Sentences with phrase «activities as a curator»

His various activities as a curator have become an essential part of his work and research process.

Throughout, I maintained my professional activities as a curator, in the main, making exhibitions that exposed international audiences to British and Caribbean art.

Throughout her career Archer - Straw has maintained her professional activities as a curator in the main making exhibition's that expose international audiences to British and Caribbean art.

The myth that has grown around his life and art operates at the intersection between the artist's provocative persona, nomadic restlessness, and addictive habits, on the one hand, and, on the other, a seemingly bottomless oeuvre that encompasses not only «works» in every conceivable medium but also his activities as a curator, collector, organizer, and scenester.

Not exact matches

Previously she served for six years as chief curator of the Corcoran Gallery of Art where she coordinated all museum activities.

In her catalogue essay, Guest Curator Catherine de Zegher, former Director of The Drawing Center in New York City and currently Co-Director of the 18th Biennale of Sydney, writes, «Seen as an open - ended activity, drawing is characterized by a line that is always unfolding, always becoming.»

Among Langsam's other activities, she is curator of such exhibitions as Color as Structure at Frederieke Taylor Gallery in NYC and The Big Bang at SPACES Gallery in Cleveland, OH.

The curator will consider the following criteria during the selection process: the quality of the work as demonstrated by samples submitted with the application; the originality of vision as well as technical expertise of the work; and the record of professional activity and achievement as reflected in the resume.

«It's not necessarily a faux pas to email a curator to ask for a studio visit without knowing them, but as an artist, I would make sure that my work and the ideas at play in my work resonate with the activities of the curator (exhibitions, writing, etc.) that I'm approaching.

But while some paintings fit the curators» description of «active portraiture,» more often the sitters» «momentary cessation of ongoing activity» looks static indeed, even awkward, as in the 1818 portrait Elizabeth Eichelberger Ridgely (Lady with a Harp).

There are four types of residencies, including local organizations in residence, where arts organizations have their offices and activities on our campus; local artists in residence, where LA - based artist occupy either live / work or day work studios for 1 year or more; a visiting artist program that hosts international and national artists and curators from between 1 to 3 months; and the Artist Lab Residency program, structured as both a residency and an exhibition for an LA - based artist in our Main Gallery.

My career as a curator outside of my gallery activity gave me the opportunity of continuing with all of these artists.

AS - AP's activities and programs are designed to provide artists, curators, archivists, researchers, scholars, and students with an opportunity to engage with the centers of alternative visual arts movements and activities from the 1950's to the present.

At the end of the 1990s he retired from his work as a diplomat at the European Union and the United Nations to devote himself fully to his activities as an artist and curator.

Beyond Objecthood focuses on innovative figures, artworks, and institutions that pioneered the exhibition as a critical form, tracing its evolution through the activities of curator Harald Szeemann, relational art, and New Institutionalism.

Stephanie Haboush Plunkett, chief curator of the Norman Rockwell Museum in Stockbridge, Mass., wrote that: «His intricately conceived narratives imbued ordinary activities with a sense of historical importance, seizing the moment almost as it was about to fade.»

Nevertheless the curators seem to have enacted some sort magical transubstantiation, turning an arbitrary organizational premise into an upbeat summary of recent activity on the international circuit, just as we enter a new era when there will likely be fewer» ennials and festivals to nurture new talent.

Grabner is also an acclaimed curator and educator, and her status as a multitasker informs all of her activities.

Borrowing from and reinterpreting Conceptual art and Minimalism, Liam Gillick's work is not confined to a specific form of artistic practice but ranges over his various activities as a critic, writer, designer, curator, filmmaker, professor, and visual artist.

There are five types of residencies, including local organizations in residence, where arts organizations have their offices and activities on our campus; local artists in residence, where LA - based artist occupy either live / work or day work studios for 1 year or more; a visiting artist program that hosts international and national artists and curators from between 1 to 3 months; a curator in residence, who has studio space for one calendar year to conduct research and foster community engagement through ancillary programs, such as symposia, lectures, and artist talks; and the Artist Lab Residency program, structured as both a residency and an exhibition for an LA - based artist.

As part of the studio elective, students may be encouraged to keep sketchbooks and / or diaries, participate in optional activities — such as figure drawing sessions — and search for brief internships, apprenticeships, or other forms of interactions with local artists, designers, curators and criticAs part of the studio elective, students may be encouraged to keep sketchbooks and / or diaries, participate in optional activities — such as figure drawing sessions — and search for brief internships, apprenticeships, or other forms of interactions with local artists, designers, curators and criticas figure drawing sessions — and search for brief internships, apprenticeships, or other forms of interactions with local artists, designers, curators and critics.

For several years he carries out different activities as a critic and curator of contemporary art and applied arts exhibitions, in collaboration with private galleries, institutional spaces in Italy and abroad.

As Chief Curator, he led curatorial activities in art of the Americas, Oceania and Africa, Ancient art, European Paintings and European Decorative Arts and Sculpture, Prints and Drawings, American art, contemporary art and international textiles and costume.

He is currently working as Guest Curator (together with Greg Hobson) of Photo Oxford, a celebration of photography through exhibitions and related activities during the month of September (8th - 24th), featuring Martin Parr, Edgar Martins, Mariken Wessels, Arkady Bronnikov and Sergei Vasilev.

Cortesi Gallery specialises in European artistic movements from the 60s to the present day, and its activity is characterised by a conscious effort to produce relevant displays with the collaboration of specialists in the field, such as external curators, researchers, artists» archives and foundations.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

He is a central figure in European media art through his various activities as an artist, theoretician, and curator.

On the occasion of his show at Betty Cunningham, Bailey, in an interview published in the Huffington Post, mentions a wealth of figurative painting being done by young artists, «at a time when painting is being viewed more and more as a niche activity» and «with little recognition among the museum curators and the galleries.»

KG: I don't necessary feel I have to connect my activities as an independent curator to the fair or vice versa unless there is a raison d' etre.

This collaborative approach to both art and exhibition making reverberates with Higgs» ongoing activities as an artist - curator (he is currently the Director and Chief Curator of White Cocurator (he is currently the Director and Chief Curator of White CoCurator of White Columns).

Public Program and Education The Stedelijk continues its multi-faceted program of activities and events, featuring: performances by acclaimed artists such as Matt Mullican and Ben Kinmont; film evenings with Fiona Tan, Morgan Fisher and Laura Mulvey (among others); Gallery Talks by experts such as Ann Goldstein, Sven Lütticken and Susanne Figner Ruembeli; Collection Close - Ups with curators and conservators sharing their latest research, with Jiro Kamata, Reesa Greenberg, Julia Robinson and others; lectures by artists such as Bert Theis, The Yes Men, Nomeda & Gediminas Urbonas and Teresa Margolles; book presentations; symposia; live music and much more.

That John Waters meme about making books «sexy» again by not sleeping with someone if you go home with them and they don't own books is certainly a theme, to me: Matthew Higgs has both as a curator and artist always sought to make reading a crucial and cool activity in the art world and contributes two new sculptures that literally bring reading into the gallery.

Exhibition curator Andre Jodoin has proposed that these works belong to one class of production which he calls «task - oriented», a term used here to evoke associations with a variety of physical activities, such as walking, crawling, lifting, stretching, maneuvering, etc..

«Had it been published in 1921, Dadaglobe would have recorded the activities of Dada at its climax and before its decline,» as Jeanne Brun wrote in the catalogue to French curator Laurent Le Bon's 2005 Dada exhibition at the Centre Pompidou.