Sentences with phrase «action scenes from the film»

Credits began following the trademarked opening of a close - up view of a match - head igniting, and the lighting of a sparking fuse, accompanied by a blindingly - fast montage of action scenes from the film - and of course, Lalo Schifrin's memorable theme music.

Not exact matches

One of the biggest surprises in «Avengers: Age of Ultron» occurs about halfway through the film when our heroes break away from the action for a more light - hearted family - centric scene on a farm.

Speaking about the film recently in Los Angeles, Cera — who in this film, takes some refreshingly bold steps away from his usual one - note nerd persona — and co - writer / director Edgar Wright (who also did the zany cult classics Shaun of the Dead and Hot Fuzz) discussed the meaning of the film, the stretching Cera had to go through for the role, and the way in which the film's hyperkinetic action sequences are really just the same as the dance scenes in Grease or a Gene Kelly movie.

LEGO The Incredibles, a new video game where players take control of their favourite Incredibles characters in unforgettable scenes and action sequences from both Disney Pixar films, The Incredibles and the upcoming The Incredibles 2.

All the action scenes are jerky and being film from somebody on a trampoline.

His film moves along quickly and muscularly, from one serious action scene to the next, to the extent that it almost stops mattering what the particulars of this conflict are, just that various twists and obstacles are set up engagingly.

Though we are largely spared Leonard Nimoy's stentorian presence as a performer, we must endure his miscalculations as a director: the dialogue scenes are often hilariously turgid; the action scenes — when Nimoy can be bothered to descend from his podium and film them — are zanily maladroit.

What's absent from this scene in the film is McCandless» sporadic reasoning for doing this — that despite the potency as adventure, it is another in a chain of actions intent to further mute the memory of his family.

The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.

The action scenes are decent, but the film's entertainment value comes from seeing adult stars playing teens very different from themselves.PG - 13.

Featuring a different kind of performance from Tom Cruise and a scene - stealing Emily Blunt, the action never lets up and the futuristic design of the film is captivating and memorable.

A five - minute featurette called «Greetings From Bull Mountain» is the standard five - minute B - roll / soft - sell interview errata that features a few additional male buttock shots; «King of the Mountain» is a two - minute music video that splices action sequences from the film together with bloopers and sets it to music (something resurrected in feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even woFrom Bull Mountain» is the standard five - minute B - roll / soft - sell interview errata that features a few additional male buttock shots; «King of the Mountain» is a two - minute music video that splices action sequences from the film together with bloopers and sets it to music (something resurrected in feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even wofrom the film together with bloopers and sets it to music (something resurrected in feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even worse.

Unlike its predecessor (The Fellowship of the Ring), The Two Towers feels too long by half despite the elision of key scenes from the source tome; the picture only picks up during its last ninety minutes, and then only as an unusually well - crafted action spectacle largely lacking in the nuance, pathos, and sharply - drawn characterizations of the first film.

The actual dialogue is what brings the film down the most, apart from the languid action scenes.

An extended scene from the action crime thriller, «Machete Kills,» has been released, in anticipation of the film's Blu - ray and DVD release on Tuesday.

We are dropped into the heart of the action and visual splendour that one expects in the film from the very opening scene, set in (an unbelievably pristine) Ancient Egypt.

When Eddie Murphy (Beverly Hills Cop, Trading Places) became available, the project changed from a spiritual adventure film to an action - comedy, with each scene reconstructed in order to play more for laughs than for drama or awe.

Poor integration of live action and archive footage jars early in the film, when Giamatti appears alone on - screen in what must have been a chaotic scene, 30 yards from the motorcade.

Deepwater Surveillance (17:40) consists of twelve clips from secondary cameras running during the filming of action and stunt scenes, giving you the feel of being a fly on the set.

Leslie Odom Jr, Michael B. Jordan, Nate Parker, Kevin Phillips, David Oyelowo and Elijah Kelley portray some of the heroic Tuskegee Airmen in a scene from Lucasfilm's epic action film Red Tails, in theaters January 20, 2012.

Just imagine having to shift through 70 hours of footage that came from the 5 «HBO» cameras and then the 2 - 3 film cameras used to capture the action taking place outside of the ring — and that was just for the boxing scenes.

Check out the new behind - the - scenes video from the production of Lucasfilm's epic action film «Red Tails» below.

Despite the more refreshing scenes (it has its share) it still falters from typical action plot points that seem to infest every film he's in.

Schaffner came from TV, and while he has few of the obnoxious visual affectations of the TV - trained director, he tends to restrict the most significant actions and relationships in his films to spatial arenas that could be served very adequately by the tube rather than the Panavision screen: the real convention hustle in The Best Man takes place in hotel rooms, hallways, and basements; the tensest moments in his strange and (to me) very sympathetic medieval mini-epic The War Lord are confined to a small soundstage clearing or that besieged tower; the battle scenes in Patton are hardly clumsy, but the real show is George C. Scott; and Nicholas and Alexandra comes alive only after the royal family has been penned up under the watchful eyes of Ian Holm and then Alan Webb, far from the splendor of St. Petersburg or the shambles of the Great War.

From there the film is pumped up action / adventure fantasy, with big effects sequences and action scenes as the race of giants, who have a taste for humans, skin, bones and all, menace the humans.

Director / Screenwriter (and part - time comic book writer) Joss Whedon's love for comics is apparent right from the start with an opening act that would be the climax in many action films and carries through to one of the more spectacular final battle scenes you're likely to see for years to come.

The plot here is entirely predictable but as with Ozu's family dramas the real meat is in the film's visual aesthetic and cultural context, at once captured most intensely during a scene where Teresa witnesses a financial crisis - related suicide with all the suddenness of an Alfonso Cuaron action sequence and Chen captures her jaded shock by shooting her from low angles through light - heavy filters.

The tediously forestalled twists suck away time from what should be the film's focus — its action — and leaves only two scenes worthy of celebration.

Writer / Director David S. Goyer penned the first two films, and perhaps therein lies the fatal flaw: Blade: Trinity refits the Stephen Dorff vampire leader with whiny / pouty Parker Posey; Donal Logue's dismembered but persistent supporting vampire from Blade is riffed in Trinity by a less talkative and more beefy goon; and the need to top each action scene once again pads the latest sequel to an unnecessary two hours.

Without giving much consideration to the context that breed such an environment, bar a couple of fleeting scenes where one of the Day's gang attempts to find work as a farm hand, it begs the question as to what the film is trying to accomplish by focusing on the gang; especially when the film's ephemeral style distances the action from reality, laying blame on the gangs for Day's downward spiral into a life of crime and not the faulty idealism behind the myth of American opportunity.

The reasonably - coherent and sensible action scenes interspersed throughout the film are replaced by a full - scale battle, a swirl of mud - brown and grey with the kind of shoddy camerawork and random editing we've come to take as normal from 21st century Hollywood.

But while many people may think that the action scene has moved on to other parts (mostly Thailand and South Korea, plus a mini-boom of excellent American direct - to - video films like «Universal Soldier: Day of Reckoning» and its ilk), there's still a lot to offer from the once reigning king of cinematic punches and gunshots.

The film's action scenes are also competently done (if not exactly up to those in last summer's unfairly maligned sci - fi adventure from Fox, Titan A.E.).

Check out the latest action - packed behind the scenes videos from the set of the upcoming film «The Avengers» by director Joss Whedon (The Cabin in the Woods, Buffy the Vampire Slayer) and starring Chris Evans (Captain America: The First Avenger), Chris Hemsworth (Thor, Red Dawn), Mark Ruffalo (Date Night, Shutter Island), Robert Downey Jr. (Iron Man 3), Scarlett Johansson (Nick Fury), Jeremy Renner (The Raven, The Hurt Locker) and Samuel L. Jackson (The Killing Game, Iron Man).

Norwegian director Roar Uthaug (The Wave) and cinematographer George Richmond (The Kingsman: The Golden Circle) give the film an effectively gritty look, but they never quite manage a consistent or coherent tone; it veers wildly from over-the-top action antics, to a grim scene in which Lara is clearly traumatized after drowning a henchman in a muddy puddle.

Also on hand are six «Deleted Scenes» (9:05, HD), the film's «Gag Reel» (7:19, HD) and a pointless «A-Team Theme Mash - Up Montage» (1:36, HD) of action clips from the feature, and the film's «Theatrical Trailer» (2:25, HD).

Their film features perhaps the first action scene we've ever seen where we cared more about what was happening in a character's relationship than how many kills he was about to rack up — and then, once it was done, felt simultaneously exhilarated by the visceral power of what was happening immediately, and the emotional stakes of what that set piece took him (and us) away from.

has everything that was great about the first two films: chainsaws, sharks that eat D - listers, action scenes divorced from the laws of physics and product placement galore.

A Chan film wouldn't be complete without comedy, and while he does some great physical gags that emerge from the action scenes, the best comic moments do not come from Chan but co-star Anita Mui.

Compelling car chase scenes with nods to action films from days gone by scream throughout, and, when it gets right down to the nitty gritty, Arnold and crew still deliver thrills with a smile.

This is the same big action scene teased in the first photo from the film, though now that we have a full trailer there's obviously a whole bunch of thrilling action to see.

The «Game of Thrones» star confronts Lily James» Elizabeth Bennet in a scene from the upcoming action - horror film.

From there we are subjected to retreads of the first film, unfunny jokes, and action scenes that aren't thrilling in the slightest.

One probably expects a film starring Keanu Reeves would be filled with action, but aside from one scene (two if you count watching him eat an entire cupcake), Generation Um

As one would expect from the filmmakers behind «The Matrix» and «Speed Racer,» the film is colorful and filled with top - notch special effects and action scenes; a chase through the skies of Chicago moves so fast that it's a wonder of construction, and it doesn't wear out its welcome like a few other set pieces, including a climactic showdown on Jupiter (the planet).

The film was funny as hell and I laughed from beginning to end, but what stood out the most was the end - credits scene that had a very catchy song and comedicly foreshadowed upcoming sequels, merchandise, action figures, contract disputes, and video games.

Eros's nice two - disc edition of the film includes a packed bonus disc featuring all the film's trailers and TV spots, behind - the - scenes featurettes on the film's action sequences and key musical numbers, as well as a collection of 30 complete (but, alas, unsubtitled) song scenes from other films by producer Boney Kapoor.

Mostly all the action scenes work well as we would expect from a Bay film but the film isn't filled with them as we've come to expect from him.

This film provides the strong example that CG can be matched with live - action to justify reality — from the fantastically choreographed scenes to the extreme details in every space explosion, to the shots that take the viewer's perspective from third person to first person.

Ahead of the Blu - ray and DVD release, three deleted scenes from George Miller's post-apocalyptic action film have made their way online.