Sentences with phrase «actual film production»

Not exact matches

He buys cameras instead of renting them, creates a set of an alley way instead of just shooting in an alley, films on both 35 mm and HD at the same time, and that's before they even start actual production.

Jane Got a Gun is a film whose troubled production was so studiously documented in the press that its actual release at this point feels like nothing more than an afterthought.

Production is underway on the sequel X-Men: Days of Future Past, but the fact that he's now busy filming the actual movie hasn't stopped director Bryan Singer from teasing the superhero pic via photos on Twitter.

Tobman is «Room's» production designer and once filming had wrapped he was smart enough (along with the producers) to put the intricately constructed 11 × 11 ft set of the actual room referenced in the title into storage.

That relationship really carries the first half of the film, and then the film bounces to more of a straightforward comedy when it starts showing the actual production of The Room, which is when the all - star cast shines.

While Goyer and Biel discuss more about the actual production of the film, Reynolds provides plenty of comedy on the side to keep things interesting.

Offering up an amusing look at the creative process and the day - to - day production of the movie, much of the script was based on actual recordings that were made during the filming of «The Room» as well as the memoir by Wiseau's co-star and friend Greg Sistero (Dave Franco).

This film is like watching the actual Broadway production on tape, songs included.

Running nine minutes, it goes just as much into Irving's story than it does the actual production end of the film.

Richard being whisked away to watch Welles perform a radioplay, the actual staging and turmoil of rehearsals, the brilliance of the actual production — these elements allow the film to rise above a mere nostalgia trip.

«The Making of the Counterfeiters» (10:02) is an odd making - of featurette, as it's more interested in the true story behind the film than it is in the actual production.

Along with a screenwriter commentary and blooper reel (both of which appear on the first disc with the movie), the two - disc set also includes a 25 - minute pre-production featurette («Charting the Return») covering (among other things) the struggle of the writers to complete the script in time, a lengthy production featurette («According to Plan») on the actual filming, and a three - part featurette («Mastering the Blade») on weapons training for Bloom, Knightley and Davenport.

The second disc takes a more production - themed approach to the bonus material with a three - part featurette on the development of the film («Developing the Script,» «Finding the Director» and «Focus on Sheffield»), a five - part featurette on the actual production of the film («Anatomy of a Score,» «Stocksbridge Brass Band Blues,» «Song & Dance,» «Editing» and «Translating English to English»), and a short discussion about the film's surprise critical and commercial success.

The Logan Lucky trailer premiered midway through the actual Coca - Cola 600 Sunday in Charlotte, with NASCAR playing a major role in both the production and promotion of the film, the Associated Press reports.

A gallery that compares production sketches of Leonard's many tattoos with actual photographs is good for nothing more than a single look; a feature with more repeat value is a DVD player - ready duplication of the film's official website (otnemem.com), here simply labeled «Memento» (or «Otnemem,» depending on which version of the special features menu you happen to land on).

The delightfully low - tech presentation with a projector and cans of actual film is an appropriate way of seeing his program of Golden - Age Hollywood productions, most of them from the 1930s and early»40s.

This is the first Christopher Nolan film to be based on actual events, and as such he opts for maximum realism at all times, aided by the embarrassment of riches at his disposal (special mentions go to cinematographer Hoyte Van Hoytema and production designer Nathan Crowley).

In his 1996 autobiography, «Magic Hour,» director Jack Cardiff wrote extensively on the money problems that shut down production on «William Tell,» and the doc has Cardiff discussing the film, with archival location photos and actual footage from the incomplete movie.

A number of works document the process of making, whether filming the actual production process or including references to certain prevalent forms of technology such as the Internet and desktop editing.

Philippe Parreno (born 1964) is interested more in the dynamics of how a work of art is shown to the public than in its actual production, and in his films, installations, performances and texts, he subverts the codes normally applied to exhibition spaces.

The finished films, which often draw on folklore, fairy tales, literature, Hollywood cinema, and actual news, appear as distorted and otherworldly documentary - style productions.

But after discussing immersive theater with producer Gordon Bijelonic, Bousman hatched the idea to create an actual immersive production as a precursor to the film.