A few
action scenes break the monotony, but not for long.
Not exact matches
One of the biggest surprises in «Avengers: Age of Ultron» occurs about halfway through the film when our heroes
break away from the
action for a more light - hearted family - centric
scene on a farm.
The
action scenes have a particular you - are - there quality, the sound emanating from everywhere and beneath in a dynamic, fluid way — no pun intended, in the case of the Torus
break - in and its persuasively dense water vacuum.
Andy and Lana Wachowski first burst onto the
scene with the 1996 crime thriller Bound, but it was their sophomore effort — ground -
breaking sci - fi
action thriller The Matrix — that went on to define their careers.
He brings the pacing of Creed's boxing matches to the longer
action scenes, producing a fabulously entertaining sequence in which a shoot - out in a South Korean underground casino — presented in part as an uninterrupted long take —
breaks out into a rollicking car chase through city streets.
Whilst emotion is key to a good disaster film, the dialogue in San Andreas is so clunky that these
scenes break up the
action and drag.
Maybe
break up the
action set pieces with quick expositional
scenes, so the characters could get to know each other a little better and we, as the audience, could find out everyone's backstory.
Van Damme has expressed his interest in making a
break from the hard
action scene and going into more classy thriller territory, à la The Thomas Crown Affair.
He
broke out onto the
scene with his fantastic, gritty neo-noir Brick, and he has followed it up with both the fun caper The Brothers Bloom and the trippy time travel
action movie Looper.
The situations are realistic for the most part, and one gets the sense that even director Michael Caton - Jones (Memphis Belle, Basic Instinct 2) thought the film drags too much, as there are a few attempts at
action that
break the rhythm of the film, providing the worst
scenes.
The dance is apparently intended to comment on the
action and themes in the picture, but the
scenes break the continuity in a manner that is joltingly distracting.
Along with
scenes straight from an
action flick (car chases,
breaking plate glass windows and the threat of being crushed), these rodents are attacked by automated machines with whirling blades and other deadly appendages.
With a very compact 95 minute runtime, not a minute of screentime is wasted and it's full of memorable
scenes and stunts which comes to a climax with a climactic, tense and perfectly choreographed
break - out chase that remains one of cinema's truly great
action scenes.
With «Ant - Man» they don't deviate from formula, but neither do they fix what's not
broken, relying on a talented comedic actor and a few marginally - thrilling
action scenes to carry a narratively pedestrian fairy tale to greater heights.
-LSB-...] Janice Hardy shares 4 tips on writing
action scenes and explains when to add a
scene break, while Jami Gold discusses how to create
scene endings that hook readers.
on The Other Side of the Story with Janice Hardy Helpful Books for the Writing Process by Michelle Ule on Books & Such Literary Agency blog 3 Tips for Writing Heavy Emotional
Scenes by Jami Gold Don't Cheat the Reader by Sally Apokedak on Novel Rocket How to Infuse Your Writing with Nostalgia by Frank Angelone on Copyblogger The Secrets Behind Buried Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae Taking the Road Less Taken (With Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft:
Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft:
Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Writing
Action / Reaction Transition: When you have a juicy action scene it can be very effective to break at just after the action peak and open next chapter with a character - focused reaction: Here is the end of our chapter 17, an ambush where Chief Flowers gets
Action / Reaction Transition: When you have a juicy
action scene it can be very effective to break at just after the action peak and open next chapter with a character - focused reaction: Here is the end of our chapter 17, an ambush where Chief Flowers gets
action scene it can be very effective to
break at just after the
action peak and open next chapter with a character - focused reaction: Here is the end of our chapter 17, an ambush where Chief Flowers gets
action peak and open next chapter with a character - focused reaction: Here is the end of our chapter 17, an ambush where Chief Flowers gets shot.
Cut
scenes of Stella, an edgy space pilot, help
break up the
action.
There's good reason for the lack of any significant SoulCalibur play on the competitive
scene; while the series might have provided its fair share of hugely entertaining showdowns, a few game -
breaking flaws and an emphasis on style over substance has seen it left in a horrible middle ground between hardcore fighters and anything - can go, mash - friendly
action gaming with a competitive twist.
Frank's camera is also used to
break the routine of mass - killing, alternating the
action scenes with phases of investigation, in which we use the camera to find clues to solve the mystery behind the new outbreak.
The storyline won't dominate the
action, either; cut
scenes in Judgment are meant to serve as a quick
break from the
action to dry your hands off and take a breath before the next engagement.
Like NetherRealm's other fighter, Mortal Kombat, Injustice: Gods Among Us features a story with cut -
scenes to
break up the
action.
Though it represents the bulk of the
action, there's more to The Gunstringer than just running and gunning,
breaking up the
action with chase
scenes, cover - based enemy encounters, and sequences that have you brandishing a pair of auto - firing six - shooters, a shotgun, a flamethrower, a sword, or just your bare fists.
FEATURES: • In - depth, fast - paced narrative experience crafted by Remedy Entertainment • Top quality live
action show that is directly impacted by choices made in - game • Stellar cast of actors • One story told many ways • Time - amplified
action gameplay • Navigate epic
scenes of destruction as they skip and rewind in
broken time
I don't know if these exist simply to give you a
break from the frantic
action, but I would've much rather played through some of the other cut
scenes — namely the opening where you glide down a snowy mountainside, engaging enemy troops and dropships alike.
Remedy has confirmed that Quantum
Break's live
action cut
scenes, a major feature of the game, will not be on Continue Reading →
This visual by the World Bank sets the
scene by
breaking down the global effects of climate change if humans fail to take
action: rising global sea levels, declining drinking water, and increasing global temperatures.