Sentences with phrase «action editing style»

8 p.m. Thursday, May 11 8 p.m. Friday, May 12 Bruce Conner Film Series Internationally acclaimed for his found footage approach to filmmaking and his fast - action editing style, Conner's films have influenced two generations of filmmakers.

Not exact matches

Director Nimrod Antal delivers the goods when it comes to staging and editing exciting action, but in terms of plot, character, and style, Predators is old hat.

Well probably the only thing for this reviewer were the fight scenes which crackle with realism, vigour and fluidity meaning there is none of the fast editing / shakycam technique that has become the signature style of Hollywood action films since the success of the Bourne franchise.

David Holmes «score pulses and blatts with style — it's half Lalo Schifrin, half John Barry — and the film is full of long - take action and pursuit scenes where you only realize how superbly and meticulously choreographed they are after the fact when your pulse has cooled enough to let you count the long moments between edits.

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Hark's delirious sense of action staging and editing — along with the unusual blend of styles — make portions of this film quite arresting.

In general, though, the house style of the franchise (clean, pared - down visuals made kinetic in the editing room) lends itself supremely well to this sort of mundane thriller, where the action only ever alternates between chases on foot and in cars.

Several of the action sequences are impossible to follow, with thousands of Lego bricks moving about the screen, not to mention an impatient editing style.

Wright heaps on the action with drunken bar room brawls and chase sequences all done with his frenetic directing style that features sharp editing and swift camera movement that's flows organically with each moment.

«Agenda» looks at the short that led to D9 and aspects of its development, script / story / character elements, alien design, rehearsals, sets and locations, cinematography and the flick's visual style, cast and performances, action and effects, sound and editing.

Director Kathryn Bigelow gives the proceedings a hefty dose of style, using a lot of dreamy slow motion and quick editing, and staging the action scenes with great energy; her most brilliant work here are the on - screen recreations of the SQUID clips, shot in long takes and with appropriately edgy and shaky handheld camera work.

And on a technical level, Wright brilliantly mimics the structural characteristics of these films, with rapid - fire editing (Wright deploys Bay's fast - edited style to such a degree that there can be up to eight cuts per second in a few action sequences, a noticeable and hilarious gag) and swooping, circling and slow motion camerawork that would make John Woo proud.

This is clearly emulating the editing style and tone of a Hollywood action flick.