Not exact matches
And now they've turned Legos — those plastic blocks, with no story or personality — into another energetic and wildly clever animated
film, one that makes its story the
actual experience of playing with these toys.
Here's a classic case
of expectations vs. the
actual experience, which in my case worked heavily against the
film.
(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image
of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to
actual dialogue from the
films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no
actual wrestling
experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.
This is a
film in which acknowledging error is treated as some terrible surrender and betrayal
of trust; in
actual journalism, it's considered a moral obligation — one that, sadly, most people in the field have had some
experience with, in one capacity or another.
Unlike Netflix, Amazon has quickly built up a reputation in terms
of prestige because it gives its
films actual theatrical runs, rather than treating the cinema
experience as an afterthought.
The
actual film is one
of the most terrifying horror movies I've ever
experienced.
I do think Leigh could have fit this character into an
actual tale that revolves around more than just a series
of driving lessons, but even without this typical movie ingredient, Happy - Go - Lucky still provides for a very entertaining
film - going
experience.
On a deeper level, detached from the
actual experience of watching the
film, it's not unfair to question whether attributing human qualities to whales creates a myth about them that obscures their true nature.
It has inspired
films and television shows, but director Kyle Patrick Alvarez» dramatization is the first to use the
actual names and
experiences of those involved.
It's really tough to say more about the
actual events
of Infinity War without ruining the
experience — however, there's something to be said for the lengths to which this
film goes to give an air
of finality and consequence to the Marvel Universe.
1I wonder if you've thought about the function
of scale in terms
of Robert Smithson's work, for example, in the distinct
experiences of encountering the Spiral Jetty (1970), seeing the photographs or drawings, watching the
film, walking on the
actual artwork, reading the text, and thinking about the piece.
Penkala plays with optics and
film conditions as visual bait to conflate the
actual and the representation; fragmenting the visual
experience into a series
of changing moments, into a state
of flux, into an «unfixing»
of conceptual models rather than concretizing them.