Sentences with phrase «actual lives of men»

We need to understand how knowledge can go right or wrong in the actual lives of men, beginning with our estimation of what it means to be human.

Not exact matches

To this actual, living, present Word of God addressed to a man there must be the reply of an actual, present decision of faith.

(19) She points to the actual physiological superiority possessed by women in their ability to carry, birth, and nurture new life, showing how many men are envious of this power.

But the actual man whom friends called «Jack» had a «horrible» personal life, thought he had failed as a defender of Christianity and spent so much time in pubs that his publishers initially struggled selling him to a religious audience, scholars say.

His assumption that the kind of life he prizes can stand up rootless against the contemporary storm has nothing to commend it in the actual experience of men.

So the point of Whitehead's example in the above passage would be that in talking about the membership of the complex structured society which is a total man, in the ordinary sense of the term, one is referring not to a subordinate society, such as the enduring object which is the life, or soul, of the man, but to all the individual actual occasions in all the subordinate societies and subordinate nexus which make up the man.

The Torah is not an objective law independent of man's actual relationship to God: it bestows life only on those who receive it in association with its Giver, and for His sake.

The job of a Christian preacher, he said, is to «proclaim the given gospel to the given world,» The given gospel — that is to say, the gospel which has come to him from the Christian tradition which he represents and for which in his preaching function he speaks; the given world — that is to say, men and women in their actual concrete situation, with their interests and worries, their concerns and their problems, And the two are to go together, so that the gospel will be heard and (one hopes) accepted by those who hear its proclamation as directly relevant to their own lives.

That is, when men had learned to understand God as a person and his will as a body of moral teaching, they continued to recognize his supreme importance for human life, but his actual present effectiveness became a matter of belief rather than of immediate apprehension.

----- So I answer her and you, knower of all things, guru of my life experiences, the man with the crystal ball, ---- wait a minute; are you telling me as I describe my relationship with God that I haven't had an actual experience, as I describe to Lynn with God?

Even as Zen repudiates all actual ways to enlightenment, so in the last resort nothing is gained by enlightenment of satori, and thus the life of the sage is no different from the life of ordinary men.

It may be said to be the essential characteristic of religion as contrasted with morality, that it changes aspiration into fruition, anticipation into realization; that instead of leaving man in the interminable pursuit of a vanishing ideal, it makes him the actual partaker of a divine or infinite life.

Elsewhere Cobb is careful to specify that both God and man are best characterized as living persons consisting respectively of societies of actual occasions (CNT 188, 192).1 In the present context, consequently, it is clear that we are to understand God to be present in man in the same manner in which one actual occasion is present within another and that this presence concerns the aims at the fulfillment of a concrescing occasion in a living person by the occasions or «prehended data» in its past.

I suspected when I first heard this claim that the Committee on the Status of Black Americans, loaded as it was with social scientists, had demolished a straw man, a bloodless construct so rigidly defined as to be meaningless in terms of the actual lives of the humans who inhabit the nation's ghettos and who, for the most part, make up what has come to be called the underclass.

The actual life, death and resurrection of a man form the great center of the story.

A man can only exhibit objectively a change in his own disposition, a faith which directs his life and a belief in its significance, in the actual business of living.

Watching the four men — of varying ages and dispositions — grappling to accommodate a real, actual woman is less a source of cosy comedy than a significant disturbance in the balance of their lives.

Fred Armisen eviscerated the governor during Weekend Update (Armisen - as - Paterson: «I'm a blind man who loves cocaine, who was suddenly appointed governor of New York; my life is an actual plot from a Richard Pryor movie») and his impression at times felt incredibly inappropriate.

Supplementing what faithful fetish chat live viewers might find to be far too pass» for their breed of folk, Mistress Preston takes on a more dominating role wherein you'll witness her engaging in leather - bridled pony play; the real - life smothering of an innocent teddy bear; enforced orgasms;» co-ed wrestling ala Andy Kaufman; panty / stocking face - sitting; armpit sniffing;» jerking a guy off with an actual pearl necklace wrapped around his wiener; taking a load of non-orthodontist recommended man - paste onto her braces; and, some other atypical activities starring cigars, balloons and shoes.

As a young Sugar Baby, whether you're simply starting out or have actually been around the sugar bowl for a while, you» veprobably heard about or read about fake Sugar Daddies, often called Salt Daddies (these are outright phony profiles or fraudsters) or Splenda Daddies (men that want the sugaring way of life but lack the actual capital to pull it off).

Also noteworthy, in the category of cinema ruled by cultural concerns and actual political events, was Carlos (d. Olivier Assayas), which kept a packed auditorium of critics in their seats for over five hours with a glossy, but intelligent action film version of the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monkof cinema ruled by cultural concerns and actual political events, was Carlos (d. Olivier Assayas), which kept a packed auditorium of critics in their seats for over five hours with a glossy, but intelligent action film version of the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monkof critics in their seats for over five hours with a glossy, but intelligent action film version of the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monkof the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monkof a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monkOf Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monkof ascetic Christian monks.

Based on his one - man show of the same name (which was in turn inspired by actual events from his life), the film is a witty, sharply written human comedy about professional rejection and the fear of commitment.

If there is one thing to be said about the new documentary Marley - which looks back over life and career of Bob Marley - it's that it clearly demonstrates the reality that many of us who think we know Bob Marley still have a lot to learn about the actual man, and the realities of his life story.

Based on his one - man show of the same name (which was in turn inspired by actual events from his life), the film is a witty and consistently funny human comedy about the fear of commitment, and hands - down my favorite movie at this year's SXSW.

But a long - tressed Rickman's appearance as the Sun King notwithstanding, the actual man in Sabine's life turns out to be her immediate employer - turned - bedmate, André Lenôtre, the designer extraordinaire (local commissions included St James's Park in London) who is dismissive of Sabine before proceeding over time to fall for her, the two finding in one another's company respite from the abrasions of life that have led them toward the contrasting order and beauty of nature.

For me, it was nice to have actual laps of Le Mans with live traffic, changing track conditions and the setup changes we ran through today.

Sweet makes use of collage that includes actual childhood photographs of White, as well as other archival materials, like rough drafts of manuscripts, as she unfolds the life and works of the man that children fell in love with through novels like Charlotte's Web and Stuart Little.

2008 Heralded as the new black, Ikon Gallery, Birmingham, UK Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, IT

Giotto's radical naturalism, Caravaggio's dramatic use of light, Courbet's heroic working man, Picasso's placing an actual piece of rope in a cubist still life are innovations that changed the evolution of art.

«I am afraid there are people who want to stop the economic growth, the rise in the standard of living (though not their own) and the ability of man to use the expanding wealth, science and technology for solving the actual pressing problems of mankind, especially of the developing countries.»

Whatever is happening in the great outdoors regarding actual climate, inside the minds of men overwhelming evidence indicates that Catastrophic Anthropogenic Global Warming is a self - sustaining narrative that is living off our mental capacity, either in symbiosis or as an outright cultural parasite; a narrative that is very distanced from physical real - world events.

Whatever is happening in the great outdoors regarding actual climate epidemics, inside the minds of men overwhelming evidence indicates that Catastrophic Anthropogenic Global Warming the Germ Theory of Disease is a self - sustaining narrative that is living off our mental capacity, either in symbiosis or as an outright cultural parasite; a narrative that is very distanced from physical real - world events.

A one - letter change in Virginia's writ of actual innocence law five years ago that was dismissed by some as inconsequential may have made a big change in the life of a Chesapeake man exonerated last week of a 1977 rape.

To jump right in, this shot of the living room with Hunter was an outtake of the image that made the magazine article without him... Hunter had a ongoing love affair with the photographer and crew and he made one shot for the actual magazine but not all;; He is a ladies man, he loves attention!