Not exact matches
With two
actual jockeys riding the horses in the
movie's big race — recently retired Chris McCarron is on The Admiral as Charles Kurtsinger, Gary Stevens on The Biscuit as Woolf — the scenes ring evocatively true, to
art as well as to history.
Some are still skeptical about the
actual story, but nobody is debating whether or not the
movie will be an exhibition of state - of - the -
art CGI.
The result, in the case of The Dark Knight Rises, is a
movie so rich in lushly cinematic images — with lustrous colors and richly textured night scenes — that it should be displayed side by side with the likes of The Avengers and The Amazing Spider - Man in public forums devoted to educating the audience about what is being lost as the making and exhibiting of films on
actual film becomes a museum
art — the latest, but surely not the last, casualty of Hollywood's relentless focus on the bottom line.
One of the many joys of a good martial
arts movie is that there are
actual characters and something of a plot, as well as well choreographed martial
arts expertise.
Funny, moving, and with a distinct
art style, Paperman was heads and shoulders better than anything that was in the
actual movie.
Christian Marclay: «The Clock» No better countdown to the San Francisco Museum of Modern
Art's three - year closure could have been arranged than Marclay's epic feat of editing thousands of
movie clips into a 24 - hour narrative that constantly, rivetingly tells the
actual time to audiences seeking to escape that awareness.