Bullet Time Evolved - A look at
the action scene filming process including some pre-visualizations, stunt work, and fight choreography.
Not exact matches
The directors are going to experiment with the technology for the
action scenes in «Captain America: Civil War,» which is currently
filming in Atlanta.
One of the biggest surprises in «Avengers: Age of Ultron» occurs about halfway through the
film when our heroes break away from the
action for a more light - hearted family - centric
scene on a farm.
Speaking about the
film recently in Los Angeles, Cera — who in this
film, takes some refreshingly bold steps away from his usual one - note nerd persona — and co - writer / director Edgar Wright (who also did the zany cult classics Shaun of the Dead and Hot Fuzz) discussed the meaning of the
film, the stretching Cera had to go through for the role, and the way in which the
film's hyperkinetic
action sequences are really just the same as the dance
scenes in Grease or a Gene Kelly movie.
If you want to use your 4K camera for
action - packed
scenes, zoom is an unnecessary feature, but zoom comes in handy for
filming athletic events, people, and nature
scenes.
She told the Insider that when she was
filming Interstellar, the
action - packed
scenes overwhelmed her.
I think Shyamalan should hire an
action director for his
scenes in the next
film of this franchise.
The
action scenes highlight Rodriguez's trademark ability to choreograph firefights and explosions, but they're doled out with uncharacteristic stinginess between long stretches of exposition that clear up much less than they should, as the
film builds toward a climax featuring some strangely underpopulated riot
action.
If you're expecting something great here, you'll be greatly disappointed as the
film is pretty stupid in the way it tackles its
action scenes.
Derivative, formulaic and clichéd
action film, Bullet to the Head is a bland movie that fails to grab your attention due to a lack of originality, good performances and well executed
action scenes.
The
film's two major
scenes of military conflict — the battle of Gaugamela, where Alexander's force of 40,000 bested the Persian King Dariussd III's 250,000 - strong army, and a third - act forest routing in India — are given short shrift and photographed in that jittery «you are there» un-StediCam-style that renders the
action impenetrable.
The
film had some decent
action scenes, but nothing really that stood out to truly make this a memorable actioner.
More an
action blockbuster than a horror squelcher, it contains spectacular crowd
scenes that have an Hieronymus Bosch quality, but the
film lacks strong meat — of the emotional and bloody zombie - cannibal sort.
Made by some of the people responsible for «Wallace & Gromit: The Curse of the Were - Rabbit,» this computer - animated
film could use a strong dose of Ritalin — some of the
action scenes are so frenetic that it's hard to figure out what's going on.
The final
film presented a gargantuan challenge to its makers, who were required to juggle gigantic
action scenes with emotional heft and jaunts into the metaphysical to explain its labyrinthine plot.
Difficult story with Elektra, other amazing character, but the
film is terrible, the only good parts are the
action scenes, but this
film have much mistakes.
I don't know what the best
action scene is in the
film.
While not an elite
action film, and overall disappointing, its stars compliment a witty script, a couple of cool fight
scenes, and exotic locales.
All the more
action - based
scenes, like the quidditch match, the broomstick lessons or the wizard's chess
scene near the end, feel like set - pieces which have wandered into what otherwise resembles a recital rather than a
film.
To be clear, Cooper's
film is not an exhibition on gun - slinging, nor does it set out to overwhelm viewers, although its few
action scenes are both brutal and timely.
As directed by Anthony and Joe Russo, the
action scenes are often incomprehensible, which means that far too much of the
film is spent waiting for the
action to die down so we can see who is left standing.
Right out the gate, the
film presents an
action scene that you think can't be topped - but it is.
And, with The Grandmaster given the opening slot at the Berlin International
Film Festival and good early reviews praising the
film's beautifully choreographed
action scenes, fans can rest easy.
LEGO The Incredibles, a new video game where players take control of their favourite Incredibles characters in unforgettable
scenes and
action sequences from both Disney Pixar
films, The Incredibles and the upcoming The Incredibles 2.
The
action is mental as is customary in Michael Bay's
films with almost all of Chicago massacred by the end of the
film and most of the
scenes where someone dies being kinda crap.
The
film isn't perfect: in some
action scenes, Black Panther's suit looks more computer - generated than realistic, and the hand - to - hand combat sequences can come off more chaotic than compelling.
The actors are really just playing themselves as far as their line delivery goes and the plot really doesn't go anywhere new, especially since the opening
scene of the
film rewinds through the entire
film, showing every
action beat, which was a really bizarre move.
For his elaborately choreographed fight
scenes, Canutt developed a new, more realistic method of throwing punches, positioning the
action so that the camera
filmed over the shoulder of the actor receiving the blow, with the punch itself coming directly toward the lens.
All the
action scenes are jerky and being
film from somebody on a trampoline.
While Gens can splatter gore with the best of them — early in the
film, a human body packed with C4 goes off in graphic detail — he fails to stage so much as a single rousing
action scene, even when he has four double - fisted swordsmen facing off inside an abandoned subway car.
Directed by Timo Tjahjanto and Kimo Stamboel aka The Mo Brothers, with a script by the former, what they lack in original or even compelling drama in Headshot, they make up for with the
film's multiple
action scenes.
This
film plays out more like a very slow - burn romance with a few
action scenes that are pretty average.
His
film moves along quickly and muscularly, from one serious
action scene to the next, to the extent that it almost stops mattering what the particulars of this conflict are, just that various twists and obstacles are set up engagingly.
Credits began following the trademarked opening of a close - up view of a match - head igniting, and the lighting of a sparking fuse, accompanied by a blindingly - fast montage of
action scenes from the
film - and of course, Lalo Schifrin's memorable theme music.
Though we are largely spared Leonard Nimoy's stentorian presence as a performer, we must endure his miscalculations as a director: the dialogue
scenes are often hilariously turgid; the
action scenes — when Nimoy can be bothered to descend from his podium and
film them — are zanily maladroit.
The
film is very entertaining and visually well done, the acting has improved and the
action scene at the end is awesome.
For all its high - spirited
action scenes, the
film's most impressive sequence involves a single water droplet, which is later echoed in an artfully choreographed battle involving cannonballs.
For though «Insurgent» can't quite do without its pro forma personal moments between characters (the
film even includes a sex
scene so chaste it wouldn't have disturbed Doris Day in her prime), its heart is not there but in its
action sequences.
The best
film in the star wars saga because it's filled with
action and has one of the most shocking
scenes ever when you know happens.
What's absent from this
scene in the
film is McCandless» sporadic reasoning for doing this — that despite the potency as adventure, it is another in a chain of
actions intent to further mute the memory of his family.
It's an often - awkward niche
film enlivened by impressive on - field
action scenes.
It's a great - looking
film, filled with wildly imaginative sets and costumes that would have done the Maestro proud, and veteran director Richard Fleischer (The Vikings) rises to the occasion with some sharply staged
action scenes.
The
action sequences and fight
scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing
scenes in Creed, as well as many a James Bond
film during a nightclub sequence right out of something like Skyfall.
The
film is very good, great history, very interesting and engaging, special effects and spectacular
action scenes, as well as having one of the classic
scenes of cinema.
Antal's Hollywood
films are yet to fully live up to the promise he displayed in his début
film Kontroll but with Predators he nevertheless does an excellent job
filming the various
action scenes.
Two
films came out this year that had brilliant cinematography and very little dialogue, the difference is mad max didn't put me to sleep and it had
action scenes that pushed the story forward rather than happen in the background and force the audience to squint to even make out what's happening.
I think that the mix of the really short shoot (miraculously, Prince Avalanche was
filmed in 16 days), with what an
action - packed shoot it was, in terms of the amount of
scenes we did every day, and the comedic dynamic of the character was something that I never explored before.
The almost robotic performance by the increasingly unreliable Cage doesn't help the character's likability, however, the
action scenes involving Big Daddy are easily some of the
film's best.
Although they help set the tone at the outset of the
film, we don't need more of these
scenes after her first
action sequence as her character's MO is very clear.
@Cody Good
action scenes don't make a good
film.