Strong characterization, keen wit, and lots of
action give the story wings.
Not exact matches
The newspaper wrote in its
story that Marc E. Kasowitz threatened «prompt initiation of appropriate legal
action» against the Times if they published the records because Trump did not
give permission for the records to be disclosed.
But taken together, these
stories, told from many different points of view, converge to
give a distinct impression of a real person in
action upon a recognizable scene.
In the same way as the act of original affirmation is enclosed in the discourse of predicates of the divine, testimony, understood as the
action of testifying, is enclosed in the
story of the witness to which we also
give the name testimony.
Again, it is held by many critics, with great probability, that some of the
stories of the patriarchs are actually accounts of the movements and
actions of whole tribes,
given as if they were adventures of individual persons.
Often, getting the rest of the
story will
give you a better appreciation for her point of view, and you'll be able to back up her
actions.
What do you want to try to avoid and what
action are you compelled to consider
given where a
story might go to?
They're eager to
give foreign partners frustrated by the Trump administration's aversion to climate
action a
story that they'll like.
This all makes sense
given the mechanisms of
action, but it is not the end of the
story or the only side.
Good: Starscream is a lot cooler in this movie, Best computer - graphics for any movie to date, Original Optimus voice, Bumblebee vs. Barricade scene was awesome, Decent
story, but the Unicron
story is a million times better Bad: No Hot Rod or Soundwave, Shia LeBeouf, Ending, Futile attempts to connect to classic scenes, lines and concepts, No Stan Bush soundtrack, Some immature humor ruined a lot of the movie for me, Poor dialogue I really expected a lot from this movie and am very critical about my feelings towards it - Overall Michael Bay made a good movie, but he made it appeal to the masses (immature jokes and a lot of
action) and it
gave up a lot of other crucial aspects to the
story and quality of the Transformers franchise.
This juxtaposition feels like a very calculated move on the part of writer / director Scott Cooper,
giving a justification for the past
actions of the
story's American soldiers and an opportunity for those soldiers to seek forgiveness for those
actions.
This
story gives us exactly what we'd expect from it, with bone - breaking fights, lots of
action setpieces, and a plethora of new characters tagging along for the ride.
Other than De Palma's deft handling of the spy side of the
story (his handling of fast - paced
action is still a bit herky - jerky), Cruise
gives a commanding performance, both professional and intense at the same time.
Though both stars are sometimes eclipsed when the film strains for big
action episodes, Mr. Duchovny sustains enough cool, deadpan intellect and suppressed passion to
give the
story a center.
These investigations are hardly challenging at all, but serve to break up the
action and
give the player some new
story information in a different kind of way.
I really wanted to start calling him Armie Hammy since most of what he's been
given in this film are lines that would fit more into children's books than in an
action movie that has more violence within the
story than most young Disney fans might be accustomed to seeing.
With just a little more emphasis on
story and characters, So Close would have been an international phenomenon with staying power,
given the dynamite
action.
Based on a true
story adapted from H.G. Bissinger's book, «Friday Night Lights: A Town, A Dream and a Team», director and co-screenwriter Peter Berg (Very Bad Things, The Rundown) uses shaky camera work to
give the effect of realism, mixed with a stylized delivery of high school football
action that takes this simple small - town
story and makes it feel important, like Hoosiers for football fans.
Letting
action and effects complement
story and characters, it's entertainment for the masses that doesn't leave you thinking or wanting more but does
give you adequate bang for your buck.
Screenwriters Michael Robert Johnson, Anthony Peckham, and Simon Kinberg whittle the Holmes character down to the basics, reasonably expand him using some of Doyle's background information to
give him a slight
action hero edge, develop a pretty crackerjack
story involving the occult and a plan to recreate the Gunpowder Plot using a Victorian - style chemical weapon, and read between the lines of the Holmes / Watson dynamic enough to make us read further between the lines.
Giving the
story a gripping, first - person immediacy, the
action unfolds through footage from the handheld HD -LSB-...]
Certainly, it is difficult to convey a
story with non-human actors with no dialogue, but Marshall makes the decision to
give the dogs almost human - like qualities in their
actions, to the detriment of the
story's believability.
While the teaser trailer and posters have been vague, selling a standard issue Tom Cruise
action movie, the new full trailer
gives us a better look at the
story for Paramount's holiday tentpole «Jack Reacher».
British
action director Matthew Vaughn («Layer Cake»)
gave the series a much - needed jolt of adrenaline with this prequel, taking us back to the beginning of the
story and showing how a young Charles Xavier (James McAvoy) and Magneto (Michael Fassbender) joined forces before tragically parting ways and pursuing differing philosophies.
Following Castile, Prince of the Foxes was the second novel by Samuel Shellabarger the studio flipped into a film, and while less epic in scope (no globe - trotting here), the
story still
gave audiences solid moments of superbly crafted
action in some stirring combat and battle scenes, and a nasty villain named Cesare Borgia (played with dribbling glee by Orson Welles).
Admittedly I haven't read Lehane's book and apparently Robbins» character is
given more of a back
story which makes more sense to his character and his
actions and has less of a whodunnit stroryline.
Ultimately, the reason the villain seems more of an afterthought is because the main
story thread concerning Wade Wilson's transformation to Deadpool and Ajax's involvement in it does become a jumbled mess in all the blood spattered chaos not
giving a motive for the villain's
action.
initiative, La Golda tells the
story of an eight - year - old Latina orphan who uses soccer to bring awareness to a variety of social and environmental issues with the goal of engaging kids to take
action and
give back to their communities.
It's just a shame that the
story hasn't been
given the same attention, because while «Blackhat» is no worse than your standard Hollywood
action - thriller, it would have been a lot more interesting to see Mann take a big risk and fail than to settle for such a safe, middling paycheck movie like this.
2015 TRIBECA FILM FESTIVAL: Paul Weitz
gave the world «About a Boy» over a decade ago, masterfully telling a
story through it character's relationships and
actions.
But it's too early to write off Snyder just yet, because there's no question that his flair for the visual is a definite strong suit that could, when
given the proper
story around it, deliver a truly magnificent
action - adventure film.
Although there is barely an explanation as to who all of these people how, how they got their powers, and how these powers can actually work, Bekmambetov keeps the
action moving so briskly, and with such visual panache, that he never
gives audiences the time to sit and contemplate the many egregious
story short cuts in order to get to the next stunningly - rendered
action sequence or tantalizing
story development.
With the first trailer for Mowgli set to arrive later today, a selection of images have arrived online
giving us our first look at Andy Serkis» upcoming adaptation of Rudyard Kipling's The Jungle Book; check them out here... Blending live
action and performance capture, the
story follows the upbringing of the human child Mowgli (Rohan Chand)-LSB-...]
However, when comparing it to other
action flicks I have watched recently, Parker soars above the rest,
giving the audience a great
story, good characters and some tense moments.
Without
giving too much away, this is Deadpool on steroids - with David Leitch creating the perfect
action packed chapter in Wade Wilson's
story.
Through the professor's
stories, the player engages with the true history of the war, learning the secret motivations behind the «villainous»
actions of the main characters,
giving depth and meaning to their
actions while not necessarily justifying them.
They
give most of the participants a slender back
story (and some get none at all) in this
action - heavy outing.
The demo will
give gamers their first glimpse into the breakneck
action and fascinating
story of... [Read More]
On the heels of its debut in theatres with The Muppets next week, Disney / Pixar is now
giving us a look at the newest Toy
Story Toon, Small Fry, in
action (via HeyUGuys).
It plays like an epic
action movie, and was marketed the same,
given its late - May release, but the 3 - hour length was a daunting proposition and cut into the total showings per day, not to mention being a
story largely unfamiliar to the public.
We recently got a look at the character in
action by way of two trailers, but these images
give us a closer (and clearer) look at the environment that Mangold has cooked up for the Japan - set
story.
At its heart, its
story of a young man trying to deal with the unusual powers he is
given blends
action and humor to divert and delight those of any age.
Tomorrowland Rated PG for sequences of sci - fi
action violence and peril, thematic elements, and language Available on DVD and Blu - ray In the hopes of
giving life to a theme park attraction, Disney created the huge tentpole Tomorrowland and threw one of Hollywood's biggest stars, George Clooney, into the mix with a
story about a young girl on a mysterious journey to find the future.
In the end, Cameron was tapped to make an
action movie, and he
gave the studio something else altogether: a love
story with a disaster sequence that is one for the ages.
Besides using an ill - advised flashback
story structure that
gives away the movie's ending, some of his editing and film techniques just kill the
action dead in its tracks.
Give students time to prepare a three - minute presentation of their
story that could help drive their
action civics project forward;
The movie review should illustrate the
story, characters and a few of the
action devoid of messing up the plot or
giving too much away.
I mean, do we really have to play this game, where because I'm who I am and you're who you are, we pretend that the word «fuck» doesn't exist, and while we're at it, that the
action that underlies the word doesn't exist, and I just puke up a bunch of junk about how some teacher changed my life by teaching me how Shakespeare was actually the world's first rapper, or about the time I was doing community service with a bunch of homeless teenagers dying of cancer or something and felt the deep call of selfless
action, or else I pull out all the stops and
give you the play - by - play sob
story of what happened to my dad, or some other terrible heartbreak of a thing that makes you feel so bummed out you figure, what the hell, we've got quotas after all, and this kid's gotten screwed over enough, so you
give me the big old stamp of approval and a fat envelope in the mail come April?
While this title is decidedly for teenaged readers, the
action behind the
story give it crossover appeal for readers of all ages.
on The Other Side of the
Story with Janice Hardy Helpful Books for the Writing Process by Michelle Ule on Books & Such Literary Agency blog 3 Tips for Writing Heavy Emotional Scenes by Jami Gold Don't Cheat the Reader by Sally Apokedak on Novel Rocket How to Infuse Your Writing with Nostalgia by Frank Angelone on Copyblogger The Secrets Behind Buried Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae Taking the Road Less Taken (With Your Characters), guest post by Kristen Callihan on The Other Side of the
Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft:
Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants
Give Characters Interesting Anecdotes by Mooderino on Moody Writing