Sentences with phrase «actors are real people»

We all know this is not the real thing in the way the actors are real people.

Not exact matches

When we remember who the real actor is, we feel humbled; but we also experience, like Gregory, a sense of relief: itis Jesus, not we, who leads his flock, heals the wounds of sin, and raises up the people to divine union.

«We also expected that in the condition which was least like real - life, when people thought the scene was pre-recorded, they would look least at the faces of the actors and follow their gaze direction the least.

- Model - Actor - Rapper - Flir t Button Master - Private Photos Artist - Real Person - Real Photos - Romancer - Risk Taker - Thrill Seeker - Great Listener - Music Lover - Movie Buff - Cuddle Enthusiasts I am found not 1 in every 100 or 1 in every 1000 men.

An Online Emissary ™ may be a real person, such as another eroticads.com Member, a digital actor, an avatar or a synthespian (e.g. a computer generated «person» or «character»).

In the next paragraph they state that an «Online Emissary» could be a digital actor or a computer generated person which means that they are not real.

the movie evokes, as this one undoubtedly did, the more there will be a movement of unwarranted ridicule, especially if the actors in the film are good, solid, authentic people in real life.

This is the character actor's debut as a writer and director, and it's a good beginning as Buscemi is able to flesh out real people in an engaging character study, of characters who are not the inventions of Hollywood.

Annaud and his collaborators have got all of the physical details just right, but there is a failure of the imagination here; we do not sense the presence of real people behind the attractive facades of the two main actors.

The gimmick (if that's not too churlish a term) is that the actors are lip - syncing to audio clips of the actual individuals; when their lips move, the real - life people are speaking.

Brings the Dunbar story to life through a technique known as «verbatim theater,» in which actors lip - synch testimony from the real people they're portraying.

Sometimes, brave filmmakers try to cast «real people» as themselves, re-creating their stories, as with Clint Eastwood's recent The 15:17 to Paris, only to realize that «real people» are not trained actors and can not act.

«The reason why it resonates with a lot of people is because of the real life inspiration behind it,» he said, adding that great actors like Patrick Wilson and Vera Farmiga help bring these real people to life on screen.

She believes that by portraying a real person, an actor takes on a lot of responsibility: «You want to do justice to their memory, to their character, to who they were, or who they are in this case.

Language: English Genre: Comedy / Biography MPAA rating: R Director: Shari Springer Berman, Robert Pulcini Actors: Paul Giamatti, Harvey Pekar, Earl Billings Plot: A file clerk finds success writing comics about an everyday man that people seem to enjoy reading about because of the real people he creates.

Elgort is up against three actors playing real people — Carell as male chauvinist Bobby Riggs, Jackman as P.T. Barnum and Franco's take on Tommy Wiseau, the director of one of the worst movies ever made.

Not the fault of the actors but when you have the excellent Danny Huston (30 Days of Night) playing an evil German officer then there is the potential to create a proper villain, a mad genius with grand plans for world domination during a time of great sorrow for the rest of the world, and instead his General Ludendorff is resorted to cracking open gas tablets that give him Hulk - like strength for no real reason and never really pays off in any way; in one scene he locks a group of people in a room with a deadly nerve gas and then decides to snort on his magic capsule before cackling and running off - camera like Jack Nicholson's Joker.

The characters are so earthy that they feel like real people rather than actors...

Following in the same genre as his past efforts (Best In Show and Waiting for Guffman), and using many of the same actors, Christopher Guest presents this mockumentary where any resemblance to real people is purely coincidental — okay, not entirely coincidental... this is a spoof after all.

Based on a true story, the movie unfolds in a mockumentary style, meaning it pretends to be a documentary by using interviews (mostly with actors, although some are people who did know the real life Bernie) to supply the narrative.

Even if age weren't a factor, since the Golden Globes, Chalamet has been continually dwarfed by Oldman, who is in every way a classic best actor winner — a revered industry veteran who underwent a drastic transformation to play a revered real - life person.

When you saw the actors and the real life people, it was pretty amazing seeing how much they looked alike.

The voice actors did exactly what they're supposed to do, which is to say not having me constantly thinking of the real person attached to the voice.

Every actor around him seems worse than they usually would, because Brando is playing a laconic person, a real person.

The scenery and costumes were absolutely stunning, the actors were superb and extremely likeable and there were a number of real life dilemmas in the plot that many people would be able to relate to.

Reviews for his performance were downright staggering, and the Oscars love them someone playing a real life person (see this year's Best Actor category, where four out of five nominees do so).

«Unlikely Heroes: The Characters of The Big Short» (11:28) allows the actors to talk about their roles and to consider the real people being portrayed or composited.

The actor who plays Ted Baxter, a separate and real person named Gil Shepherd (also Daniels), is as perturbed by this development as anyone in the business.

At the film's recent press day, McKay, Lewis, Bale, Carell, Gosling, Hamish Linklater, Jeremy Strong, producer Jeremy Kleiner, and screenwriter Charles Randolph talked about turning the book into a movie and adapting it to the screen, why McKay was the right person to direct, what drew them to the project, how the actors met their real - life counterparts in preparation for their roles, the decision to combine a cinema verite documentary approach with other stylized elements, breaking the fourth wall, and using celebrities and pop culture figures as an entertaining storytelling device to explain complex financial concepts to the audience.

His portrayal of a deeply sad man who is having trouble dealing with his past and moving on with his life is so realistic that we no longer see the actor playing the role, but instead view this character as a real person.

Jordan is a strong enough actor to actually make aspects of this work a little bit, giving us an Oscar Grant who feels like a real person even as he moves through manufactured omen after manufactured omen.

Unlike movies like» Space Cowboys» and» The Expendables», the characters in Red were fleshed out and real people (not to mention, talented actors).

While the series is peopled with high profile actors in supporting roles, including Helen Hunt as the governor, Richard Dreyfuss as a real estate mogul, Will Patton as the sheriff, Stephen Moyer as a sheriff's lieutenant and Jill Hennessy as the mother of one of the deceased boys, the real stars here are James and Lathan.

The real people and the actors are sometimes on screen together, creating an uncanny tension between life and performance.

It's understandable that the filmmakers would feel a bit timid about indulging satire and sensationalism when handling a real person's life story, but if that was the case, they should have reconsidered casting brilliant character actors Hank Azaria and Bobby Canavale as the greasiest mob - affiliated pornographers in Miami, and having them groan things like, «Ohh, now that is art!»

The sad irony is, one million dead, but it is only after seeing actors re-enacting what played out on the news with real people can the rest of the world finally feel a sense of horror and shame.

As relative new - comers, the three actors do an exceptional job making you love the people they are portraying and respect the men for everything the accomplished amidst the brutality of the business and the real world.

AVC: So why wouldn't good actors be more sympathetic or empathetic on average with people in real life?

But it's not as gross as watching actors as talented as these try to make something out of a script that contrives human interaction in such a way that Love Actually becomes quasi-fantastical in its attempts to sell the events as something born out of love — you know, the kind of stuff that gets people by in the real world, not the sweet syrupy stuff in movies.

Plenty of great performances get in, but the easiest path to Best Actor or Best Actress is still to play a real person, put on an elaborate accent, and / or fake some kind of physical, medical, or mental condition.

Sometimes, however, they're replaced by the real Harvey and Joyce, sometimes the actors and the real people hang out on screen together, and the scratchy narrating voice belongs to Pekar alone.

With the exception of Caleb Landry Jones in Heaven Knows What, the directors generally use non-professional actors in their films, often basing their scripts on the real - life experiences of people they meet (two years before she made her acting debut in Heaven Knows What, Arielle Holmes was a homeless heroin addict).

It's uncanny how much the actual actors resemble the real - life people they are playing.

There are no real people in The Producers (Universal)-- only actors laboring to dispel whatever magic they once were thought to possess.

Trained in the art of being able to lift other people's words off the page and make them real, voice actors across the world are embracing the virtual workplace, setting themselves up with home studios, and making themselves available at affordable prices.

We needed real actors, because we needed people with talent because the technology's reached the point where you can tell if someone's an actor and someone's not an actor.

Suspending viewers between the gritty firsthand accounts of people who would typically remain nameless and faceless in the media, and an accessible drama featuring two actors who are the very embodiment of visibility, Love Story reflects on the callousness of a media - saturated culture in which identification with fictional characters and celebrity figures runs parallel to widespread indifference to the plight of those facing real world adversity.

On what appears to be a painted background, actors play out real and imagined interactions between Europeans colonialists and indigenous Pacific peoples, the action spooling leftwards from incident to incident.

«Indigenous people should be considered as real actors in the negotiations; we are not only being affected but we are also the solution,» Gualinga says.

So, for self - employed persons, commission salespersons, real estate agents, actors and others we can't just look at their most recent tax return if it would not be fair.