Sentences with phrase «action scene in the film»

Directed by James Mangold (Walk The Line, 3:10 To Yuma), The action scenes in this film are visceral and raw.

The look of the CGI vampires certainly hasn't been all that improved in a year, and none of the action scenes in the film really got me all that excited.

Peters brings a playfulness to the role and contributes the wittiest and most enjoyable action scene in the film, a supersonic rescue mission speeding through a slow - motion explosion.

The action scenes in those films were awesome, and his overall visual flair was hard to beat.

Some of the action scenes in the film were absolutely breathtaking.

«Appetite for Destruction» (8 minutes) explores three of the biggest action scenes in the film, showing how certain shots were done to keep the actors safe.

Julian Clarke and Lee Smith's editing and Trent Opaloch's cinematography also deserve credit for helping to add to the grittiness and swiftness of the exciting action scenes in the film.

The movie may continue the story of El (somewhat), but Once Upon a Time in Mexico doesn't gel with the first two films, and El's flashbacks feel very tacked on, as do all of the action scenes in the film.

Not exact matches

The directors are going to experiment with the technology for the action scenes in «Captain America: Civil War,» which is currently filming in Atlanta.

One of the biggest surprises in «Avengers: Age of Ultron» occurs about halfway through the film when our heroes break away from the action for a more light - hearted family - centric scene on a farm.

Speaking about the film recently in Los Angeles, Cera — who in this film, takes some refreshingly bold steps away from his usual one - note nerd persona — and co - writer / director Edgar Wright (who also did the zany cult classics Shaun of the Dead and Hot Fuzz) discussed the meaning of the film, the stretching Cera had to go through for the role, and the way in which the film's hyperkinetic action sequences are really just the same as the dance scenes in Grease or a Gene Kelly movie.

If you want to use your 4K camera for action - packed scenes, zoom is an unnecessary feature, but zoom comes in handy for filming athletic events, people, and nature scenes.

I think Shyamalan should hire an action director for his scenes in the next film of this franchise.

If you're expecting something great here, you'll be greatly disappointed as the film is pretty stupid in the way it tackles its action scenes.

The film's two major scenes of military conflict — the battle of Gaugamela, where Alexander's force of 40,000 bested the Persian King Dariussd III's 250,000 - strong army, and a third - act forest routing in India — are given short shrift and photographed in that jittery «you are there» un-StediCam-style that renders the action impenetrable.

I don't know what the best action scene is in the film.

LEGO The Incredibles, a new video game where players take control of their favourite Incredibles characters in unforgettable scenes and action sequences from both Disney Pixar films, The Incredibles and the upcoming The Incredibles 2.

The action is mental as is customary in Michael Bay's films with almost all of Chicago massacred by the end of the film and most of the scenes where someone dies being kinda crap.

The film isn't perfect: in some action scenes, Black Panther's suit looks more computer - generated than realistic, and the hand - to - hand combat sequences can come off more chaotic than compelling.

While Gens can splatter gore with the best of them — early in the film, a human body packed with C4 goes off in graphic detail — he fails to stage so much as a single rousing action scene, even when he has four double - fisted swordsmen facing off inside an abandoned subway car.

Directed by Timo Tjahjanto and Kimo Stamboel aka The Mo Brothers, with a script by the former, what they lack in original or even compelling drama in Headshot, they make up for with the film's multiple action scenes.

For all its high - spirited action scenes, the film's most impressive sequence involves a single water droplet, which is later echoed in an artfully choreographed battle involving cannonballs.

For though «Insurgent» can't quite do without its pro forma personal moments between characters (the film even includes a sex scene so chaste it wouldn't have disturbed Doris Day in her prime), its heart is not there but in its action sequences.

The best film in the star wars saga because it's filled with action and has one of the most shocking scenes ever when you know happens.

What's absent from this scene in the film is McCandless» sporadic reasoning for doing this — that despite the potency as adventure, it is another in a chain of actions intent to further mute the memory of his family.

The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.

Antal's Hollywood films are yet to fully live up to the promise he displayed in his début film Kontroll but with Predators he nevertheless does an excellent job filming the various action scenes.

Two films came out this year that had brilliant cinematography and very little dialogue, the difference is mad max didn't put me to sleep and it had action scenes that pushed the story forward rather than happen in the background and force the audience to squint to even make out what's happening.

I think that the mix of the really short shoot (miraculously, Prince Avalanche was filmed in 16 days), with what an action - packed shoot it was, in terms of the amount of scenes we did every day, and the comedic dynamic of the character was something that I never explored before.

Verbinski certainly did his western - movie homework, for outside of all the rootin» - tootin» Rube Goldbergian action scenes, the director consciously evokes John Ford with his widescreen vistas of sun - baked deserts (on - location shooting took place in Utah, Texas, and beyond), and his nod to films like The Searchers with scenes of near - helpless families under attack in the wilderness.

Director Sam Mendes and his crew go behind the scenes of «Spectre» in a new production blog that focuses on the action sequences of the new James Bond film.

He's playing with so many interesting ideas when it comes to race that I wish the film felt a bit more satisfying in its payoff, even if that disappointment is amply offset by the pure intensity of the final scenes, during which Peele displays a skill with horror action that I didn't know he had.

Colin Farrell and Taylor Kitsch - Actor Colin Farrell draws his gun in an action scene for «True Detectives» with co-star Taylor Kitsch filming in downtown Los Angeles - Los Angeles, California, United States - Thursday 12th February 2015 (17 Pictures)

The extras consist of an enjoyably in - depth commentary with Derek Cianfrance who, as co-writer and director, stays modest about the tone of the film and concentrates on what they were hoping to achieve in each scene, especially the action sequences.

In addition, there's another 18 and half minutes of B - roll footage, revealing a look behind the scenes of the eagerly awaited post-apocalyptic action film.

As the Oscar - winning actor reprises his vice-presidential role in action sequel London Has Fallen, here's a look back at his worthier film scenes

The film, based in name only on a series of South Korean graphic novels, has nice, washed - out desert exteriors and some cool jet - powered motorcycles, but there's nothing in the hackneyed story or the derivative action scenes to make you take notice.

The battle scenes use the same film technique as Saving Private Ryan's harrowing introduction, resulting in some of the most intense action sequences in years.

However, repetition sets in and the escalation of set pieces reaches some sort of a peak here: there are good - to - great action, chase and fight scenes (Bryan Singer's X-Men films still have an edge on depicting superpowers) but there's also a limit to the number of times people can be kicked through walls before the scraps start to feel samey.

Unfortunately, the one actioned - packed, high tension moment in the film is flubbed due to either sloppy editing or lack of coverage — we don't really get an understanding of the geography of the scene, and it's a missed opportunity.

The film starts off with some awkward, painfully lame flashback scenes of Kyle's childhood and transitions into an opening act that is loaded with full - on patriotism that sees him go to war to get back at the people who brought suffering to our doorstep in the events of 9/11 (he was already enlisted, but if we believe the film that decision was also motivated by seeing news footage of American lives being taken), but one of the most interesting surprises is how balanced it eventually becomes and how we see the way that Kyle's actions negatively impact others and how even he begins to question his commitment to the cause, despite the fact that he would never vocalize it.

This plagues the rest of the film, making the audience wait in dread for the next headache - inducing action scene rather than in anticipation — not good for a sci - fi action film.

There are some issues I had with the film such as some of the cinematography not looking as good as it could've been due to the poor lighting, some of the quick cuts in the action scenes were distracting, the movie can drag a little at points and I do think cutting off 15 minutes could've made the pacing move a little more faster (some scenes felt a little rushed too), where the film decides to take its story can be predictable, and some of the green screen was REALLY noticeable.

Moving in the same orbit as the original film, Men in Black 2 is splattered with alien innards, sexual content and violent action scenes.

Director John Crowley (Boy A, Intermission) does a very fine job with a good troupe of thespians, and while the film lacks a huge budget for large - scale action scenes, the more grounded developments definitely work in its favor in keeping a tenuous believability in what is mostly a story built on creative fantasy.

«Fast & Furious 6» (2013) 69 percent: With high - octane humor and terrific action scenes, this film builds upon the winning blockbuster formula that made «Fast 5» a critical and commercial success — a formula that depends on Diesel being in the center of the action.

Michael B. Jordan is Johnny Storm, who shows - off his reckless street racing skills in one of only three action scenes in the entire film.

Some of the CGI was a bit spotty in the final action scenes but other than that, this is the film I was hoping for.

It's fast paced (and like all of Edgar Wright's films, the editing punches you in the face every chance it gets), witty and filled with glorious comic book inspired action scenes, complete with onscreen sound effects text.

A five - minute featurette called «Greetings From Bull Mountain» is the standard five - minute B - roll / soft - sell interview errata that features a few additional male buttock shots; «King of the Mountain» is a two - minute music video that splices action sequences from the film together with bloopers and sets it to music (something resurrected in feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even worse.