Sentences with phrase «actions scenes here»

Sure, none of the action scenes here are especially original, but they're well executed and appropriately brutal body collectors that are filmed vividly enough to actually see them.

The best setpiece in «Winter Soldier,» Cap taking out a bunch of would - be assassins in an elevator, had a frenzied smallness that was much more exciting than watching helicarriers crash and monuments crumble; it seems to have inspired the better action scenes here — not just a stairwell punch-fest that finds Bucky swinging from a torn - up stretch of railing like Tarzan on a vine, but in a bigger, louder, wilder clash between Avengers (including emergency ringers Spider - Man, Ant - Man and Black Panther) on an airport runway.

You can watch an early animatic for one of the film's proposed action scenes here.

So it wouldn't have things like «insert action scene here» or «[xxx] find out who said this» for my non-fiction or «xx research this.»

Not exact matches

Here's a very cool idea that'll keep your child entertained for hours: Use your cell phone to take photos or videos of action scenes (or let older kids do this themselves if they're careful with the phone).

If you're expecting something great here, you'll be greatly disappointed as the film is pretty stupid in the way it tackles its action scenes.

She has an eye for landscape, a love of light — relish the infernal glare of the dust whenever a driver here hits the brakes at night — and an all - too - rare mastery of geography in an action scene.

Because the nerves have grown numb now, there are scenes of cruel torture in the picture — the kind that a troubled child would enact on his action figures after a few days of standard play: Dr. Strange at the mercy of glass needles, Nebula (Karen Gillan) bloodlessly segmented like a plasticine exhibit in a sadist's medical museum... The atrocity escalates because there's nothing at stake here.

As the Oscar - winning actor reprises his vice-presidential role in action sequel London Has Fallen, here's a look back at his worthier film scenes

However, repetition sets in and the escalation of set pieces reaches some sort of a peak here: there are good - to - great action, chase and fight scenes (Bryan Singer's X-Men films still have an edge on depicting superpowers) but there's also a limit to the number of times people can be kicked through walls before the scraps start to feel samey.

If you can forgive the narrative scenes, there is plenty here for fans of old fashioned, one - man - army action movies.

All of these action scenes are great fun in the moment, but they ultimately prove to be somewhat exhausting — it feels like there's one set piece too many here — and makes the promising story feel mostly forgettable.

«There are no dramatic new features,» admitted, Ebihara, «but there's a reliable sort of fun here, like there always is, between the new action scenes and the charming story.

Here we also have a foreshadowing of Tarantino's rhythm in the action scenes to come, as the two fighters pause as Vernita's daughter arrives home from school.

But the action here is all political as coaches are managers play one another behind the scenes, like in a national game of chess.Director Reitman even uses a neat trick here showing different frames of the action taking place at the same time.

There is a lot of flair and bravado to the action sequences here, whether it be in - car chases, boat chases, Nazi torture doctors, and powerful slaps that can knock a man out while keeping him standing still upright, but your left solely appreciating the idiosyncratic nature of it all alongside some admittedly wonderful cinematography that captures these scenes with, again, style.

It's packed full of clichés from start to finish and whilst Johnson has proven himself as a charismatic action star, here he is restricted to flying above disaster scenes and having heartfelt conversations.

There are a few action sequences of shocking coherence in «Transformers: The Last Knight,» the fifth of Michael Bay's clang - clang - clang - went - the - robot adventures, but fear not, fans of the franchise: if you're here for the director's trademark chaos editing (where fights go from points A to D to Q), toxic masculinity (and female objectification), comedy scenes rendered tragic (and vice versa), and general full - volume confusion, you'll get all those things in abundance.

James Rhodes / War Machine (Don Cheadle) has a smaller, but meaningful role to play in the proceedings here by comparison, while Clint Barton / Hawkeye (Jeremy Renner) and Scott Lang / Ant - Man (Paul Rudd) are the established MCU players who get the least onscreen development - but Civil War makes up for that by giving these characters some of the best action scenes in the movie.

There are action scenes involved here but that's not Ramsay's primary focus.

The special effects are fine and there a few quality action sequences (the dwarves barrel escape scene is a standout), but, once again, there is no resolution and yet Jackson sets - up the conclusion in such an obvious fashion that you wish he simply took another 20 minutes and ended it here.

This is a tiny nitpick though as there aren't loads of action scenes where he does this and we're talking 2 second shots here and there.

The plot here is entirely predictable but as with Ozu's family dramas the real meat is in the film's visual aesthetic and cultural context, at once captured most intensely during a scene where Teresa witnesses a financial crisis - related suicide with all the suddenness of an Alfonso Cuaron action sequence and Chen captures her jaded shock by shooting her from low angles through light - heavy filters.

Still, no one can doubt the director can cook up some well - crafted action scenes — backed here by a thrilling electronic score by Hans Zimmer.

Following Castile, Prince of the Foxes was the second novel by Samuel Shellabarger the studio flipped into a film, and while less epic in scope (no globe - trotting here), the story still gave audiences solid moments of superbly crafted action in some stirring combat and battle scenes, and a nasty villain named Cesare Borgia (played with dribbling glee by Orson Welles).

He looks old here, made up with a gray beard and wizard robes, aside from his introductory scenes, he doesn't really get time or space to develop his Taoist Gandalf character, nor does he have much opportunity to show off his fighting skills, given the supernatural nature of the action (Lam Ching - ying gets such a chance in a too - small cameo role as «The Purple Taoist»).

But here again, credit must be shared by director Fincher, who imbues scene after bickering scene with the kind of headlong momentum one associates with action thrillers.

Action or fight scenes don't just happen here for the sake of an actor getting to look cool (Affleck looks pretty damn badass in this, I must admit) but rather any fist fight or gun battle takes place because the story demands it.

All of that being said, there is still some fun to be had here, as the performances from Aaron Taylor - Johnson, Chloe Grace Moretz, and (especially) Jim Carrey are all extremely fun to watch, the action scenes are exciting and bad - ass, some of the humor really works, and a good amount of the dramatic material is effective.

Yesterday during Disney's live - action panel at the D23 Expo, Lucasfilm unveiled a behind - the - scenes sizzle reel for Star Wars: The Last Jedi [watch it here], along with character posters for Daisy Ridley's Rey, John Boyega's Finn and Carrie Fisher's General Leia [see here].

«Deleted Scenes» (13:50, SD) are actually largely extended scenes, but there are plenty of gems here, including amusing trims of Walken and Ewen Bremner and even a bit more aScenes» (13:50, SD) are actually largely extended scenes, but there are plenty of gems here, including amusing trims of Walken and Ewen Bremner and even a bit more ascenes, but there are plenty of gems here, including amusing trims of Walken and Ewen Bremner and even a bit more action.

(My only complaint is that some of the action scenes feel perfunctory, and it's clear ticking boxes on the action checklist is not what Coogler is here for, which is fine.

Such scenes would usually provide depth and reason for the main character's actions but here they feel cheap and forced to the point of being laughable.

If one of the impressive feats of the first film was the way Whedon was able to juggle everyone, both narratively and in the action scenes, I'm afraid he's outnumbered here.

There are a number of startling action scenes to be found here, and one mighty fine car chase.

The action scenes are still cool to watch (they just don't come close the original's setpieces), the cast continues to be at the top of their game, and there are some good laughs here and there.

In addition to accurately depicting many of the action - packed scenes from the book, Lawrence has also brought his attention to the series» most powerful themes, making sure to include some of the key lessons from the final book in here.

In order to combat that feeling of repetitiveness, what they do here is add a few more fight scenes and a very interesting shoot out that's not exactly what we've come to expect from any action movie.

The action scenes sound fantastic here, offering nice bass response and surround sound effects.

Despite the palpable electricity between McQueen and Dunaway, the original's romance felt rushed and therefore somewhat forced; here, screenwriter Leslie Dixon (who shares screenplay credit with Kurt Wimmer, who, in a unique arrangement, handled only the action scenes) fleshes out the love story, showing how their basic desire develops into real affection.

Director Kathryn Bigelow gives the proceedings a hefty dose of style, using a lot of dreamy slow motion and quick editing, and staging the action scenes with great energy; her most brilliant work here are the on - screen recreations of the SQUID clips, shot in long takes and with appropriately edgy and shaky handheld camera work.

Here, the bare bones feel familiar, and despite psychologically rich performances, and some cleverly staged action scenes there's just not a great deal we can get purchase on, and very little to surprise.

Petersen is good at action scenes, and he has plenty of scenes here to work with.

If, as in the close - up in Before Midnight, the reaction is related to everything else going on in the scene (here the counterpoint to the dramatic action with Jesse and Henry), then it almost certainly comes from the writers.

Universal and Legendary have released an «On the Set» featurette for Pacific Rim Uprising which takes us behind the scenes of the upcoming sci - fi action sequel and includes interviews with the cast and crew; watch it here..

Director Breck Eisner (son of Disney chief Michael Eisner) helms his first major film here (and honestly, given who he is, I wasn't expecting much) and fills the movie with some very nicely composed shots and gives the action scenes a very exciting edge.

The most dynamic of action scenes can't hold up without a dramatic spine, and there's nothing here to support but the most basic of retribution yarns.

Here is a movie that exists in the world of superheroes but focuses on its characters and its story rather than special effects and loud action scenes.

As well as watching all the action live right here, follow us on Twitter and Instagram to see some behind the scenes photos.

Here is some behind the scenes action from the World Premiere of Captain America: The Winter Soldier: