One thing I can assure you is that, once again, veteran voice director Andrea Romano brings
the actors voice performances to their full potential.
Not exact matches
Though Vanity Fair's Richard Lawson admitted that the
voice initally sounds «too synthetic and effortful for a movie that's about some very dire real - world things,» he suggests that the
actor's
performance will win audiences over.
Some of the
voice actors, like Justin Timberlake's prominent turn, strike the viewer as being cast for name recognition over value - adding
performances.
The audio is absolutely superb, with terrific
performances from the cast of experienced
actors and
voice - over artists.
I am a big fan of Scorsese's work, and even more so, the three notable
actors - but by the end, I found myself laughing at the endless whispering voiceovers, the convoluted plot and self indulgent
performances, culminating in my uproarious laughter when the
voice of God encourages a whimpering Garfield to «step on me.»
Iconic Joker
voice actor Mark Hamill weighs in on Jared Leto's
performance as the Clown Prince of Crime in David Ayer's Suicide Squad.
Even the
voice actors are excellent in their
performances.
While
actors Tuppence Middleton (Imitation Game) and Douglas Booth (Noah) provide more nuanced and intriguing
performances as two of the three Abrasax siblings, Redmayne's Balem Abrasax is so over-the-top with his effeminate mannerisms and Bane - style whisper
voice that Jupiter Ascending devolves into a absurd comedy whenever he is onscreen.
Its power comes through its repetition in the movie, not any single
performance — and neither
voice actor Gael Garcia Bernal, whose opening minute was on the timid and slightly shaky side, nor Miguel and Natalia LaFourcade, who followed with the pop duet version, were prepared to do it full justice on their own.
«What I used to say, and what my experience was, is that a lot of
actors I worked with who hadn't done a lot of
voice work before, I found [they] tended to give — especially if they were film
actors — understated
performances.»
Matthew McConaughey wins Best
Actor from the Rome Film Fest, while Scarlett Johansson takes the prize for Actress based on a
voice performance.
The
actor may not look a lick like Baker, but his weathered pretty - boy face fits the troubled trumpeter - vocalist's legend to a T; in a delicate
performance, he emotes subtle notes of tragedy and manipulation through a wheezy, upper - register
voice.
Over the course of a couple of phone chats — one interrupted by a dead cell phone battery — one can hear the earnest joy in her
voice, usually followed by that laughter, when talking about her journey from M. Night Shyamalan's The Village, her feature film debut, to the massive success of Jurassic World despite her character's penchant for running in heels from dinosaurs and, most recently, her 2017 Screen
Actors Guild Award - nominated
performance in an episode of Netflix's Black Mirror.
All
actors»
voice performances add something different to the iconic characters.
Aside from the vulnerable
performance of
voice actor Charlie Tahan, the commendably encouraging parents (played by Catherine O'Hara and Martin Short), and the adorably awkward next - door neighbor Elsa (Winona Ryder), the most striking character is that of Sparky himself.
But none of the headaches and compromises of that picture's embattled production history were enough to quell the warmth and pluck of Yelchin's
performance as Cage's loyal protégé, Milton, in which the
actor did something with the lower register of his
voice that I'd never heard before: Raspy and loquacious, he suddenly seemed a very old man in a very young body, an agency functionary imbued with a surfeit of soul.
The developers clearly wanted to stay as true to the represented franchises as much as possible, as all of the
voice actors provided authentic
performances.
What I will say is that the
performances from the many talented
voice actors are engaging throughout, especially Kevin Hart who pretty much puts forth much effort into everything he does.
That's thanks to
actor Alan Tudyk (A Knight's Tale, Wreck - It Ralph, Firefly), who not only provided the
voice of the reprogrammed Imperial droid, but also did the motion capture
performance on set with the rest of the
actors.
An in - demand destination for film lovers, drawn by unmatched locale and a diverse program of mainstream studio features and new visions from independent
voices from around the world, MVFF also hosts an exciting array of filmmaker and industry conversations, panels, parties, and live music
performances, featuring the most acclaimed emerging and veteran
actors, filmmakers, and musicians of our time.
Over in TV, Empire and black - ish swept their respective categories; Terrence Howard and Taraji P. Henson took home Outstanding
Actor and Actress In A Drama, respectively, with Henson joining numerous other
voices trumpeting black
performances during the night.
In this excerpt from our special edition's commentary track, writer - director Green and
actor Paul Schneider discuss the earthy beauty that fourteen - year - old Candace Evanofski brings to the film as Nasia, the narrator, the movie's particular brand of
voice - over, and the authenticity of the young
actors»
performances.
DVD special features are ample, anchored by a feature - length audio commentary track with director Alvart and producer Jeremy Bolt, in which the pair discuss Alvart's late - in - the - game, pre-production idea of depicting the effects of years of hyper - sleep via sloughing skin, as well as the special challenges involved for Foster in crafting a
performance out of reacting to Quaid's disembodied
voice, since more than half of his material was prerecorded, before the younger
actor's scenes.
Yet even more striking are the
voices that speak the lines: with his leisurely growl, somewhere between trail - grizzled and post-nap, Bridges sounds as if he's talking through his collar, in a vocal
performance that's entertaining no matter what he's saying, whether or not we understand it, and well complemented by the
actor's pose of laid - back appraisal.
Do you have to prepare differently as an
actor for a cartoon
voice as opposed to a full live
performance?
The supporting cast is largely made of obviously dubbed European
actors whose
performances are really only as good as the
voices they are paired with.
The film ultimately belongs to Riggan, who suffers repeated humiliations (learning a drunk Carver probably wrote a prized note, having to wander Times Square in his underwear after a mishap with a stage door, and getting a lambasting from Lindsay Duncan's cruel critic) while the
voice of his movie alter - ego prattles in his head about the
actor's failures, and Keaton, whose
performance finds the right balance between longing determination and outright insanity.
The two
actors offered great
performances, the characters they played were featured only rarely, and the
voices really added something to both games» atmosphere.
It's the kind of
performance we rarely get to see from him as he tends to play the supporting character
actor in more Oscar - caliber films or he's lending his lovable
voice to the Monsters Inc. movies.
But when you have a
voice cast full of serious
actors as you do here, they bring real craft to their
performances and create moments of genuine poignancy.
All of the original film's
voice talent is back, including Patrick Warburton in the title role, David Spade, John Goodman, Eartha Kitt, and in perhaps his final
performance, John Fielder (the recently - deceased long - time Disney
actor best known for
voicing Piglet).
For this subtle
performance, Kojima had to look for a professional
actor, whereas Hayter is more of a traditional
voice actor.
«Classic Backstage Disney:
Voices of Mulan» (2:54) provides recording session clips,
actor comments, and director endorsements of the
performances,
For the rest of the production Laughton is an off - screen
voice providing prompts and coaxing the
actors through multiple takes of their
performances, but his presence is defining.
The other
actors are secondary to his
performance, but the
voicing by Liam Neeson is a perfect fit.
His past audio experience includes production and
voice acting on commercials and radio dramas and as an
actor in stage
performances.
ROCKET RACCOON AND GROOT STEAL THE GALAXY features over 40 talented
voice actors, original music, sound effects and a very special vocal
performance by Groot.
Nor would we be surprised to see some stars onstage as
voice actors in association with even greater Kindle integration and expansion of Amazon's Audible.com subsidiary, following on the recent Audible roll - out of its «A-List» program of
performances featuring Colin Firth, Anne Hathaway, Kate Winslet, Samuel L. Jackson, Dustin Hoffman, Susan Sarandon, and Jennifer Connelly.
Years after I visited scientists determined the limestone seats minimize low - frequency background noise while magnifying higher - frequency
voices, which means
actors could deliver full
performances without modern microphones, so the effect is a bit less magical than when I was there.
An
actor's
performance becomes more impressive as you can hear subtle nuances in their
voice, a sweeping orchestral score becomes a force of nature, sweeping over you, while a game suddenly comes to life with tiny audio details, giving rise to a far better appreciate of sound design.
There's a couple of great
performances from the
voice actors throughout the game, but there's also some terrible ones as well.
The
actor providing Raiden's
voice, the same guy who played Raiden before, delivers a pretty lackluster
performance at times, but epic cutscenes ensure that Raiden comes across as nothing less than a badass that you wouldn't want to mess with, while his own inner demons create a solid foundation for us to relate to the guy.
On the decision to switch
actors, Kojima noted that, «I wanted Snake to have a more subdued
performance, expressed through subtle facial movement, and tone of
voice, rather than words.»
A huge part of the game's success can be directly attributed to the
performances of the talented
actors involved, who provided motion capture as well as
voice acting.
A new
voice actor is playing the role, putting on his best Mark Hamil impression and doing a damn good job of it in the process while bringing in just enough of his own
performance to give the Joker in Origin a distinct sound.
The same attention to detail has gone into the game's audio design, with the soundtrack offering a wide range of brilliantly fitting pieces and the
voice actors giving a stellar
performance in delivering a believable struggle for Senua.
We're regularly shooting scenes for the game in our in - house homemade
performance capture studio and we are excited to be continuing our work with a great group of
actors that are performing the various
voices that Senua hears throughout our journey.
Pretty much everything in the game is done tongue in cheek, and that includes the
performances from the
voice actors led by newcomer Victor Nosslo, who replaces Terence Rotolo as West and does a great job setting the tone.
Excellent
voice work and
performances from the
actors involved help elevate an already solid story.
The game features bravura
performances from favorite
voice actors like Kath Soucie (Phil and Lil, Rugrats) and Maurice LaMarche (Brain, Pinky and the Brain).