He's a funny dude, no lie; but we've heard these exact words uttered by thousands, probably literally thousands of other
actors in films similar to this beforehand.
Not exact matches
Actor Joel Edgerton («Warrior,» «Exodus,» «The Great Gatsby») wrote, directed and stars
in the
film, which is clearly reminiscent of
similar thrillers like «Fear,» «Fatal Attraction» and even Michael Haneke's fantastic «Caché,» but gleefully twisted enough to distance itself from the pack.
You'd have
similar cause to complain that the monkeys
in the
film are racist, being voiced by black
actors and depicted as lazy, thuggish layabouts.
There's some very candid, fascinating footage here capturing the process of making the
film (
in, for a surprise revelation, not a real Parisian flat but a studio - built apartment replica surrounded by green screens, not at all dissimilar to David Cronenberg's use of
similar magic for A Dangerous Method, not that you can tell
in either
film in its finished form, where the technology is seamless and unobtrusive), with Haneke working with the
actors in a rigorous, nitty - gritty way that lets us see what infinitesimal precision he's looking for
in performance,
in movement,
in blocking, and
in composition.
Both of the roles could have been tired retreads of
similar characters
in recent
film history, but Gosling and Pitt serve their characters with more devotion than is often seen
in actors of their age.
To his credit, the
film's lucky young star Cameron Bright, who played a
similar role
in Godsend, is able to keep pace with the more experienced
actors, although the deadpan delivery to try to make him believable as an adult
in a child's body tends to drag the scenes down.
Interestingly, it's quite a
similar situation
in that part of the
film his character is played by a child
actor before Patel takes over.
Obviously, they'd bring something different to the roles and the
film — they're not all that
similar to Teller and Hill — but
in the end, Phillips got the
actors he wanted.
With a Lynchian style that combines the lush scenery of Ireland, a 4:3 aspect ratio, older
actors, and frightful visions of a dark figure, the
film feels like an ancient relic of sorts,
in a
similar way that his last
film Ping Pong Summer felt like a product of the 80s.
This unusual
film — which includes
actors discussing their characters and a cameo by Noyce himself — bears witness to its director's roots
in contemporary theatre, which used
similar techniques at the time.
At first, Cusack over-does the tortured genius angle and actually makes the Poe «character» pretty unlikable (especially compared to a
similar schtick from Robert Downey Jr as Sherlock Holmes); however, as the
film's murder plot takes hold, the
actor backs - off from showcasing his practiced version of Poe and locks into a less ambitious, but more likable, approach — simply reacting to the various
in - moment happenings.
Most
actors would struggle to differentiate themselves from the background noise provided by characters and stories
in so many
similar films, novels and tv shows.
Set on the Pine Ridge Reservation
in South Dakota, The Rider is a fiction
film that calls on nonprofessional
actors to play characters
similar to themselves, incorporating their skill sets and experiences.
Benny the Cab» (4:50) and «Toon Stand -
Ins» (3:15) are
similar to the deconstruction, with the former revealing how the car chase scene was made and the latter showing how the
actors used dummies
in place of toons as reference during
filming.
I've held the unpopular opinion for a while now that Leonardo DiCaprio finds himself
in similar positions often, where he's a perfectly fine and solid
actor, but is often cast across from much better
actors in the supporting role and tends to seem underwhelming as the lead of the
film.
He manages
in his first
film to find that combination of cool intelligence that other
actors similar in age like Zac Efron can't seem to grasp.
Leigh, who has produced a movie
similar in worth to his 1996
film Secrets and Lies, again relies on a familiar stable of
actors.
Cheadle first received widespread notice for his portrayal of Mouse Alexander
in the
film Devil
in a Blue Dress, for which he won Best Supporting
Actor awards from the Los Angeles
Film Critics Association and the National Society of
Film Critics and was nominated for
similar awards from the Screen
Actors Guild and the NAACP Image Awards.
An interesting feature called X-Ray for Movies will allow you to tap on any
actor's face
in a movie or television show to bring up that
actor's filmography and other information: This service is being powered by popular
film database IMDB and is
similar to Amazon's X-Ray feature for books on the Kindle Touch, which brings up dictionaries, word glossaries, and other educational tools.