds to clean the slate with a new kind of game — and one that is more keenly targeted at a worldwide audience.

While it is incumbent on the audience watching any Indiana Jones film to accept a degree of supernatural power and treasure hunting mystique, the degree to which credulity is stretched coupled with the loss of character at the hands of big action scene artificial imagery means the heart of the film is lost.

When it falls into conventional storytelling it is a sloppy, middling action film with lazy focus, bland characters, misses all its comic beats to the point the audience was laughing more at the fart jokes, which weren't even well timed either.

For those looking for solid comic book superhero action, this is an average flick at best, with cartoonish villains and silly dialogue, not once aiming for an audience that isn't juvenile.

The dome screen, also tilted at 30 degrees, puts the audience directly into the action.

For audiences who saw Free Fire at the Toronto International Film Festival Midnight Madness, it was the first time they saw Brie Larson in action.

This film is loaded with all the typical cliched action sequences and at times is so stupid that as an audience member you just shake your head and ask yourself, «they didn't just do that, did they?»

Alternating at times between a variety show and a business meeting, Sony's presentation featured everything from Will Ferrell promoting the comedy «Holmes & Watson» by singing «My Heart Will Go On» and talking about winning $ 50,000 playing roulette earlier in the evening, to actress Gina Rodriguez, in support of the action pic «Miss Bala,» stressing the importance of the Latino movie - going audience.

«Warm Bodies received a «B +» CinemaScore from its young audiences and easily outpaced last week's No. 1 film, the R - rated 3D fantasy - action mash - up «Hansel and Gretel: Witch Hunters,» which took in $ 3.2 million Friday and is looking at a $ 10 million second weekend for Paramount.

In fact, there is an entire sequence about trying to look after a new baby for the first time, which is surely aimed solely at the parents in the audience that have survived this; and the action of the entire film has enough energy and visual interest throughout to keep all ages engaged.

The film — and Younger — is clearly at their best in the early stages, which drops the audience, along with Seth, in the thick of the high - stakes action.

Although audiences may find the film slow at times or even too gory, the fantastic action sequences, visually stunning sets, camerawork, and the performance by DiCaprio make up for its shortcomings.