Not exact matches
Her reading of Henri Bergson's theory of «living energy» is demonstrated in her paintings with
active forms covering the entire
picture plane, as she «believes in the interconnected nature of all living things...» [1] As such, she was among the early practitioners of the «all - over» painting style along with Jackson Pollock.
The figures, forms, architectural elements, and space, which are constituted by layers of overlapping imagery that exist between abstraction and representation, remain
active on the
picture plane with their seemingly melting colors.
This sculptural extension established a physically immediate and
active connection with the viewer, who now approached not a flat
picture plane but a dimensional and bodily one.